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Benjamin Jonson was an English playwright and poet. Jonson's artistry exerted a lasting influence on English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Fox, The Alchemist (1610) and Bartholomew Fair (1614) and for his lyric and epigrammatic poetry. He is regarded as "the second most important English dramatist, after William Shakespeare, during the reign of James I."
Sir William Davenant, also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned both the Caroline and Restoration eras and who was active both before and after the English Civil War and during the Interregnum.
This article contains information about the literary events and publications of 1634.
This article contains information about the literary events and publications of 1632.
This article contains information about the literary events and publications of 1625.
This article contains information about the literary events and publications of 1622.
This article contains information about the literary events and publications of 1619.
This article contains information about the literary events and publications of 1616.
This article contains information about the literary events and publications of 1613.
This article contains information about the literary events and publications of 1608.
This article contains information about the literary events and publications of 1605.
This article contains information about the literary events and publications of 1604.
This article presents lists of the literary events and publications in 1603.
Robert Johnson was an English composer and lutenist of the late Tudor and early Jacobean eras. He is sometimes called "Robert Johnson II" to distinguish him from an earlier Scottish composer. Johnson worked with William Shakespeare providing music for some of his later plays.
Ben Jonson collected his plays and other writings into a book he titled The Workes of Benjamin Jonson. In 1616 it was printed in London in the form of a folio. Second and third editions of his works were published posthumously in 1640 and 1692.
Oberon, the Faery Prince was a masque written by Ben Jonson, with costumes, sets and stage effects designed by Inigo Jones, and music by Alfonso Ferrabosco and Robert Johnson. Oberon saw the introduction to English Renaissance theatre of scenic techniques that became standard for dramatic productions through the coming centuries.
Love Freed from Ignorance and Folly was a Jacobean era masque, written by Ben Jonson and designed by Inigo Jones, with music by Alfonso Ferrabosco. It was performed on 3 February 1611 at Whitehall Palace, and published in 1616.
Pleasure Reconciled to Virtue is a Jacobean era masque, written by Ben Jonson and designed by Inigo Jones. It was first performed on Twelfth Night, 6 January 1618, in the Banqueting House at Whitehall Palace. The work's failure on its initial performance, and its subsequent revision, marked a significant development in Jonson's evolving masque technique.
The Masque of the Inner Temple and Gray's Inn, also known as, The Masque of the Olympic Knights, is an English masque created in the Jacobean period. It was written by Francis Beaumont and is known to have been performed on 20 February 1613 in the Banqueting House at Whitehall Palace, as part of the elaborate wedding festivities surrounding the marriage of Princess Elizabeth, the daughter of King James I, to Frederick V, Elector Palatine.
Events from the 1610s in England.
References
- 1 2 3 Williams, Hywel (2005). Cassell's Chronology of World History . London: Weidenfeld & Nicolson. pp. 243–248. ISBN 0-304-35730-8.
- ↑ Palmer, Alan; Palmer, Veronica (1992). The Chronology of British History. London: Century Ltd. pp. 170–172. ISBN 0-7126-5616-2.
- ↑ E. K. Chambers, The Elizabethan Stage, 4 Volumes, Oxford, Clarendon Press, 1923; Vol. 2, pp. 220–241.
- ↑ Jack Zipes (2015). The Oxford Companion to Fairy Tales. Oxford University Press. p. 325. ISBN 978-0-19-968982-8.
- ↑ William Shakespeare (2001). The Tempest. Oxford University Press. p. 118. ISBN 978-0-19-832031-9.