Blinking Sam

Last updated

Portrait of Samuel Johnson
Blinking Sam
Portrait of Samuel Johnson ("Blinking Sam").jpg
Artist Joshua Reynolds
Yearc.1775
Medium Oil on canvas
Subject Samuel Johnson
Dimensions76 cm× 63 cm(30 in× 25 in)
Location The Huntington, San Marino, California, United States
Accession2006.22

Portrait of Samuel Johnson, also known as Blinking Sam, is an oil-painted portrait of English lexicographer Samuel Johnson reading, created by English artist Joshua Reynolds around 1775. The painting highlights Johnson's vision problems, which led Johnson to deride the painting and say that he would not be "Blinking Sam", as quoted in Hester Thrale's Anecdotes of the Late Samuel Johnson . The artwork has since been noted to be the "best-known" portrait of Johnson, and became an Internet meme in 2012. The painting is located at The Huntington Library, San Marino, California, United States, where it is on display.

Contents

Background

Samuel Johnson was an English author and lexicographer, and is considered to be "arguably the most distinguished man of letters in English history" by the Oxford Dictionary of National Biography . [1] He established his literary reputation with the publication of A Dictionary of the English Language , the "first full collation of the English language". [2] [3] [4] Joshua Reynolds, a close friend of Johnson, was an English portrait painter and aesthetic theorist. [5] [6] According to The Oxford Companion to British History, "[a]lmost every person of note in the second half of the 18th [century] had their portrait painted by Reynolds." [7] Among these portraits were four of Johnson, [6] whom Reynolds emulated and with whom he had founded the Literary Club alongside Edmund Burke and Oliver Goldsmith. [5]

Ocular health of Johnson

Johnson had an infection in his left eye, and contracted king's evil at approximately two years of age, both of which severely affected his eyesight. [1] [8] His left eye was weaker than his right, although the latter had been inflamed in 1756. [8] Various sources attest to his nearsightedness, which led Johnson to read text with the material very close to his face; [8] however, contemporary accounts of his capacity for seeing are often contradictory, with some describing his vision as reasonably good. [8] [9]

Composition

According to James Northcote, Reynolds' pupil and fellow painter, the painting was created in the year 1775; however, it could have been begun earlier if it is the same item recorded in a transaction in Reynolds' ledger on May 12, 1774. [10] :112 The oil on canvas [11] painting in a feigned oval [10] :111 depicts a myopic Johnson in his signature brown coat squintingly reading an unbound book or a pamphlet bent back to front by holding it close to his face, with light falling on his face and hands. [6] [11] [12] Reynolds, who was himself deaf, [13] may have linked the portrait to an earlier self-portrait of himself cupping his ear to symbolize his disability. [6]

Johnson's reaction

Self-Portrait as a Deaf Man by Joshua Reynolds, c. 1775. Johnson said that Reynolds "may paint himself as deaf if he chooses" but that "I will not be Blinking Sam." Sir Joshua Reynolds - Self-Portrait as a Deaf Man - Google Art Project.jpg
Self-Portrait as a Deaf Man by Joshua Reynolds, c. 1775. Johnson said that Reynolds "may paint himself as deaf if he chooses" but that "I will not be Blinking Sam."

According to Hester Thrale's Anecdotes of the Late Samuel Johnson , Johnson reacted negatively to the painting and rejected being depicted as "Blinking Sam". [12] [6] [8] [10] :112 Thrale reported the following: [14]

When Sir Joshua Reynolds had painted [Johnson's] portrait looking into the slit of his pen, and holding it almost close to his eye, as was his general custom, he felt displeased, and told me "he would not be known by posterity for his defects only, let Sir Joshua do his worst." I said in reply that Reynolds had no such difficulties about himself, and that he might observe the picture which hung up in the room where we were talking represented Sir Joshua holding his ear in his hand to catch the sound. "He may paint himself as deaf if he chooses," replied Johnson, "but I will not be Blinking Sam."

Hester Thrale, Anecdotes of the Late Samuel Johnson

Johnson had defined to blink as "to see obscurely" in his dictionary, in which he quoted Shakespeare's The Merchant of Venice to provide an example of the word: "What's here! the portrait of a blinking ideot[ sic ]." [a] [8] [15] Johnson may have remembered the quote when he reacted to the portrait. [6]

Northcote wrote in The Life of Sir Joshua Reynolds that Reynolds did not intend any offense by the painting: [16]

It is evident, however, that Sir Joshua meant not to hurt [Johnson's] feelings: indeed, his general politeness and attention at all times, both to the comfort and to the foibles of his friends, are particularly exemplified in this year[.]

