The Highwayman (poem)

Last updated

"The Highwayman" is a romantic ballad and narrative poem written by Alfred Noyes, first published in the August 1906 issue [1] of Blackwood's Magazine , based in Edinburgh, Scotland. The following year it was included in Noyes' collection, Forty Singing Seamen and Other Poems, becoming an immediate success. In 1995 it was voted 15th in the BBC's poll for "The Nation's Favourite Poems".

Contents

Plot

The poem, set in 18th-century rural England, tells the story of an unnamed highwayman who is in love with Bess, a landlord's daughter. Betrayed to the authorities by Tim, a jealous ostler, the highwayman escapes ambush when Bess sacrifices her life to warn him. Learning of her death, he is killed in a futile attempt at revenge ("so they shot him down on the highway, like a dog upon the highway"). In the final stanza, the ghosts of the lovers meet again on winter nights.

Background

The poem was written on the edge of a desolate stretch of land known as Bagshot Heath in Surrey, where Noyes, then aged 24, had taken rooms in a cottage. In his autobiography, he recalled: "Bagshot Heath in those days was a wild bit of country, all heather and pinewoods. 'The Highwayman' suggested itself to me one blustery night when the sound of the wind in the pines gave me the first line." The poem was completed in about two days. [2]

Literary qualities

"The Highwayman" is reputed to be "the best ballad poem in existence for oral delivery". [3] It makes use of vivid imagery to describe surroundings ("the road was a gipsy's ribbon, looping the purple moor - ") and repetitious phrases to emphasise action ("A red-coat troop came marching - marching - marching -"). Almost half a century later, Noyes wrote, "I think the success of the poem... was because it was not an artificial composition, but was written at an age when I was genuinely excited by that kind of romantic story." [2]

Literary techniques

"The Highwayman" uses hexameter that mixes iambs and anapaests. The rhythm is suggestive of the foot falls of a galloping horse. Noyes frequently uses alliteration, such as the phrase "ghostly galleon", and also uses refrains in each stanza. The genre of this poem seems to be a romance, but like Romeo and Juliet , the poem is a tragedy in the end. This poem can also be called a ballad.[ citation needed ]

Related Research Articles

<span class="mw-page-title-main">Ballad</span> Verse set to music

A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America.

<span class="mw-page-title-main">Epic poetry</span> Lengthy narrative poem, ordinarily detailing extraordinary and heroic deeds

An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants.

<span class="mw-page-title-main">John Masefield</span> English poet and writer (1878-1967)

John Edward Masefield was an English poet and writer, and Poet Laureate from 1930 until his death in 1967. Among his best known works are the children's novels The Midnight Folk and The Box of Delights, and the poems "The Everlasting Mercy" and "Sea-Fever".

Poetry is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.

A quatrain is a type of stanza, or a complete poem, consisting of four lines.

<span class="mw-page-title-main">William Wordsworth</span> English Romantic poet (1770–1850)

William Wordsworth was an English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798).

<span class="mw-page-title-main">Ernest Dowson</span> English writer (1867–1900)

Ernest Christopher Dowson was an English poet, novelist, and short-story writer who is often associated with the Decadent movement.

<span class="mw-page-title-main">Highwayman</span> Archaic term for a mounted robber who steals from travelers

A highwayman was a robber who stole from travellers. This type of thief usually travelled and robbed by horse as compared to a footpad who travelled and robbed on foot; mounted highwaymen were widely considered to be socially superior to footpads. Such criminals operated until the mid- or late 19th century. Highwaywomen, such as Katherine Ferrers, were said to also exist, often dressing as men, especially in fiction.

Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. Narrative poems do not need to rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex. It is normally dramatic, with various characters. Narrative poems include all epic poetry, and the various types of "lay", most ballads, and some idylls, as well as many poems not falling into a distinct type.

<span class="mw-page-title-main">Alfred Noyes</span> English poet

Alfred Noyes CBE was an English poet, short-story writer and playwright.

A highwayman was a criminal who robbed travelers on the road.

<i>I Aint Marching Any More</i> 1965 studio album by Phil Ochs

I Ain't Marching Any More is Phil Ochs' second LP, released on Elektra Records in 1965.

This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms.

