Capel Curig is a village and community in Conwy County Borough, Wales. Historically in Caernarfonshire, it lies in the heart of Snowdonia, on the River Llugwy, and has a population of 226, reducing slightly to 206 at the 2011 census. It lies at the junction of the A5 road from Bangor and Bethesda to Betws-y-Coed with the A4086 road from Caernarfon, Llanberis, Pen-y-Pass and Pen-y-Gwryd. It is surrounded by hills and mountains, including Moel Siabod and Pen Llithrig y Wrach.
Philip James de Loutherbourg, whose name is sometimes given in the French form of Philippe-Jacques, the German form of Philipp Jakob, or with the English-language epithet of the Younger, was a French-born British painter who became known for his large naval works, his elaborate set designs for London theatres, and his invention of a mechanical theatre called the "Eidophusikon". He also had an interest in faith-healing and the occult, and was a companion of the confidence-trickster Alessandro Cagliostro.
The Yale Center for British Art at Yale University in central New Haven, Connecticut, houses the largest and most comprehensive collection of British art outside the United Kingdom. The collection of paintings, sculpture, drawings, prints, rare books, and manuscripts reflects the development of British art and culture from the Elizabethan period onward.
Philippe Mercier was an artist of French Huguenot descent from the German realm of Brandenburg-Prussia, usually defined to French school. Active in England for most of his working life, Mercier is considered one of the first practitioners of the Rococo style, and is credited with influencing a new generation of 18th-century English artists.
John Finnie was a Scottish landscape painter and engraver. He was best known in London for his original mezzotint engravings of landscape, and exhibited at the Royal Academy and the Royal Society of Painters, Etchers, and Engravers. When he moved to Towyn in northern Wales he painted numerous landscape paintings of places in the Capel Curig area, such as Snowdon. He was headmaster of the Liverpool Mechanics Institute and School of Art from 1855 until 1896. Several paintings related to him are on display in the Walker Art Gallery in Liverpool and the Portsmouth Museum.
Charles Pye Jr. was a British engraver from Birmingham. He illustrated topographical subjects, and published a Holy Family after Michelangelo.
Peter Bishop was an English painter specialising in the mountain landscape of north Wales and was an art historian.
Portrait of Benjamin West is an 1810 portrait painting by the British artist Thomas Lawrence depicting the Anglo-American painter Benjamin West. Ten years later Lawrence succeeded West, on his death, as the President of the Royal Academy.
Malvern Hall is an 1821 landscape painting by the British artist John Constable. It depicts a view of Malvern Hall in Warwickshire. Constable, known in particular for his paintings of his native Suffolk, first visited Malvern Hall in 1809 and returned again in 1820. He was invited by Magdelane, the widow of Earl of Dysart. As the house had been rebuilt and restored since his previous visit, he was encouraged by her to paint it again.
Portrait of Thomas Gage is a 1768 portrait painting by the American artist John Singleton Copley depicting the British general Thomas Gage.
Harwich Lighthouse is an 1820 landscape painting by the British painter John Constable. It depicts a scene on the coast of Essex in England featuring Harwich Low Lighthouse. The lighthouse was maintained by Constable's patron General Rebow whose estate at Wivenhoe Park he also painted.
Hampstead Heath, with a Bonfire is a c.1822 landscape painting by the British artist John Constable. It depicts a view of Hampstead Heath, close to where Constable and his family had been living since 1819. In several views of the Heath, Constable uses relatively small human figures to emphasise its size.
Portrait of Antonio Canova is an 1820 portrait painting by the British artist John Jackson depicting the Italian sculptor Antonio Canova.
A Fishmarket near Boulogne is an 1824 landscape painting by the British artist Richard Parkes Bonington. Born in England, he moved with his family to France shortly after the end of the Napoleonic Wars. He became celebrated for his views of the French countryside and coasts before his early death from tuberculosis. The painting, one of his earliest oil on canvas works, shows a fish market somewhere on the French coast. Painted while he was staying in Dunkirk, its identification as representing Boulogne only came several decades later.
Corso Sant'Anastasia, Verona is an 1828 cityscape painting by the British artist Richard Parkes Bonington. It depicts a scene in the city of Verona looking along the Corso Sant'Anastasia with the Palazzo Maffei on the right. He added a religious procession to enhance the bright colours of the work. Bonington briefly visited the city during a trip to Venice in 1826. By the time he painted this work he was in London and based it on sketches he had made during his Italian visit.
A Distant Hail-Storm Coming On is a 1799 landscape painting by the French-born British artist Philip James de Loutherbourg. It is also known by the longer title A Distant Hail-Storm Coming On, and the March of Soldiers with their Baggage.
A View of Trajan's Forum, Rome is an 1821 landscape painting by the British artist Charles Lock Eastlake. It depicts a view of Trajan's Forum in Rome, dominated by Trajan's Column. The scene features both remains of Ancient Rome and much later buildings. Eastlake lived in Rome from 1816 to 1830, at a time when British artists were able to visit the city following the end of the Napoleonic Wars. He produced a number of views of the city, some of which he sent back to exhibit at the Royal Academy's Summer Exhibitions.
A View near Matlock, Derbyshire is a 1785 landscape painting by the French-born British artist Philip James de Loutherbourg. It portrays a scene near Matlock in Derbyshire, close to the village of Matlock Bath in the Derwent Valley. Men are show at work beneath a wooden conveyor designed to draw water from a lead mine.
An Avalanche in the Alps is an 1803 landscape painting by the French-born British artist Philip James de Loutherbourg. Painted in the emerging style of romanticism it depicts an avalanche in the mountains of the Alps. Loutherbourg adds narrative to the painting by having tiny figures in the foreground recoiling from the impending avalanche.
On Hounslow Heath is a 1770 landscape painting by the Welsh artist Richard Wilson. It depicts a view of Hounslow Heath, then located some miles to the west of London. The uncultivated landscape of the heath attracted Wilson, who returned to it as a subject several times in his work. His depiction of it is naturalistic, something of a new style for him. It emphasises the largely empty landscape, broken only by the River Crane flooding its banks in the foreground and a windmill in the distance.
