Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
The Foundling Museum in Brunswick Square, London, tells the story of the Foundling Hospital, Britain's first home for children at risk of abandonment. The museum houses the nationally important Foundling Hospital Collection as well as the Gerald Coke Handel Collection, an internationally important collection of material relating to Handel and his contemporaries. After a major building refurbishment, the museum was reopened to the public in June 2004.
George Stubbs was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough. Stubbs' output includes history paintings, but his greatest skill was in painting animals, perhaps influenced by his love and study of anatomy. His series of paintings on the theme of a lion attacking a horse are early and significant examples of the Romantic movement that emerged in the late 18th century. He enjoyed royal patronage. His painting Whistlejacket hangs in the National Gallery, London.
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Renoir, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free.
English art is the body of visual arts made in England. England has Europe's earliest and northernmost ice-age cave art. Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, and English art continued thereafter to have a distinct character. English art made after the formation in 1707 of the Kingdom of Great Britain may be regarded in most respects simultaneously as art of the United Kingdom.
Richard Parkes Bonington was an English Romantic landscape painter. He moved to France at the age of 14 and can also be considered as a French artist, and an intermediary bringing aspects of English style to France. Becoming, after his early death, one of the most influential British artists of his time, the facility of his style was inspired by the old masters, yet was entirely modern in its application. His landscapes were mostly of coastal scenes, with a low horizon and large sky, showing a brilliant handling of light and atmosphere. He also painted small historical cabinet paintings in a freely-handled version of the troubadour style.
The art of the United Kingdom refers to all forms of visual art in or associated with the country since the formation of the Kingdom of Great Britain in 1707 and encompasses English art, Scottish art, Welsh art and Irish art, and forms part of Western art history. During the 18th century, Britain began to reclaim the leading place England had previously played in European art during the Middle Ages, being especially strong in portraiture and landscape art.
The Neue Pinakothek is an art museum in Munich, Germany. Its focus is European Art of the 18th and 19th centuries, and it is one of the most important museums of art of the nineteenth century in the world.
The Glynn Vivian Art Gallery is the public art gallery of the City and County of Swansea, in Wales, United Kingdom. The gallery is situated in Alexandra Road, near Swansea railway station, opposite the old Swansea Central Library.
Events from the year 1761 in art.
Johan / Johann Joseph Zoffany was a German neoclassical painter who was active mainly in England, Italy, and India. His works appear in many prominent British collections, including the National Gallery, the Tate Gallery and the Royal Collection, as well as institutions in continental Europe, India, the United States and Australia. His name is sometimes spelled Zoffani or Zauffelij.
John Trevor Hayes was a British art historian and museum director. He was an authority on the paintings of Thomas Gainsborough.
The British Institution was a private 19th-century society in London formed to exhibit the works of living and dead artists; it was also known as the Pall Mall Picture Galleries or the British Gallery. Unlike the Royal Academy it admitted only connoisseurs, dominated by the nobility, rather than practising artists to its membership, which along with its conservative taste led to tensions with the British artists it was intended to encourage and support. In its gallery in Pall Mall the Institution held the world's first regular temporary exhibitions of Old Master paintings, which alternated with sale exhibitions of the work of living artists; both quickly established themselves as popular parts of the London social and artistic calendar. From 1807 prizes were given to artists and surplus funds were used to buy paintings for the nation. Although it continued to attract members and visitors, in 1867, when the lease on its quarters expired, instead of renewing the society wrapped up its affairs.
The National Gallery is the primary British national public art gallery, sited on Trafalgar Square, in central London. It is home to one of the world's greatest collections of Western European paintings. Founded in 1824, from an initial purchase of 36 paintings by the British Government, its collections have since grown to about 2,300 paintings by roughly 750 artists dating from the mid-13th century to 1900, most of which are on display. This page lists some of the highlights of the collection.
Martin Postle is a British art historian who is deputy director for collections and publications at the Paul Mellon Centre for Studies in British Art, London, and a leading expert on the art of Sir Joshua Reynolds. He is a former curator at the Tate Gallery.
Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. Founded by Sir Henry Tate, it houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. The museum had 525,144 visitors in 2021, an increase of 34 percent from 2020 but still well below pre- COVID-19 pandemic levels. In 2021 it ranked 50th on the list of most-visited art museums in the world.
Thomas Patch was an English painter, printmaker in etching, physiognomist and art historian. He made a living from painting views of Florence and Tivoli and appears to have sold a number of painted caricature groups to members of the Anglo-Florentine community and to young British men on the Grand Tour. The largest collection of his paintings and prints is in the Lewis Walpole Library in Farmington, Connecticut.
Michael J. Rosenthal is emeritus professor of the history of art at the University of Warwick. He is a specialist both in British art and culture of the eighteenth and early nineteenth centuries, and the arts of early colonial Australia.
Judith Emilie Egerton was an Australian-born British art historian and curator. She specialised in eighteenth-century British art and, particularly, the work of George Stubbs.
The Salon of 1824 was an art exhibition held at the Louvre In Paris between 25 August 1824 and 15 January 1825. It took place during the Restoration Era that followed the downfall of Napoleon's French Empire. At the time one of Europe's premier art exhibitions, the Salon was held roughly biennaly during the period. It was the first to be held since Charles X succeeded to the throne earlier the same year.
The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton, by James Seymour, 1747
A Lion Attacking a Horse, by George Stubbs, 1762
Whitehall , by William Marlow, 1775
Street Scene in Chorley, Lancashire, with a view of Chorley Hall, by John Bird of Liverpool, c. 1795
Harwich Lighthouse , by John Constable, 1820
A Paddle-steamer in a Storm, watercolor by J. M. W. Turner, c. 1841
Nocturne in Blue and Silver, by James Abbott McNeill Whistler, c. 1872-1878
237, 238, 241, 243, 246, 254, 255
