This article may contain excessive or inappropriate references to self-published sources . (January 2020) (Learn how and when to remove this template message) |
The National Early Music Association (NEMA) of the UK was founded in 1981. [1] Its declared aims are "to bring together all concerned with early music and to forge links with other early music organisations in the UK and around the world". Francis Knights is Chairman and the management is in the hands of an elected Council. [2] Several eminent musicians have chaired the Association in the past, including Christopher Page, Peter Holman (currently President) and the late Clifford Bartlett.
A conference on 'The future of early music in Britain' was held on 14–16 May 1977 in the Waterloo Room of the Royal Festival Hall, London. The Arts Council and the Gulbenkian Foundation provided financial support, and the conference chair was Howard Mayer Brown. More than 180 delegates took part representing performers, scholars, instrument-makers, publishers, libraries, festivals, broadcasters, societies, retailers, journals, record companies, concert agencies, museums, archives and schools. Francis Knights wrote in his article on the conference: "Mayer Brown commented that 'there is a real need for a new body' to coordinate further activity; it was in fact as a result of this conference that the National Early Music Association (NEMA) was founded—its President was ... J. M. Thompson—and it was followed by the nine regional associations which flourish to this day". [3]
Subscribing members receive Early Music Performer NEMA's journal, published twice a year by Ruxbury Publications on behalf of the Association. [4] [5] A Newsletter is also published biannually on its website; an early edition included an article on NEMA's history. [6] NEMA's publications bring the most important new scholarship to practising early musicians, and keep its readers up to date with the latest news from the world of Historically Informed Performance [HIP]. Members also have access to various supplements, including new publications and past issues of Early Music Performer, Leading Notes, the Newsletter and the Early Music Yearbook. [7] A complete index of all these publications was issued in 2019.
The NEMA Early Music Database includes a Register section [8] of individual performers, a Directory of information about societies, music publishers, providers of performing material, concert promoters and artists' agents, record companies, early music fairs, courses and summer schools, and a Buyers'Guide to some 600 makers of early musical instruments worldwide, giving details of instrument types offered for sale. Any musician can add their details to the Register without charge.
An important part of NEMA's work is devoted to organising conferences, often in co-operation with an institutional partner. An early event was NEMA's conference From Renaissance to Baroque, held in July 1999 at the University College of Ripon and York St John, as part of the York Early Music Festival. [9] [10] A book on the conference From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century was published in 2005; [11] a preface to the book reads: 'The essays in this volume are reworkings of papers presented at the National Early Music Association conference held, in association with the Department of Music, University of York and the York Early Music Festival, at the University of College of Ripon and York St John, in York on 2–4 July 1999.' The book was reviewed in the Performance Practice Review of 2007. [12]
In July 2009, NEMA held a conference Singing music from 1500 to 1900: style, technique, knowledge, assertion, experiment in conjunction with the University of York. [13]
A conference on Mechanical Musical Instruments and Historical Performance was held by NEMA and the Guildhall School of Music & Drama on 7–8 July 2013. [1]
A conference on Early Keyboard Instruments and Their Music was held on 2 September 2017. [1]
NEMA held a two day conference on Vocal Sound and style 1450-1650 in October 2018 in association with the Brighton Early Music Festival. [14]
NEMA is currently working on an important international conference Vocal Sound and Style 1650-1830 planned for Autumn 2021. Details of all previous conferences can be found on NEMA's website. [1]
There are nine regionally-based Fora, all of which operate independently from each other and from NEMA. The aim of each Early Music Forum is to promote the playing and singing of early music (mainly pre-1750) and to promote historical awareness in doing so. Most publish a newsletter and run participatory workshops, and some run summer schools. See NEMA's website for map of UK showing their geographical areas. [15] The history of a typical forum [Eastern Early Music Forum] is detailed in an article by Robert Johnson. [16] The Fora were a formative influence on present members of the NEMA council, with Francis Knights attending the founding meeting of the Eastern Early Music Forum. [3]
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Early music is a broad musical era for the beginning of Western art music.
Historically informed performance is an approach to the performance of classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived.
A Baroque violin is a violin set up in the manner of the baroque period of music. The term includes original instruments which have survived unmodified since the Baroque period, as well as later instruments adjusted to the baroque setup, and modern replicas. Baroque violins have become relatively common in recent decades thanks to historically informed performance, with violinists returning to older models of instrument to achieve an authentic sound.
The Taverner Choir, Consort and Players is a British music ensemble which specialises in the performance of Early and Baroque music. The ensemble is made up of a Baroque orchestra, a vocal consort and a Choir. Performers place emphasis on a historically informed performance practice and players work with restored or replicated period instruments.
