Sir Joshua Reynolds was an English painter who specialised in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting, which depended on idealisation of the imperfect. He was a founder and first president of the Royal Academy of Arts and was knighted by George III in 1769.
Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1789. He stayed at the top of his profession until his death, aged 60, in 1830.
John Hoppner was an English portrait painter, much influenced by Reynolds, who achieved fame as a brilliant colourist.
John Maler Collier was a British painter and writer. He painted in the Pre-Raphaelite style, and was one of the most prominent portrait painters of his generation. Both of his marriages were to daughters of Thomas Henry Huxley. He was educated at Eton College, and he studied painting in Paris with Jean-Paul Laurens and at the Munich Academy starting in 1875.
Francis Edward Rawdon-Hastings, 1st Marquess of Hastings,, styled The Honourable Francis Rawdon from birth until 1762, Lord Rawdon between 1762 and 1783, The Lord Rawdon from 1783 to 1793 and The Earl of Moira between 1793 and 1816, was an Anglo-Irish politician and military officer who served as Governor-General of India from 1813 to 1823. He had also served with British forces for years during the American Revolutionary War and in 1794 during the War of the First Coalition. In Ireland, he was critical of the policy of coercion used to break the United Irish movement for representative government and national independence. He took the additional surname "Hastings" in 1790 in compliance with the will of his maternal uncle, Francis Hastings, 10th Earl of Huntingdon.
Sir William Beechey was a British portraitist during the golden age of British painting.
George Knapton (1698–1778) was an English portrait painter and the first portraitist for the Society of Dilettanti in the 1740s. He became Surveyor and Keeper of the King's Pictures from 1765 to 1778.
The title of Principal Painter in Ordinary to the King or Queen of England or, later, Great Britain, was awarded to a number of artists, nearly all mainly portraitists. It was different from the role of Serjeant Painter, and similar to the earlier role of "King's Painter". Other painters, for example Nicholas Hilliard had similar roles with different titles. "Principal Painter in Ordinary", first used for Sir Anthony Van Dyck, became settled as the usual title with John Riley in 1689.
Henry Mee is a British painter. He read Fine Art at the University of Leeds awarded a place by Professor Sir Lawrence Gowing, graduating in 1979.
John Ellys or Ellis was an English portrait-painter.
Walter Ernest Stoneman was an English portrait photographer who is known for taking photographs for the National Portrait Gallery (NPG) in London.
John Rolle Walter was Tory MP for Exeter in 1754–1776 and for Devon in 1776–1779. He held the honorary position of Town Recorder of Great Torrington in 1739–1779, due to his family's long-standing importance as the major local landowner.
William Owen was an English portrait painter known for his portraits of society figures such as Pitt the Younger and George, Prince of Wales.
Daniel Gardner was a British painter, best known for his work as a portraitist. He established a fashionable studio in Bond Street in London, specializing in small scale portraits in pastel, crayons or gouache, often borrowing Reynolds' poses.
Robert Lovell Gwatkin (1757–1843) was an English landowner, High Sheriff of Cornwall in 1789.
The Portrait of Lord Hawkesbury is a work by the English artist Thomas Lawrence depicting the British politician and future Prime Minister Lord Hawkesbury, then in his mid-twenties. It is also known as the Portrait of Lord Liverpool, referring to the title he inherited in 1808 and by which he is better known. It is in the style of Romanticism.
Portrait of Lord Liverpool is a work by the English artist Thomas Lawrence depicting the British politician and Prime Minister Lord Liverpool.
George III is am 1809 portrait painting by the English artist Thomas Lawrence depicting the British monarch George III. It is an oil painting on canvas depicting the King in his robes for the State Opening of Parliament. It was commissioned by George as a gift for the former Prime Minister of the United Kingdom Henry Addington. George had reigned since 1760, but he was troubled by occasional bouts of mental instability. In 1810, shortly after celebrating the Golden Jubilee on the throne, George was overcome by a more lasting loss of control and his eldest son George was declared Prince Regent. The image by Lawrence continued to be used to represent the King throughout the remainder of his reign.
The Marquess of Wellesley is a portrait painting by the English artist Thomas Lawrence of the Irish statesman Richard Wellesley, 1st Marquess Wellesley. Wellesley was a senior politician in Britain where he served as Foreign Secretary from 1809 to 1812 and was regarded as a potential future Prime Minister. Lawrence was the leading portraitist of the Regency era, depicting prominent figures from Britain and it's European Allies during the Napoleonic Wars. It is also known as the Portrait of Lord Wellesley.
