1656 in literature

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This article contains information about the literary events and publications of 1656.

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Events

New books

Prose

Children

Drama

Poetry

Births

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<span class="mw-page-title-main">William Davenant</span> English poet and playwright (1606–1668)

Sir William Davenant, also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned both the Caroline and Restoration eras and who was active both before and after the English Civil War and during the Interregnum.

Events from the year 1714 in literature.

This article contains information about the literary events and publications of 1677.

This article contains information about the literary events and publications of 1668.

This article contains information about the literary events and publications of 1667.

This article contains information about the literary events and publications of 1663.

This article contains information about the literary events and publications of 1662.

This article presents lists of the literary events and publications in 1661.

This article contains information about the literary events and publications of 1660.

This article contains information about the literary events and publications of 1639.

This article contains information about the literary events and publications of 1630.

<span class="mw-page-title-main">John Ford (dramatist)</span> English poet and playwright (1586 – c. 1639)

John Ford was an English playwright and poet of the Jacobean and Caroline eras born in Ilsington in Devon, England. His plays deal mainly with the conflict between passion and conscience. Although remembered primarily as a playwright, he also wrote a number of poems on themes of love and morality.

<span class="mw-page-title-main">John Fletcher (playwright)</span> English playwright (1579–1625)

John Fletcher was an English playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the Stuart Restoration, his fame rivalled Shakespeare's. Fletcher collaborated in writing plays, chiefly with Francis Beaumont or Philip Massinger, but also with Shakespeare and others.

<span class="mw-page-title-main">Lisle's Tennis Court</span> Building in London, England

Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was rebuilt in 1714, and used again as a theatre for a third period, 1714–1732. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres.

Events from the year 1656 in England.

Events from the 1630s in England.

Nationality words link to articles with information on the nation's poetry or literature.

James Smith was a clergyman who became Archdeacon of Barnstaple in 1660. He was also much admired for his wit, and collections of his satirical verse were published in the 1650s.

The Downs Station also known as the Commander-in-Chief, the Downs or Admiral Commanding at the Downs was a formation of the Kingdom of Great Britain and then the United Kingdom's Royal Navy based at Deal. It was a major command of the Royal Navy from 1626 until 1834.

<span class="mw-page-title-main">Henry Harris (actor)</span> English actor and theatre manager

Henry Harris was an English stage actor and theatre manager. Initially a painter he was a founder member of the new Duke's Company in 1660 following the Restoration which established itself at the old Salisbury Court Theatre before moving to the new Lincoln's Inn Fields Theatre shortly afterwards. Due to his background Harris may have been a set designer and painter during his early years with the company. However, by 1661 he was acting, and his first recorded role was in William Davenant's The Siege of Rhodes that summer. He quickly established himself as the second actor in the troupe after Thomas Betterton.

References

  1. Arthur F. Marotti (1995). Manuscript, Print, and the English Renaissance Lyric. Cornell University Press. p. 268. ISBN   0-8014-8238-0.
  2. Bevis, Richard W. (2014). English Drama: Restoration and Eighteenth Century 1660-1789. Routledge. p. 19. ISBN   978-1-317-87092-0.
  3. Nadler, Steven (2001). Spinoza: A Life (1st ed.). Cambridge University Press. p. 120. ISBN   978-0-521-00293-6.
  4. David Masson (1877). The Life of John Milton: 1654-1660. Macmillan and Company. p. 281.
  5. David Seed (1 May 1995). Anticipations: Essays on Early Science Fiction and its Precursors. Syracuse University Press. p. 2. ISBN   978-0-8156-2640-4.
  6. 1 2 "Margaret Cavendish". The British Library. Retrieved 26 March 2019.
  7. Robert F. Roden (1905). The Cambridge Press, 1638-1692: A History of the First Printing Press Established in English America, Together with a Bibliographical List of the Issues of the Press. Dodd, Mead. p. 67.
  8. Mark McCartney; Andrew Whitaker (15 September 2003). Physicists of Ireland: Passion and Precision. CRC Press. p. 17. ISBN   978-1-4200-3317-5.
  9. William Edward Flaherty (1857). The Annals of England: An Epitome of English History. John Henry and James Parker. p. 300.
  10. Thomas Gage (1840). The History of Rowley: Anciently Including Bradford, Boxford, and Georgetown, from the Year 1639 to the Present Time. F. Andrews. p. 382.