1597 in literature

Last updated

List of years in literature (table)
+...

This article contains information about the literary events and publications of 1597.

Contents

Events

New books

Prose

Drama

Poetry

Births

Deaths

Related Research Articles

<span class="mw-page-title-main">English Renaissance theatre</span> Theatre of England between 1562 and 1642

The English Renaissance theatre or Elizabethan theatre was the theatre of England from 1558 to 1642. Its most prominent playwrights were William Shakespeare, Christopher Marlowe and Ben Jonson.

<span class="mw-page-title-main">Richard Burbage</span> 16th/17th-century English actor and theatre owner

Richard Burbage was an English stage actor, widely considered to have been one of the most famous actors of the Globe Theatre and of his time. In addition to being a stage actor, he was also a theatre owner, entrepreneur, and painter. He was the younger brother of Cuthbert Burbage. They were both actors in drama. Burbage was a business associate and friend to William Shakespeare.

This article contains information about the literary events and publications of 1601.

This article presents lists of the literary events and publications in 1600.

This article contains information about the literary events and publications of 1596.

This article contains information about the literary events and publications of 1594.

Philip Henslowe was an Elizabethan theatrical entrepreneur and impresario. Henslowe's modern reputation rests on the survival of his diary, a primary source for information about the theatrical world of Renaissance London.

<span class="mw-page-title-main">The Swan (theatre)</span> Former theatre in London, England

The Swan was a theatre in Southwark, London, England, built in 1595 on top of a previously standing structure, during the first half of William Shakespeare's career. It was the fifth in the series of large public playhouses of London, after James Burbage's The Theatre (1576) and Curtain (1577), the Newington Butts Theatre and Philip Henslowe's Rose (1587–88).

<span class="mw-page-title-main">The Theatre</span> An Elizabethan playhouse located in Shoreditch, London (1576–1598)

The Theatre was an Elizabethan playhouse in Shoreditch, just outside the City of London. Built in 1576, after the Red Lion, it was the first permanent theatre built exclusively for the showing of theatrical productions in England, and its first successful one. Actor-manager James Burbage built it near the family home in Holywell Street. The Theatre's history includes a number of important acting troupes including the Lord Chamberlain's Men, which employed Shakespeare as actor and playwright. After a dispute with the landlord, the theatre was dismantled and the timbers used in the construction of the Globe Theatre on Bankside.

The Lord Chamberlain's Men was a company of actors, or a "playing company", for which William Shakespeare wrote during most of his career. Richard Burbage played most of the lead roles, including Hamlet, Othello, King Lear, and Macbeth. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronized by James I.

<span class="mw-page-title-main">Blackfriars Theatre</span>

Blackfriars Theatre was the name given to two separate theatres located in the former Blackfriars Dominican priory in the City of London during the Renaissance. The first theatre began as a venue for the Children of the Chapel Royal, child actors associated with the Queen's chapel choirs, and who from 1576 to 1584 staged plays in the vast hall of the former monastery. The second theatre dates from the purchase of the upper part of the priory and another building by James Burbage in 1596, which included the Parliament Chamber on the upper floor that was converted into the playhouse. The Children of the Chapel played in the theatre beginning in the autumn of 1600 until the King's Men took over in 1608. They successfully used it as their winter playhouse until all the theatres were closed in 1642 when the English Civil War began. In 1666, the entire area was destroyed in the Great Fire of London.

In Renaissance-era London, playing company was the usual term for a company of actors. These companies were organised around a group of ten or so shareholders, who performed in the plays but were also responsible for management. The sharers employed "hired men" – that is, the minor actors and the workers behind the scenes. The major companies were based at specific theatres in London; the most successful of them, William Shakespeare's company the King's Men, had the open-air Globe Theatre for summer seasons and the enclosed Blackfriars Theatre in the winters. The Admiral's Men occupied the Rose Theatre in the 1590s, and the Fortune Theatre in the early 17th century.

<span class="mw-page-title-main">George Carey, 2nd Baron Hunsdon</span> English noble and politician

George Carey, 2nd Baron Hunsdon KG was the eldest son of Henry Carey, 1st Baron Hunsdon and Anne Morgan. His father was first cousin to Elizabeth I of England. In 1560, at the age of 13, George matriculated at Trinity College, Cambridge.

