| Parham Mill | |
|---|---|
 | |
| Artist | John Constable |
| Year | c. 1826 [1] |
| Type | Oil on canvas |
| Dimensions | 50.2 cm× 60.3 cm(19.76 in× 23.74 in) |
| Location | Yale Center for British Art, New Haven, Connecticut |
Parham Mill (or Parham Mill, Gillingham) is an 1826 landscape painting by the English artist John Constable. Constable completed the painting from earlier drawings after the mill burned down in 1825.
John Constable was born in 1776 in the Suffolk village of East Bergholt, to Golding Constable and his wife Ann. His father was a corn merchant, who owned Flatford Mill in the village and a mill in Dedham, Essex; Constable was expected to succeed his father in the business. After his education at schools in Lavenham and Dedham, Constable worked in his father's corn business, but his younger brother Abram eventually took over the running of the mills. [2]
In 1799, the 19-year-old Constable persuaded his father to let him pursue a career in art, and Golding granted him a small allowance to allow him to train. He entered the Royal Academy Schools as a probationer. [3] Following his marriage to Maria Bicknell In 1816, Constable lived in Bloomsbury in central London, [4] before his family settled in Hampstead, where they lived permanently from 1827 onwards. [5] The year The Cornfield was painted, Constable was 50 and had not yet been accepted as a full member of the Royal Academy of Arts, despite having sought election since the early 1820s. [6]
Parham Mill is an 1826 landscape painting by the English artist John Constable. [7] It portrays a view of Perne’s Mill, a watermill in Gillingham, Dorset. In 1823 Constable was staying with his friend John Fisher, a nephew of the Bishop of Salisbury. Fisher suggested he should paint it. Constable was attracted to the mill which he called "wonderfull old & romantic". [1]
The mill burned down in 1825, but Constable was able to complete the painting from his earlier drawings. It was exhibited at the Royal Academy's 1826 Summer Exhibition at Somerset House. It is in the collection of the Yale Center for British Art. [1]
Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
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John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
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