Sir Joshua Reynolds was an English painter who specialised in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting, which depended on idealisation of the imperfect. He was a founder and first president of the Royal Academy of Arts and was knighted by George III in 1769.
The National is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859.
John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
Sir Henry Raeburn was a Scottish portrait painter. He served as Portrait Painter to King George IV in Scotland.
A cenotaph is an empty tomb or a monument erected in honour of a person or group of people whose remains are elsewhere. It can also be the initial tomb for a person who has since been reinterred elsewhere. Although the vast majority of cenotaphs honour individuals, many noted cenotaphs are instead dedicated to the memories of groups of individuals, such as the lost soldiers of a country or of an empire.
Nathaniel Hone was an Irish-born portrait and miniature painter, and one of the founder members of the Royal Academy in 1768.
John Beaumont, 4th Baron Beaumont KG (1361–1396) was an English military commander and Admiral who served in the Hundred Years' War against the partisans of Antipope Clement VII.
William Hilton was a British portrait and history painter. He is also known as "William Hilton the Younger".
James Paine (1717–1789) was an English architect. He worked on number of country houses such as Chatsworth House, Thorndon Hall and Kedleston Hall.
Philip Metcalfe,, , was an English Tory politician, a malt distiller and a philanthropist.
Sir George Howland Beaumont, 7th Baronet was a British art patron and amateur painter. He played a crucial part in the creation of London's National Gallery by making the first bequest of paintings to that institution.
Thringstone is a village in the North West Leicestershire district, in Leicestershire, England. About 3 miles (4.8 km) north of Coalville, it lies in the English National Forest.
This is a list of Sheriffs and High Sheriffs of Leicestershire, United Kingdom. The Sheriff is the oldest secular office under the Crown. Formerly the High Sheriff was the principal law enforcement officer in the county but over the centuries most of the responsibilities associated with the post have been transferred elsewhere or are now defunct, so that its functions are now largely ceremonial. Under the provisions of the Local Government Act 1972, on 1 April 1974 the office previously known as Sheriff was retitled High Sheriff. The High Sheriff changes every March.
Gopsall is a former civil parish, now in the parish of Twycross, in the Hinckley and Bosworth district, in the county of Leicestershire, England. It is located between the villages of Appleby Magna, Shackerstone, Twycross and Snarestone. In 1931 the parish had a population of 13. Gopsall was formerly an extra-parochial tract, from 1858 Gopsall was a civil parish in its own right, on 1 April 1935 the parish was abolished and merged with Twycross.
Grand manner refers to an idealized aesthetic style derived from classicism and the art of the High Renaissance. In the eighteenth century, British artists and connoisseurs used the term to describe paintings that incorporated visual metaphors in order to suggest noble qualities. It was Sir Joshua Reynolds who gave currency to the term through his Discourses on Art, a series of lectures presented at the Royal Academy from 1769 to 1790, in which he contended that painters should perceive their subjects through generalization and idealization, rather than by the careful copy of nature. Reynolds never actually uses the phrase, referring instead to the "great style" or "grand style", in reference to history painting:
Samuel William Reynolds was a mezzotint engraver, landscape painter and landscape gardener. Reynolds was a popular engraver in both Britain and France and there are over 400 examples of his work in the National Portrait Gallery, London.
Coleorton Hall is a 19th-century country mansion, formerly the seat of the Beaumont baronets of Stoughton Grange. Situated at Coleorton, Leicestershire, it is a Grade II* listed building now converted into residential apartments.
Louisa Manners Tollemache, 7th Countess of Dysart was an English peeress. Her father held considerable estates in England largely due to the two marriages of Elizabeth Maitland, Duchess of Lauderdale, earlier Tollemache, née Elizabeth Murray. Her elder brothers left no surviving issue on their deaths which enabled her to enjoy and help to pass on to her descendants the key family settlement properties: Helmingham Hall and Ham House in England.
Theophila "Offy" Gwatkin was a British painter. She is described as an amateur artist and is best known for pictures painted of her by her uncle Sir Joshua Reynolds. She also compiled, added a preface, footnote glosses and a dictionary of dialect terms to her mother's, Mary Reynolds, A Devonshire Dialogue.
Arundel Mill and Castle is an 1837 landscape painting by the English artist John Constable. Produced the year of his death, it depicts a scene on the River Arun in Sussex. In the foreground is a mill, while Arundel Castle is shown in the distance. Today it is in the Toledo Museum of Art in Toledo, Ohio, described as Constable's last painting. Constable had viewed the scene while visiting George Constable, a friend and brewer. He was working on the painting in 1836, but shelved it to complete Cenotaph to the Memory of Sir Joshua Reynolds in time for that year's Summer Exhibition at the Royal Academy. He resumed work on it the following year but died before its completion. His friend Charles Robert Leslie felt it was far enough advanced to exhibit posthumously at that year's Royal Academy Exhibition. Leslie believed that the scene had reminded Constable of the Stour Valley in his native Suffolk.
