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Established | 1900 [1] |
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Location | New Haven, Connecticut |
Type | Instrument museum |
Curator | Susan E. Thompson Christina Linsenmeyer |
Website | collection |
The Yale Morris Steinert Collection of Musical Instruments, a division of the Yale School of Music, is a museum in New Haven, Connecticut. It was established in 1900 by a gift of historic keyboard instruments from Morris Steinert, and later enriched in 1960 and 1962 by the acquisition of the Belle Skinner and Emil Herrmann collections. Initially housed under the dome of Woolsey Hall, it was moved in 1961 to a historic Romanesque structure on Hillhouse Avenue, constructed in 1895 for the Alpha Delta Phi fraternity.
Highlights from the museum's holdings include keyboard instruments from six centuries, featuring an organ by John Snetzler (London, 1742), harpsichords by Ruckers (Antwerp, 1640), Blanchet (Paris, c. 1740), and Taskin (Paris, 1770), a clavichord by Hoffman (Ronneburg, 1784), and pianos by Könnicke (Vienna, c. 1795), Boesendorfer (Vienna, c. 1830), and Érard (Paris, 1883). The Collection possesses stringed instruments by Antonio Stradivari, Pietro Giovanni and Andrea Guarneri, Antonio and Nicolò Amati, and Jacob Stainer. Also included are a number of historical wind instruments, world instruments, and a large collection of bells given in 1975 by Robyna Neilson Ketchum.
The Collection maintains permanent exhibits, regularly mounts special exhibitions, and is open to the public during regular visiting hours. In addition to presentations made to Yale classes, the Collection offers tours and lecture-demonstrations to school and private groups by appointment.
The annual concert series presented by the Collection of Musical Instruments features performers of music in its historical context, often using the appropriate instruments from the Collection that have been restored to playing condition. Performers and ensembles that have appeared on the concert series include: The Alarius Ensemble, Malcolm Bilson, Anner Bylsma, The Flanders Quartet, John Holloway, Monica Huggett, Ralph Kirkpatrick, Jeanne Lamon, Gustav Leonhardt, Amsterdam Loeki Stardust Quartet, Paul O'Dette, London Baroque, Steven Lubin, Paolo Pandolfo, Phantasm, Stanley Ritchie, Jaap Schroeder, Fernando Valenti, and Marion Verbruggen. Also presented in the series is the Collection's resident ensemble, the Yale Baroque Ensemble, directed by Robert Mealy.
The Classical Period was an era of classical music between roughly 1750 and 1820.
A harpsichord is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute.
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo-wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds, and percussion instruments, or the concert band, which uses brass, woodwinds, and percussion.
An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:
The term string quartet refers to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The double bass is almost never used in the ensemble mainly because it would sound too loud and heavy.
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part. However, by convention, it usually does not include solo instrument performances.
Historically informed performance is an approach to the performance of classical music which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived.
Eugène Arnold Dolmetsch, was a French-born musician and instrument maker who spent much of his working life in England and established an instrument-making workshop in Haslemere, Surrey. He was a leading figure in the 20th-century revival of interest in early music.
William Quincy Porter was an American composer and teacher of classical music.
Michael Blake is a South African contemporary classical music composer and performer. He studied in Johannesburg in the 1970s and was associated with conceptual art and the emergence of an indigenous experimental music aesthetic. In 1976 he embarked on 'African Journal', a series of pieces for Western instruments that drew on his studies of traditional African music and aesthetics, which continued to expand during two decades in London until he returned to South Africa in 1998. From around 2000 African music becomes less explicit on the surface of his compositions, but elements of rhythm and repetition remain as part of a more postcolonial engagement with material and form. He works in a range of styles including minimalism and collage, and now also forages for source material from the entire musical canon.
Jukka Santeri Tiensuu is a Finnish contemporary classical composer, harpsichordist, pianist and conductor.
Roman Haubenstock - since 1943 Roman Haubenstock-Ramati was a composer and music editor who worked in Kraków, Tel Aviv and Vienna.
Peter Watchorn is an Australian-born harpsichordist who has combined a virtuosic keyboard technique, musical scholarship and practical experience in the construction of harpsichords copied from original instruments of the 17th and 18th centuries. As well as presenting many solo public performances and broadcasts of baroque keyboard music and participating in choral and orchestral performances, he has made numerous commercial CD recordings of solo harpsichord music from the 17th and 18th centuries.
Jos Van Immerseel is a Belgian harpsichordist, pianist and conductor.
Kenneth Slowik is an American cellist, viol player, and conductor. Curator of Musical Instrument Collection at the National Museum of American History and Artistic Director of the Smithsonian Chamber Music Society. He took an interest in music and organology from an early age. He studied at the University of Chicago, the Chicago Musical College, the Peabody Conservatory, the Salzburg Mozarteum and, as a Fulbright Scholar, the Vienna Hochschule für Musik, guided by Howard Mayer Brown, Nikolaus Harnoncourt, Antonio Janigro, Edward Lowinsky, and Frederik Prausnitz.
Wistariahurst is a historic house museum and the former estate of the Skinner family, located at 238 Cabot Street in Holyoke, Massachusetts. It was built in 1868 for William Skinner, the owner of a successful silk spinning and textile business, and is named for the abundant wisteria vines which cascade across its eastern facade. Originally constructed in Williamsburg in 1868, the mansion designed by Northampton architect William Ferro Pratt was moved to Holyoke in 1874, following the devastating flood which swept away the original Skinner mills. Following the death of Belle Skinner, its music room was operated as a private museum from 1930 to 1959, housing the Belle Skinner Collection of Old Musical Instruments, before their donation by the family to Yale University. Since 1959 it has been operated as the Wistariahurst Museum, and is open to the public. The property was listed on the National Register of Historic Places in 1973.
Joel Spiegelman was an American composer, conductor, concert pianist, harpsichordist, recording artist, arranger, author and professor.
A violin sonata is a musical composition for violin, often accompanied by a keyboard instrument and in earlier periods with a bass instrument doubling the keyboard bass line. The violin sonata developed from a simple baroque form with no fixed format to a standardised and complex classical form. Since the romantic age some composers have pushed the boundaries of both the classical format as well as the use of the instruments.
Howard Leake Boatwright Jr. was an American composer, violinist and musicologist.
Larry Thomas Bell is an American composer, pianist and music professor.
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