John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
The River Stour is a major river in East Anglia, England. It is 47 miles (76 km) long and forms most of the county boundary between Suffolk to the north, and Essex to the south. It rises in eastern Cambridgeshire, passes to the east of Haverhill, through Cavendish, Sudbury, Bures, Nayland, Stratford St Mary and Dedham. It becomes tidal just before Manningtree in Essex and joins the North Sea at Harwich.
The Hay Wain – originally titled Landscape: Noon – is a painting by John Constable, completed in 1821, which depicts a rural scene on the River Stour between the English counties of Suffolk and Essex. It hangs in the National Gallery in London and is regarded as "Constable's most famous image" and one of the greatest and most popular English paintings.
The Cornfield is an oil painting by the English artist John Constable, completed from January to March 1826 in the artist’s studio. The painting shows a lane leading from East Bergholt toward Dedham, Essex, and depicts a young shepherd boy drinking from a pool in the heat of summer. The location is along Fen Lane, which the artist knew well. Constable referred to the piece as The Drinking Boy.
Bridge Cottage is a 16th-century thatched cottage in Flatford, East Bergholt, Suffolk, England. It has been a National Trust property since 1943 and a Grade II* listed building since 1955. The National Trust market the property under the name "Flatford: Bridge Cottage". The building is timber framed, but this is not evident from the outside as it is rendered. The II* grading, unusual for an architecturally unremarkable cottage, "reflects the importance of the cottage as part of the Flatford Mill group and its significance in the work of John Constable".
Willy Lott's Cottage is a house in Flatford, East Bergholt, Suffolk, England which appears in several paintings by John Constable, notably The Hay Wain.
Flatford Mill is a Grade I listed watermill on the River Stour at Flatford in East Bergholt, Suffolk, England. According to the date-stone the mill was built in 1733, but some of the structure may be earlier. Attached to the mill is a 17th-century miller's cottage which is also Grade I listed. The property is in Dedham Vale, a typically English rural landscape.
Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. Founded by Sir Henry Tate, it houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. The museum had 525,144 visitors in 2021, an increase of 34 percent from 2020 but still well below pre- COVID-19 pandemic levels. In 2021 it ranked 50th on the list of most-visited art museums in the world.
The Lock is an oil painting by English artist John Constable, finished in 1824. It depicts a rural scene on the River Stour in the English county of Suffolk, one of six paintings within the Six-Footer series. It was auctioned for £22,441,250 at Christie's in London on 3 July 2012.
The White Horse is an oil-on-canvas landscape painting by the English artist John Constable. It was completed in 1819 and is now in the Frick Collection in New York City.
Stratford Mill is an 1820 oil on canvas painting by the British landscape artist John Constable. It is the second painting in the series of six-footers depicting working scenes on the River Stour, a series that includes The Hay Wain. The painting is now in the collection of the National Gallery in London.
Arundel Mill and Castle is an 1837 landscape painting by the English artist John Constable. Produced the year of his death, it depicts a scene on the River Arun in Sussex. In the foreground is a mill, while Arundel Castle is shown in the distance. Today it is in the Toledo Museum of Art in Toledo, Ohio, described as Constable's last painting. Constable had viewed the scene while visiting George Constable, a friend and brewer. He was working on the painting in 1836, but shelved it to complete Cenotaph to the Memory of Sir Joshua Reynolds in time for that year's Summer Exhibition at the Royal Academy. He resumed work on it the following year but died before its completion. His friend Charles Robert Leslie felt it was far enough advanced to exhibit posthumously at that year's Royal Academy Exhibition. Leslie believed that the scene had reminded Constable of the Stour Valley in his native Suffolk.
Stour Valley and Dedham Church is a landscape painting by the British artist John Constable. Like many of his works it features a scene of the River Stour in his native Suffolk close to the border with Essex. In the distance is the church at Dedham. In the foreground farmworkers are loading a cart.
Parham Mill is an 1826 landscape painting by the English artist John Constable. Constable completed the painting from earlier drawings after the mill burned down in 1825.
Harwich Lighthouse is an 1820 landscape painting by the British painter John Constable. It depicts a scene on the coast of Essex in England featuring Harwich Low Lighthouse. The lighthouse was maintained by Constable's patron General Rebow whose estate at Wivenhoe Park he also painted.
Gillingham Bridge is an 1823 landscape painting by the British artist John Constable. It portrays a scene of the country town of Gillingham in Dorset. It features the old bridge crossing the River Stour by the town with church tower of St Mary the Virgin in the background. Constable's friend John Fisher held the incumbency of Gillingham and Constable visited him there in 1820. He returned again in 1823 when he painted this work.
Boat-Building Near Flatford Mill is an 1815 landscape painting by the English artist John Constable. It depicts a scene on the River Stour near to Flatford Mill on the Essex-Suffolk border. Constable's father owned Flatford Mill and the area around it is now known as Constable Country. Portraying the process of boat building, it has been described as a forerunner of his best-known Six-Foot paintings depicting scenes from the area.
The Glebe Farm is an 1830 landscape painting by the British artist John Constable. It shows a view of the Glebe Farm in the village of Langham in Essex on the Stour River in what is often now known as "Constable Country". Seen clearly behind it is the tower of St Mary's Church. Constable seems to have been inspired to paint the work by the death of his patron the Bishop of Salisbury in 1825. The Bishop had been rector of Langham in the 1790s when Constable first met him.
The Grove, Hampstead is an 1822 landscape painting by the British artist John Constable. It depicts a scene in Hampstead then a rural settlement on the northern outskirts of London. The main focus is The Grove, a building now known as the Admiral's House. The building features in a number of Constable's Hampstead paintings. He lived in the area and produced many views of the Heath and landmarks.
The Church Porch, East Bergholt is an 1810 landscape painting by the British artist John Constable. It depicts a view of St Mary's Church in the village of East Bergholt in Suffolk. Located close to the border with Essex and in the area now known as Constable Country. Constable was born in East Bergholt where his father owned Flatford Mill.
