Paolo Pandolfo is an Italian virtuoso player, composer, and teacher of music for the viola da gamba, born on January 31, 1964.
He began his studies as a double bass and guitar player, becoming a skilled performer of jazz and popular music. [1] [2] In the mid-late 1970s he studied viola da gamba at the Rome Conservatory. In 1979 he co-founded the early music ensemble La Stravaganza, and then moved to Basel, Switzerland in 1981 where he studied with Jordi Savall at the Schola Cantorum Basiliensis. From 1982 to 1990 Pandolfo was a member of Jordi Savall's early music groups Hespèrion XX.
Since 1989 Pandolfo has served as professor of viola da gamba at the Schola Cantorum Basiliensis — a position previously held by maestros August Wenzinger and Jordi Savall. He also directs, records, and performs regularly with his viola da gamba-oriented early music ensemble Labyrinto, which he co-founded.
Pandolfo has recorded numerous CDs. For most of the 1980s he recorded primarily with Jordi Savall and others. His first recording as a soloist was in 1990 with the release of his highly acclaimed CD C. P. E. Bach: Sonatas for Viola da Gamba (Tactus). He has also recorded a viola da gamba interpretation of the cello suites of J. S. Bach. Pandolfo explains that the suites, although written for the cello, were conceived in the polyphonic style of the viola da gamba; further, the dance suite was a common form for viola da gamba music, and playing the Bach suites on the gamba is thus a way to reclaim this tradition for the viola da gamba. [3]
Pandolfo has said that the patrimony of ancient music can be a powerful inspiration for the future of the Western musical tradition. Building bridges between past and present is therefore an important part of his work. [4]
Pandolfo is also a contributing performer on dozens of other recordings, collaborating with various well known artists, including:
Marin Marais was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was moderately successful there, being appointed in 1679 as ordinaire de la chambre du roy pour la viole, a title he kept until 1725.
Jordi Savall i Bernadet is a Spanish conductor, composer and viol player. He has been one of the major figures in the field of Western early music since the 1970s, largely responsible for popularizing the viol family of instruments in contemporary performance and recording. As a historian of early music his repertoire features everything from medieval, Renaissance and Baroque through to the Classical and Romantic periods. He has incorporated non-western musical traditions in his work; including African vernacular music for a documentary on slavery.
Hespèrion XXI is an international early music ensemble. The group was formed in Basel, Switzerland in 1974 as Hespèrion XX by Catalan musical director Jordi Savall, his wife Montserrat Figueras (soprano), Lorenzo Alpert, and Hopkinson Smith. The group changed its name to Hesperion XXI at the beginning of the 21st century. The name "Hespèrion" is derived from a word in Classical Greek which referred to the people of the Italian and Iberian peninsulas.
Jean (?) de Sainte-Colombe (c. 1640 – c. 1700) was a French composer and violist. Sainte-Colombe was a celebrated master of the viola da gamba. He is credited (by Jean Rousseau in his Traité de la viole (1687)) with adding the seventh string, tuned to the note AA (A1 in scientific pitch notation), on the bass viol.
Hille Perl is a German virtuoso performer of the viola da gamba and lirone. She is considered to be one of the world's finest viola da gamba players, specializing in solo and ensemble music of the 17th and 18th centuries. She has a particular interest in French Baroque repertoire for seven-string bass viola da gamba. She also performs Spanish, Italian, German, and modern repertoire for the instrument and has released many CDs.
Hopkinson Smith is an American lutenist and pedagogue, longtime resident in Basel, Switzerland.
Carlos Mena is a Spanish countertenor opera singer. He has previously worked with groups such as Al Ayre Español, Ensemble Gilles Binchois, and Ricercar Consort, and has an interest in 20th century repertoire.
Lorenz Duftschmid is an Austrian viol player and conductor.
The Schola Cantorum Basiliensis (SCB) is a music academy and research institution located in Basel, Switzerland, that focuses on early music and historically informed performance. Faculty at the school have organized performing ensembles that have made notable recordings of early music. One of the more popular of these is the 1994 album Chill to the Chant.
Vittorio Ghielmi is an Italian musician, conductor, compose Compared by critics to Jasha Heifetz ("Diapason") for his virtuosity, and described as "An Alchemist of sound" for the intensity and versatility of his musical interpretations, Vittorio Ghielmi attracted notice while still very young for his new approach to the viola da gamba and to the sound of early music repertoire. He is Professor for viola da gamba and Head of the Department für Alte Musik at the Mozarteum Universität Salzburg and visiting professor at the Royal College of London. He is graduate at the Università Cattolica di Milano.
Sophie Watillon was a Belgian viol player who specialized in Baroque music. She was born in Namur, Belgium to a musical family. During her young life, the viola da gamba-soloist gained international fame with refined and sensitive solo interpretations of Early Music and Baroque compositions for viola da gamba.
Pierre Hantaï is a French harpsichordist and conductor.
August Wenzinger (1905–1996) was a prominent cellist, viol player, conductor, teacher, and music scholar from Basel, Switzerland. He was a pioneer of historically informed performance, both as a master of the viola da gamba and as a conductor of Baroque orchestral music and operas.
Eduardo Egüez is a lutenist, theorbist, and guitarist acclaimed for his interpretations of music by J.S.Bach.
Rolf Lislevand, is a Norwegian performer of Early music specialising on lute, vihuela, baroque guitar and theorbo.
Alison Crum, is an English viol player.
Christophe Coin is a French cellist, viola da gamba player and conductor active in the field of historically informed performance. He is the cellist of the Quatuor Mosaïques and is the director of the Ensemble Baroque de Limoges.
Imke David is a German viol player, author, Professor and Ensemble-Member.
The sonatas for viola da gamba and harpsichord, BWV 1027–1029, are three sonatas composed by Johann Sebastian Bach for viola da gamba and harpsichord. They probably date from the late 1730s and early 1740s.
Jonathan Dunford is an American violist specialising in the baroque repertoire.