The general discussion of how to perform music from ancient or earlier times did not become an important subject of interest until the 19th century, when Europeans began looking to ancient culture generally, and musicians began to discover the musical riches from earlier centuries. The idea of performing early music more "authentically", with a sense of incorporating performance practice, was more completely established in the 20th century, creating a modern early music revival that continues today.
The Baroque guitar is a string instrument with five courses of gut strings and moveable gut frets. The first course sometimes used only a single string.
Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music. While a more precise term is also used to refer to the period from 1750 to 1820, this article is about the broad span of time from before the 6th century AD to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1650 and 1900, which is known as the common-practice period.
The Galpin Society was formed in October 1946 to further research into the branch of musicology known as organology, i.e. the history, construction, development and use of musical instruments. Based in the United Kingdom, it is named after the eminent British organologist and musical instrument collector, Canon Francis William Galpin (1858–1945), who had a lifelong interest in studying, collecting, playing, making and writing about musical instruments.
Nigel North is an English lutenist, musicologist, and pedagogue.
Indianapolis Early Music (IEM) is a non-profit organization established in Indianapolis in 1966 to organize concerts featuring music of the medieval, renaissance, baroque, and early classic eras. Since 1966, it has produced the annual Indianapolis Early Music Festival, the oldest continuous Early Music festival in the United States.
Renaissance Ensemble Serbia is the first early music ensemble in Serbia and the second in south-eastern Europe, having been founded in 1968. Ensemble Renaissance usually focuses on the music of the Middle ages, Renaissance and Baroque. Occasionally, however, Ensemble performs modern music on ancient instruments.
Medieval folk rock, medieval rock or medieval folk is a musical subgenre that emerged in the early 1970s in England and Germany which combined elements of early music with rock music. It grew out of the British folk rock and progressive folk movements of the late 1960s. Despite the name, the term was used indiscriminately to categorise performers who incorporated elements of medieval, renaissance and baroque music into their work and sometimes to describe groups who used few, or no, electric instruments. This subgenre reached its height towards the middle of the 1970s when it achieved some mainstream success in Britain, but within a few years most groups had either disbanded, or were absorbed into the wider movements of progressive folk and progressive rock. Nevertheless, the genre had a considerable impact within progressive rock where early music, and medievalism in general, was a major influence and through that in the development of heavy metal. More recently medieval folk rock has revived in popularity along with other forms of medieval inspired music such as Dark Wave orientated neo-Medieval music and medieval metal.
Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era, with the galant style marking the transition between Baroque and Classical eras. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word barroco, meaning "misshapen pearl". Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, François Couperin, Giuseppe Tartini, Heinrich Schütz, Dieterich Buxtehude, and others.
Founded in 1988, The Historic Brass Society (HBS) is an international music organization whose goal is to promote the exchange of serious ideas about the history and performance of brass instruments and music, ranging from Antiquity through the twentieth century.
Early music festivals is a generic term for musical festivals focused on music before Beethoven, or including historically informed performance of later works. The increase in the number of music festivals specializing in early music is a reflection of the early music revival of the 1970s and 1980s. Many larger festivals such as that an Aix-en-Provence Festival also include early music sections, as do, inevitably, festivals of sacred music; such as the Festival de Música Sacra do Baixo Alentejo, in Portugal. Although most early music festivals are centered on commercial performance, many include also workshops. This articles includes an incomplete list of early music festivals, which may overlap with topics such as list of Bach festivals, list of maritime music festivals, list of opera festivals, and in some cases list of folk festivals.
Pedro Caldeira Cabral is a musician that specializes in Mediaeval, Renaissance, Baroque, Iberian music.
Andrew Wilson-Dickson is a British composer, pianist and an authority on early music practice.
Rachel Brown is a British flautist and author, known especially for her work with Baroque music and flutes. She is currently professor of baroque flute at the Royal College of Music in London, in addition to traveling around the world to give masterclasses. She has performed with many orchestras internationally, including as principal flute with Kent Opera, the Academy of Ancient Music, the Hanover Band, the King's Consort, Collegium Musicum 90, Ex Cathedra, and the Brandenburg Consort. She is known for her extensive work and mastery of both historical and modern flutes.
Sastamala Gregoriana is an annual early music festival that takes place in late July in the city of Sastamala, Finland. The festival combines an international concert programme of early music from the medieval, renaissance and baroque periods, old lakeside churches of Sastamala with the unique acoustic spaces and warm local atmosphere. An international early music master class complements the concert series.
The Early Music Shop is an early music store specialising in the sale and distribution of reproduction medieval, renaissance and baroque musical instruments, as well as associated sheet music and accessories, with two showrooms situated in Saltaire and London, United Kingdom. It was founded by Richard Wood in 1968 and has become the largest supplier of early musical instruments worldwide.