James Northcote, The Life of Sir Joshua Reynolds

Provenance

The portrait was acquired by Loren and Frances Rothschild of Los Angeles, California, United States in 1987. Loren stated that he was a collector of Johnson-related memorabilia, including images, letters, and early editions of his works. [12] After they bought the painting, the two kept it over a fireplace in their home library before gifting it to The Huntington in San Marino, California in 2006, [12] where it is currently on display. [11]

Interpretation and legacy

An example of an Internet meme featuring the painting Samuel Johnson meme.jpg
An example of an Internet meme featuring the painting

UCI professor of English Robert Folkenflik connected Reynolds' self-portrait and his portrait of Johnson to a Dutch tradition of representing the human senses in art. [6] In his biography of Johnson, Kai Kin Yung suggests the portrait was intended to be a joke, and then states that "Reynolds's painting triumphantly transformed his friend's defect into an engaging study." [10] :112 In Dr Johnson's Heart, Daniel Cook says that the artwork is the "best-known" portrait of Johnson. [17] Susan Rather notes that Reynolds often made more introspective and singular likenesses of close friends in private contexts, which explains Johnson's focus on reading, rather than on the viewer. [18] English art critic William Hazlitt commented that the portrait "has altogether that sluggishness of outward appearance,—that want of quickness and versatility,—that absorption of faculty, and look of purblind reflection, which were characteristic of his mind." [19]

Internet meme

Blinking Sam gained popularity as an Internet meme template beginning in 2012, often used to express confusion or shock in reaction to a line of text or an absurd situation. The painting is typically featured alongside a second painting of Johnson by Reynolds from 1772, showing Johnson with a bewildered facial expression. [20] The meme is often accompanied by a caption reading "What the fuck did I just read?". [21]

See also

Notes

Related Research Articles

<span class="mw-page-title-main">Joshua Reynolds</span> English painter (1723–1792)

Sir Joshua Reynolds was an English painter who specialised in portraits. Art critic John Russell called him one of the major European painters of the 18th century. He promoted the "Grand Style" in painting, which depended on idealisation of the imperfect. He was a founder and first president of the Royal Academy of Arts and was knighted by George III in 1769.

<span class="mw-page-title-main">Samuel Johnson</span> English writer and lexicographer (1709–1784)

Samuel Johnson, often called Dr Johnson, was an English writer who made lasting contributions as a poet, playwright, essayist, moralist, literary critic, sermonist, biographer, editor, and lexicographer. The Oxford Dictionary of National Biography calls him "arguably the most distinguished man of letters in English history".

<span class="mw-page-title-main">Hester Thrale</span> Welsh writer and socialite (1740/1741–1821)

Hester Lynch Thrale Piozzi was a Welsh writer and socialite who was an important source on Samuel Johnson and 18th-century British life. She belonged to the prominent Salusbury family of Anglo-Welsh landowners, and married firstly a wealthy brewer, Henry Thrale, with whom she had 12 children, then a music teacher, Gabriel Mario Piozzi. Her Anecdotes of the Late Samuel Johnson (1786) and her diary Thraliana, published posthumously in 1942, are the main works for which she is remembered. She also wrote a popular history book, a travel book, and a dictionary. She has been seen as a protofeminist.

<span class="mw-page-title-main">John Opie</span> English historical and portrait painter (1761–1807)

John Opie was an English historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were notable in the artistic and literary professions.

<span class="mw-page-title-main">James Northcote</span> English painter

James Northcote was a British painter. He became a member of the Royal Academy in 1787, and a member of the Royal Institute of the Netherlands in 1809.

<span class="mw-page-title-main">Henry Thrale</span> 18th-century English politician

Henry Thrale was a British politician who sat in the House of Commons from 1765 to 1780. He was a close friend of Samuel Johnson. Like his father, he was the proprietor of the large London brewery H. Thrale & Co.


Streatham Park is an area of suburban South West London that comprises the eastern part of Furzedown ward in the London Borough of Wandsworth, formerly in the historic parish of Streatham. It is bounded by Tooting Bec Common to the north, Thrale Road and West Road to the west and the London to Brighton railway to the east.

<span class="mw-page-title-main">Streatham Worthies</span>

The Streatham Worthies is the collective description for the circle of literary and cultural figures around the wealthy brewer Henry Thrale and his wife Hester Thrale who assembled at his country retreat Streatham Park and were commemorated by a series of portraits by Joshua Reynolds.

