Poems and Ballads

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Time and Tide, Alfred Thompson Bricher, c. 1873
The sea and time are common motifs in Swinburne's poetry. Alfred Bricher - Time and Tide.JPG
Time and Tide, Alfred Thompson Bricher, c. 1873
The sea and time are common motifs in Swinburne's poetry.

Poems and Ballads, First Series is the first collection of poems by Algernon Charles Swinburne, published in 1866. The book was instantly popular, and equally controversial. Swinburne wrote about many taboo topics, such as lesbianism, sado-masochism, and anti-theism. The poems have many common elements, such as the Ocean, Time, and Death. Several historical persons are mentioned in the poems, such as Sappho, Anactoria, Jesus ( Galilaee , La. "Galilean") and Catullus. [1]

Contents

Poems

Influences

Laus Veneris, c.1875, by Edward Burne-Jones Edward Burne-Jones Laus Veneris.jpg
Laus Veneris, c.1875, by Edward Burne-Jones
Sleeping Hermaphroditus, Louvre, Paris Hermafrodita 2.JPG
Sleeping Hermaphroditus , Louvre, Paris

Second and Third Series

In 1878 Swinburne published a collection of poems titled Poems and Ballads, Second Series, which is less political, and also shows the influence of French literature. It includes verses to Baudelaire, Gautier, Villon, Hugo, and Théodore de Banville. It also contains his translations of Villon. [9] [10]

In 1889, Swinburne published a collection of poems titled Poems and Ballads, Third Series, which contains "To a Seamew", "Pan and Thalassius", "Neap-Tide", elegies for Sir Henry Taylor and John William Inchbold, and border ballads, that were written for an unfinished novel, Lesbia Brandon . [11] [12]

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Hymn to Proserpine” is a poem by Algernon Charles Swinburne, published in Poems and Ballads in 1866. The poem is addressed to the goddess Proserpina, the Roman equivalent of Persephone, but laments the rise of Christianity for displacing the pagan goddess and her pantheon.

"The Triumph of Time" is a poem by Algernon Charles Swinburne, published in Poems and Ballads in 1866. It is in adapted ottava rima and is full of elaborate use of literary devices, particularly alliteration. The theme, which purports to be autobiographical, is that of rejected love. The speaker deplores the ruin of his life, and in tones at times reminiscent of Hamlet, craves oblivion, for which the sea serves as a constant metaphor.

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<span class="mw-page-title-main">Algernon Charles Swinburne</span> English poet, playwright, novelist, and critic

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References

  1. Walsh, John (2012), An Introduction to Algernon Charles Swinburne, Bloomington: The Algernon Charles Swinburne Project, retrieved 5 December 2015
  2. Swinburne, Algernon Charles (1866), Poems and Ballads, pp. viii–viii
  3. Swinburne, Algernon Charles (1866), Poems and Ballads, pp. v
  4. Kim, Hae-In. "Laus Veneris: The Poem and the Painting". Victorian Web.
  5. Swinburne, Algernon Charles, "Hermaphroditus", Poems and Ballads
  6. Swinburne, Algernon Charles, "Love at Sea", Poems and Ballads
  7. Zimmerman, pp. 776–777.
  8. Rictor Norton (Ed.), "The Toast, 1732," Homosexuality in Eighteenth-Century England: A Sourcebook. 4 June 2004 <http://rictornorton.co.uk/eighteen/toast.htm>.
  9. Gosse, Edmund. The Life of Swinburne. Cambridge Univ. Press. (2011). ISBN   9781108034142 pp. 32-34
  10. Swinburne, Algernon Charles. The Poems of Algernon Charles Swinburne. London: Chatto & Windus (1878).
  11. Swinburne, Algernon Charles. "The Commonweal". The Poems of Algernon Charles Swinburne. Chatto & Windus (1889)
  12. Gosse, Edmund. The Life of Swinburne. Cambridge Univ. Press. (2011). ISBN   9781108034142 pp. 32-34