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The Rambler was a periodical (strictly, a series of short papers) by Samuel Johnson.
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The Rambler was a periodical (strictly, a series of short papers) by Samuel Johnson.
The Rambler was published on Tuesdays and Saturdays from 1750 to 1752 [1] and totals 208 articles. [2] It was Johnson's most consistent and sustained work in the English language. Though similar in name to preceding publications such as The Spectator and The Tatler , Johnson made his periodical unique by using a style of prose which differed from that of the time period. The most popular publications of the day were written in the common or colloquial language of the people whereas The Rambler was written in elevated prose. As was then common for the type of publication, the subject matter was confined only to the imagination of the author (and the sale of the publication); typically, however, The Rambler discussed subjects such as morality, literature, society, politics, and religion. Johnson included quotes and ideas in his publication from Renaissance humanists such as Desiderius Erasmus and René Descartes. His writings in The Rambler are considered to be neoclassical.
The Rambler was written primarily for the newfound, rising middle-class of the 18th century, who sought social fluency within aristocratic social circles. It was especially targeted to the middle-class audience that were increasingly marrying into aristocratic families in order to create socio-economic alliances, but did not possess the social and intellectual tools to integrate into those higher social circles which required great understanding of subjects, as listed above in the Description. Copies of The Rambler were written in essay form and were made cheaply available to the middle-class. In his fourth section of The Rambler (31 March 1750), Johnson points out that he would like to "Join both profit and delight in one" in the prelude; that is, provide intellectual profit and literary delight to those who read his work. This desire to "join both profit and delight" streams throughout the publications, and is particularly resonant of Classical literary design. The majority of the subject matter in The Rambler focused more on moral than social issues. In this sense, Johnson's writings were didactic, although he maintains an explorative attitude rather than a strictly instructive voice.
As its author lamented in its final essay, "I have never been much a favourite to the publick," the publication was not an immediate success. Perhaps this was due to Johnson's departure from The Spectator, which could be considered his precedent. The latter was a periodical published from 1711 to 1712 by Joseph Addison and Richard Steele, popular for its light treatment of elevated subjects by "enliven[ing] morality with wit." In tone and subject matter, The Rambler was both lengthier and more serious than its popular ancestor in the genre. It also had a strong element of didacticism. The Rambler contained more sermon-like reflective essays and lacked the Spectator's "dramatic" qualities. [3]
There were many however who religiously read and appreciated the publication. In his biography of Johnson, James Boswell quotes one contemporary review of The Rambler by Bonnell Thornton and George Colman, "May the publick favours crown his merits, and may not the English, under the auspicious reign of George the Second, neglect a man, who, had he lived in the first century, would have been one of the greatest favourites of Augustus." [4] [5] The Rambler was widely respected for the quality and power of the writing and the masterful use of language and rhetoric.
In 1901, Herbert Vivian produced a magazine called "The Rambler" that he intended as a revival of Johnson's periodical. The revived magazine only lasted until 1902. [6]
Samuel Johnson, often called Dr Johnson, was an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor, and lexicographer. The Oxford Dictionary of National Biography calls him "arguably the most distinguished man of letters in English history".
A Dictionary of the English Language, sometimes published as Johnson's Dictionary, was published on 15 April 1755 and written by Samuel Johnson. It is among the most influential dictionaries in the history of the English language.
James Boswell, 9th Laird of Auchinleck, was a Scottish biographer, diarist, and lawyer, born in Edinburgh. He is best known for his biography of his friend and older contemporary the English writer Samuel Johnson, which is commonly said to be the greatest biography written in the English language. A great mass of Boswell's diaries, letters and private papers were recovered from the 1920s to the 1950s, and their ongoing publication by Yale University has transformed his reputation.
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Elizabeth Carter was an English poet, classicist, writer, translator, linguist, and polymath. As one of the Bluestocking Circle that surrounded Elizabeth Montagu, she earned respect for the first English translation of the 2nd-century Discourses of Epictetus. She also published poems and translated from French and Italian, and corresponded profusely. Among her many eminent friends were Elizabeth Montagu, Hannah More, Hester Chapone and other Bluestocking members. Also close friends were Anne Hunter, a poet and socialite, and Mary Delany. She befriended Samuel Johnson, editing some editions of his periodical The Rambler.
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The Tatler was a British literary and society journal begun by Richard Steele in 1709 and published for two years. It represented a new approach to journalism, featuring cultivated essays on contemporary manners, and established the pattern that would be copied in such British classics as Addison and Steele's The Spectator, Samuel Johnson's The Rambler and The Idler, and Goldsmith's Citizen of the World. The Tatler would also influence essayists as late as Charles Lamb and William Hazlitt. Addison and Steele liquidated The Tatler in order to make a fresh start with the similar Spectator, and the collected issues of Tatler are usually published in the same volume as the collected Spectator.
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