<span class="mw-page-title-main">Francis Barber</span> Jamaican manservant and assistant of Samuel Johnson (c. 1742/3 –1801)

Francis Barber, born Quashey, was the Jamaican manservant of Samuel Johnson in London from 1752 until Johnson's death in 1784. Johnson made him his residual heir, with £70 a year to be given him by trustees, expressing the wish that he move from London to Lichfield, Staffordshire, Johnson's native city. After Johnson's death, Barber did this, opening a draper's shop and marrying a local woman. Barber was also bequeathed Johnson's books and papers, and a gold watch. In later years he had acted as Johnson's assistant in revising his famous Dictionary of the English Language and other works. Barber was also an important source for James Boswell concerning Johnson's life in the years before Boswell himself knew Johnson.

<span class="mw-page-title-main">John Lade</span>

Sir John Lade, 2nd Baronet was a prominent member of Regency society, notable as an owner and breeder of racehorses, as an accomplished driver, associated with Samuel Johnson's circle, and one of George IV's closest friends. While that monarch was still Prince Regent, Lade attracted high society scorn for the extent of his debts and his choice of marriage to low-born beauty Letitia, who was generally supposed to have been the mistress of the executed highwayman John Rann and the Regent's next-youngest brother, the Duke of York.

<i>Thraliana</i> Book by Hester Thrale

The Thraliana was a diary kept by Hester Thrale and is part of the genre known as table talk. Although the work began as Thrale's diary focused on her experience with her family, it slowly changed focus to emphasise various anecdotes and stories about the life of Samuel Johnson. The work was used as a basis for Thrale's Anecdotes of the Late Samuel Johnson, but the Thraliana remained unpublished until 1942. The anecdotes contained within the work were popular with Thrale's contemporaries but seen as vulgar. Among 20th-century readers, the work was popular, and many literary critics believe that the work is a valuable contribution to the genre and for providing information about Johnson's and her own life.

The Anecdotes of the Late Samuel Johnson or the Anecdotes of the Late Samuel Johnson, LL.D. During the Last Twenty Years of His Life by Hester Thrale, also known as Hester Lynch Piozzi, was first published 26 March 1786. It was based on the various notes and anecdotes of Samuel Johnson that Thrale kept in her Thraliana. Thrale wrote the work in Italy while she lived there for three years after marrying Gabriel Piozzi.

A Biographical Sketch of Dr Samuel Johnson was written by Thomas Tyers for The Gentleman's Magazine's December 1784 issue. The work was written immediately after the death of Samuel Johnson and is the first postmortem biographical work on the author. The first full length biography was written by John Hawkins and titled Life of Samuel Johnson.

<span class="mw-page-title-main">Hester Maria Elphinstone, Viscountess Keith</span>

Hester Maria Elphinstone, Viscountess Keith, born Hester Maria Thrale, was a British literary correspondent and intellectual. She was the eldest child of Hester Thrale, diarist, author and confidante of Samuel Johnson, and Henry Thrale, a wealthy brewer and patron of the arts. She became the second wife of George Elphinstone, 1st Viscount Keith.

Frances Reynolds was a British artist, and the youngest sister of Sir Joshua Reynolds.

<span class="mw-page-title-main">Peter Toms (painter)</span>

Peter Toms RA was an English portrait and drapery painter, i.e. a painter specialising in depicting drapery for the works of other artists. He was a founding member of the Royal Academy. He was also the Portcullis Pursuivant at the College of Heralds.

<span class="mw-page-title-main">John Hazlitt</span> English painter

John Hazlitt was an English artist who specialised in miniature portrait painting. He was the eldest brother of William Hazlitt – a major essayist of the English Romantic period, as well as an artist and radical social commentator – and had a significant influence on his career.

<i>According to Queeney</i> 2001 novel by Beryl Bainbridge

According to Queeney is a 2001 Booker-longlisted biographical novel by English writer Beryl Bainbridge. It concerns the last years of Samuel Johnson and his relationship between Hester Thrale and her daughter 'Queeney'. The bulk of the novel is set between 1765 and his death in 1784, with the exception of the correspondence from H. M. Thrale (Queeney) to Laetitia Hawkins from 1807 onwards, at the end of the chapters.

<span class="mw-page-title-main">Jane Baldwin</span>

Jane Baldwin born Jane Maltass was a Ottoman Empire-born beauty who moved to England. She was an exotic "pretty Greek" model for leading artists in Vienna and England. She joined London society and assisted her husband in obtaining his position in Egypt.