A ballade refers to a one-movement instrumental piece with lyrical and dramatic narrative qualities reminiscent of such a song setting, especially a piano ballade. In 19th century romantic music, a piano ballad is a genre of solo piano pieces written in a balletic narrative style, often with lyrical elements interspersed. Emerging in the Romantic era, it became a medium for composers to explore dramatic and expressive storytelling through complex, lyrical themes and virtuosic techniques.

<span class="mw-page-title-main">Ode: Intimations of Immortality</span> Poem by William Wordsworth

"Ode: Intimations of Immortality from Recollections of Early Childhood" is a poem by William Wordsworth, completed in 1804 and published in Poems, in Two Volumes (1807). The poem was completed in two parts, with the first four stanzas written among a series of poems composed in 1802 about childhood. The first part of the poem was completed on 27 March 1802 and a copy was provided to Wordsworth's friend and fellow poet, Samuel Taylor Coleridge, who responded with his own poem, "Dejection: An Ode", in April. The fourth stanza of the ode ends with a question, and Wordsworth was finally able to answer it with seven additional stanzas completed in early 1804. It was first printed as "Ode" in 1807, and it was not until 1815 that it was edited and reworked to the version that is currently known, "Ode: Intimations of Immortality".

<span class="mw-page-title-main">The Lucy poems</span> Five poems written by William Wordsworth

The Lucy poems are a series of five poems composed by the English Romantic poet William Wordsworth (1770–1850) between 1798 and 1801. All but one were first published during 1800 in the second edition of Lyrical Ballads, a collaboration between Wordsworth and Samuel Taylor Coleridge that was both Wordsworth's first major publication and a milestone in the early English Romantic movement. In the series, Wordsworth sought to write unaffected English verse infused with abstract ideals of beauty, nature, love, longing, and death.

<i>A Song Flung Up to Heaven</i> Maya Angelous sixth autobiography book

A Song Flung Up to Heaven is the sixth book in author Maya Angelou's series of autobiographies. Set between 1965 and 1968, it begins where Angelou's previous book All God's Children Need Traveling Shoes ends, with Angelou's trip from Accra, Ghana, where she had lived for the past four years, back to the United States. Two "calamitous events" frame the beginning and end of the book—the assassinations of Malcolm X and Martin Luther King Jr. Angelou describes how she dealt with these events and the sweeping changes in both the country and in her personal life, and how she coped with her return home to the U.S. The book ends with Angelou at "the threshold of her literary career", writing the opening lines to her first autobiography, I Know Why the Caged Bird Sings.

<i>The Highwayman</i> (1951 film) 1951 film by Lesley Selander

The Highwayman is a 1951 American historical adventure film directed by Lesley Selander and starring Philip Friend, Wanda Hendrix and Cecil Kellaway. The film was shot in Cinecolor and distributed by Allied Artists, the prestige subsidiary of Monogram Pictures. It was based on the poem of the same name by Alfred Noyes.

<span class="mw-page-title-main">Poetry of Maya Angelou</span> Maya Angelous poetic works

Maya Angelou, an African-American writer who is best known for her seven autobiographies, was also a prolific and successful poet. She has been called "the black woman's poet laureate", and her poems have been called the anthems of African Americans. Angelou studied and began writing poetry at a young age, and used poetry and other great literature to cope with trauma, as she described in her first and most well-known autobiography, I Know Why the Caged Bird Sings. She became a poet after a series of occupations as a young adult, including as a cast member of a European tour of Porgy and Bess, and a performer of calypso music in nightclubs in the 1950s. Many of the songs she wrote during that period later found their way to her later poetry collections. She eventually gave up performing for a writing career.

<span class="mw-page-title-main">Sympathy (poem)</span> 1899 poem by Paul Laurence Dunbar

"Sympathy" is an 1899 poem written by Paul Laurence Dunbar. Dunbar, one of the most prominent African-American writers of his time, wrote the poem while working in unpleasant conditions at the Library of Congress. The poem is often considered to be about the struggle of African-Americans. Maya Angelou titled her autobiography I Know Why the Caged Bird Sings from a line in the poem and referenced its themes throughout her autobiographies.

References

  1. "The Highwayman". Blackwood's Magazine on Internet Archive. Retrieved 16 February 2015.
  2. 1 2 3 Alfred Noyes 'Two Worlds for Memory. Philadelphia: J. B. Clipping, 1953, p. 38.
  3. Iona and Peter Opie (eds). The Oxford Book of Narrative Verse. Oxford University Press, 1983, p. 399.
  4. "The Highwayman". 12 August 1951 via IMDb.