<span class="mw-page-title-main">John Lowin</span> 16th/17th-century English actor and theatre sharer

John Lowin was an English actor.

The Admiral's Men was a playing company or troupe of actors in the Elizabethan and Stuart eras. It is generally considered the second most important acting troupe of English Renaissance theatre.

Lord Strange's Men was an Elizabethan playing company, comprising retainers of the household of Ferdinando Stanley, Lord Strange. They are best known in their final phase of activity in the late 1580s and early 1590s. After 25 September 1593, they were known as the Earl of Derby's Men, that being the date of Stanley's accession to his father's title.

The Lady Elizabeth's Men, or Princess Elizabeth's Men, was a company of actors in Jacobean London, formed under the patronage of King James I's daughter Princess Elizabeth. From 1618 on, the company was called The Queen of Bohemia's Men, after Elizabeth and her husband the Elector Palatine had their brief and disastrous flirtation with the crown of Bohemia.

Francis Langley (1548–1602) was a theatre builder and theatrical producer in Elizabethan era London. After James Burbage and Philip Henslowe, Langley was the third significant entrepreneurial figure active at the height of the development of English Renaissance theatre.

The Earl of Sussex's Men was a playing company or troupe of actors in Elizabethan and Jacobean England, most notable for their connection with the early career of William Shakespeare.

<span class="mw-page-title-main">Inn-yard theatre</span>

In the historical era of English Renaissance drama, an Inn-yard theatre or Inn-theatre was a common inn with an inner courtyard with balconies that provided a venue for the presentation of stage plays.

References

  1. Andrew Gurr; Professor of English Andrew Gurr (23 January 1992). The Shakespearean Stage, 1574-1642. Cambridge University Press. p. 42. ISBN   978-0-521-42240-6.
  2. Stanley Wells (28 November 2002). Shakespeare Survey. Cambridge University Press. p. 27. ISBN   978-0-521-52388-2.
  3. Duncan-Jones, Katherine (2001). Ungentle Shakespeare: scenes from his life . London: Arden Shakespeare. p.  97. ISBN   1-903436-26-5.
  4. "Dating the Play". Digital Renaissance. Retrieved 6 November 2024.
  5. Glynne Wickham; ‎Herbert Berry; ‎William Ingram, eds. (2000). English Professional Theatre, 1530-1660. Cambridge University Press. p. 101.
  6. James Fitzmaurice-Kelly (1913). Miguel de Cervantes Saavedra: A Memoir. Clarendon Press. p. 98.
  7. Francis Bacon (1876). Bacon's Essays. Longmans, Green, and Company. p. 273.
  8. Christopher Marlowe (15 October 2010). Edward the Second. Broadview Press. p. 226. ISBN   978-1-55111-910-6.
  9. Jan Campanus Vodňanský (1597). Turcicorum tyrannorum qui inde usque ab Otomanno rebus Turcicis praefuerunt, Descriptio. Typis Otthmarianis.
  10. Henslowe, Philip (1908). Henslowe's Diary, Part II: Commentary. A. H. Bullen. p. 178. Retrieved 17 March 2019.
  11. Wikisource-logo.svg This article incorporates text from a publication now in the public domain :  Chisholm, Hugh, ed. (1911). "Voiture, Vincent". Encyclopædia Britannica . Vol. 28 (11th ed.). Cambridge University Press. p. 177.
  12. Glynne William Gladstone Wickham (2002). 1576 to 1660, Part I. Psychology Press. p. 15. ISBN   978-0-415-19785-4.
  13. Maria Muccillo: Il platonismo all'Università di Roma: Francesco Patricius. In: Roma e lo Studium Urbis, Rome 1992, pp. 200–247, p. 234, note 88.
  14. Lajb Fuks; Renate G. Fuks-Mansfeld (1984). Hebrew Typography in the Northern Netherlands, 1585-1815: Historical Evaluation, and Descriptive Bibliography. BRILL. p. 17. ISBN   90-04-07056-7.
  15. The Encyclopaedia Britannica, Or, Dictionary of Arts, Sciences, and General Literature. Adam and Charles Black. 1842. p. 239.
  16. (in German) "Miller, Jakob". Neue Deutsche Biographie. Duncker & Humblot.