References

  1. 1 2 Rogers, Pat (2004). "Johnson, Samuel (1709–1784), author and lexicographer" . Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/14918 . Retrieved July 20, 2024.(Subscription or UK public library membership required.)
  2. Box, M. A. (2002), "Johnson, Samuel", Encyclopedia of the Enlightenment, Oxford University Press, doi:10.1093/acref/9780195104301.001.0001, ISBN   978-0-19-510430-1 , retrieved July 20, 2024
  3. Birch, Dinah (January 1, 2009), Birch, Dinah (ed.), "Johnson, Samuel", The Oxford Companion to English Literature, Oxford University Press, ISBN   978-0-19-280687-1 , retrieved July 20, 2024
  4. Lewer, Andrew Iain (2015), "Johnson, Samuel", The Oxford Companion to British History, Oxford University Press, ISBN   978-0-19-967783-2 , retrieved July 20, 2024
  5. 1 2 Rosenfeld, Jason M. (August 21, 2014), "Reynolds, Joshua", Encyclopedia of Aesthetics, Oxford University Press, ISBN   978-0-19-974710-8 , retrieved July 20, 2024
  6. 1 2 3 4 5 6 7 Folkenflik, Robert (2011), Lynch, Jack (ed.), "Representations", Samuel Johnson in Context, Literature in Context, Cambridge: Cambridge University Press, pp. 62–82, doi:10.1017/cbo9781139047852.013, ISBN   978-0-521-19010-7 , retrieved July 20, 2024
  7. Cochrane, June (2015), "Reynolds, Sir Joshua", The Oxford Companion to British History, Oxford University Press, ISBN   978-0-19-967783-2 , retrieved July 20, 2024
  8. 1 2 3 4 5 6 Wilson, Graham A. (September 1, 2004). "Blinking Sam: The Ocular Afflictions of Dr Samuel Johnson". Archives of Ophthalmology. 122 (9): 1370–1374. doi:10.1001/archopht.122.9.1370. ISSN   0003-9950. PMID   15364718.
  9. Wade, Nicholas J (2008). "Blinking Sam Johnson's Perception". Perception. 37 (12): 1779–1782. doi: 10.1068/p3712ed . ISSN   0301-0066. PMID   19227371.
  10. 1 2 3 4 Yung, Kai Kin; Wain, John; Robson, W. W.; Fleeman, J. D. (1984). Samuel Johnson, 1709-84 . London: Herbert Press. ISBN   978-0-906969-45-8.
  11. 1 2 3 "Portrait of Samuel Johnson ("Blinking Sam")". emuseum.huntington.org. Retrieved July 20, 2024.
  12. 1 2 3 4 Boehm, Mike (December 12, 2006). "'Blinking Sam' to be in full view". Los Angeles Times . Archived from the original on December 25, 2023. Retrieved July 20, 2024.
  13. Jones, Robert W. (February 28, 2024). "Joshua Reynolds and Deafness: Listening, Hearing, and Not Hearing in Eighteenth-Century Portraiture". Oxford Art Journal. 46 (3): 357–377. doi: 10.1093/oxartj/kcad026 via Oxford Academic.
  14. Piozzi, Hester Lynch (1901). Morley, Henry (ed.). Anecdotes of the late Samuel Johnson, LL.D.During the Last Twenty Years of His Life (Cassell and Company ed.). Cassell and Company.
  15. Johnson, Samuel (1773). "To BLINK". A Dictionary of the English Language . Retrieved August 1, 2024.
  16. Northcote, James (June 24, 1813). The Life of Sir Joshua Reynolds. Getty Research Institute (2nd ed.). London: Henry Colburn. p. 4.
  17. Cook, D. (June 1, 2010). "Dr Johnson's Heart". The Cambridge Quarterly. 39 (2): 186–195. doi:10.1093/camqtly/bfq006. ISSN   0008-199X.
  18. Rather, Susan (1993). "Stuart and Reynolds: A Portrait of Challenge". Eighteenth-Century Studies. 27 (1): 61–84. doi:10.2307/2739277. ISSN   0013-2586. JSTOR   2739277.
  19. Hazlitt, William (1902). Glover, Arnold; Waller, A. R. (Alfred Rayney) (eds.). The collected works of William Hazlitt, Vol. 11 (of 12).
  20. Brinkhof, Tim (May 27, 2024). "Art Behind the Meme: Two Comical Portraits of a Serious English Scholar". Artnet News. Retrieved July 20, 2024.
  21. Hathaway, Jay (April 28, 2017). "How a juice that hurts your bones is bringing back wholesome memes". The Daily Dot. Retrieved July 20, 2024.