Sir Joshua Reynolds was an English painter who specialised in portraits. Art critic John Russell called him one of the major European painters of the 18th century while Lucy Peltz says he was "the leading portrait artist of the 18th-century and arguably one of the greatest artists in the history of art." He promoted the "Grand Style" in painting, which depended on idealisation of the imperfect. He was a founder and first president of the Royal Academy of Arts and was knighted by George III in 1769.
Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1789. He stayed at the top of his profession until his death, aged 60, in 1830.
Sir John Everett Millais, 1st Baronet was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street. Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, Ophelia, in 1851–52.
Maria Anna Angelika Kauffmann, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffman was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768.
The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly in London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the fine arts through exhibitions, education and debate.
George Stubbs was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough. Stubbs' output includes history paintings, but his greatest skill was in painting animals, perhaps influenced by his love and study of anatomy. His series of paintings on the theme of a lion attacking a horse are early and significant examples of the Romantic movement that emerged in the late 18th century. He enjoyed royal patronage. His painting Whistlejacket hangs in the National Gallery, London.
National Museum Cardiff, formerly known as the National Museum of Wales, is a museum and art gallery in Cardiff, Wales. The museum is part of the wider network of Amgueddfa Cymru – Museum Wales. Entry is kept free by a grant from the Welsh Government.
The art of the United Kingdom refers to all forms of visual art in or associated with the country since the formation of the Kingdom of Great Britain in 1707 and encompasses English art, Scottish art, Welsh art and Irish art, and forms part of Western art history. During the 18th century, Britain began to reclaim the leading place England had previously played in European art during the Middle Ages, being especially strong in portraiture and landscape art.
The Death of General Wolfe is a 1770 painting by Anglo-American artist Benjamin West, commemorating the 1759 Battle of Quebec, where General James Wolfe died at the moment of victory. The painting, containing vivid suggestions of martyrdom, broke a standard rule of historical portraiture by featuring individuals who had not been present at the scene and dressed in modern, instead of classical, costumes. The painting has become one of the best-known images in 18th-century art.
Brigadier-General John Carnac was a British officer who served three times as Commander-in-Chief of India.
Grand manner refers to an idealized aesthetic style derived from classicism and the art of the High Renaissance. In the eighteenth century, British artists and connoisseurs used the term to describe paintings that incorporated visual metaphors in order to suggest noble qualities. It was Sir Joshua Reynolds who gave currency to the term through his Discourses on Art, a series of lectures presented at the Royal Academy from 1769 to 1790, in which he contended that painters should perceive their subjects through generalization and idealization, rather than by the careful copy of nature. Reynolds never actually uses the phrase, referring instead to the "great style" or "grand style", in reference to history painting:
Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. Founded by Sir Henry Tate, it houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. The museum had 525,144 visitors in 2021, an increase of 34 percent from 2020 but still well below pre- COVID-19 pandemic levels. In 2021 it ranked 50th on the list of most-visited art museums in the world.
William Tate was an English portrait painter who was a pupil and friend of Joseph Wright of Derby.
George Clint was an English portrait painter and engraver, especially notable for his many theatrical subjects.
Digswell House is a Grade II listed Mansion in Hertfordshire, erected c. 1805–07 by Samuel Wyatt for the Honourable Edward Spencer Cowper, who lived there for some years. It was built in the parish of Digswell from which it takes its name, but was transferred to Welwyn Garden City in 1921. The house is now in the Knightsfield area of Welwyn Garden City. The current house was erected a little eastward of the site on which its predecessor had stood and was built as a commodious country gentleman's home, in an architectural style that can best be described as neoclassical. A portico, with four massive Ionic columns, on the south front is its most impressive external feature.
Mark Louis Hallett is an English art historian specialising in the history of British art. He is the Märit Rausing Director of the Courtauld Institute of Art.
Susanna and the Elders is a painting by the Dutch artist Rembrandt from the Baroque period. It is an oil painting on a Peltogyne panel completed in the year 1647. It depicts the story of Susanna, a Deuterocanonical text from the book of Daniel in the Bible. The painting is currently housed at the Gemäldegalerie in Berlin.
Portrait of Mai (Omai) (also known as Portrait of Omai, Omai of the Friendly Isles or simply Omai) is an oil-on-canvas portrait of Omai, a Polynesian visitor to England, by Sir Joshua Reynolds, completed about 1776.
David Garrick Between Tragedy and Comedy is a 1761 painting by the English painter Joshua Reynolds, depicting the actor and playwright David Garrick caught between the Muses of Tragedy and Comedy. It is regarded as one of Reynolds's most studied and well-known paintings, and is now in the collection of Waddesdon Manor, Buckinghamshire.
