The form of the novel is unusual, combining first-person narrative and third-person narrative. This approach was previously used by Agatha Christie in The Man in the Brown Suit. In The A.B.C. Murders the third-person narrative is supposedly reconstructed by the first-person narrator of the story, Arthur Hastings.
The initial premise is that a serial killer is murdering people with alliterative names. The murders follow an alphabetical order, starting with a victim whose initials were A. A, and appear to lack a motive.
The novel was well received in the UK and the US when it was published. One reviewer said it was "a baffler of the first water",[4] while another remarked on Christie's ingenuity in the plot.[5] A reviewer in 1990 said it was "a classic, still fresh story, beautifully worked out".[6]
Plot
Returning from South America, Arthur Hastings meets with his old friend, Hercule Poirot, at his new flat in London. Poirot shows him a mysterious letter he has received, signed "A.B.C.", that details a crime that is to be committed very soon, which he suspects will be a murder. Two more letters of the same nature soon arrive at his flat, each before a murder being carried out by A.B.C., and committed in alphabetical order: Alice Ascher, killed in her tobacco shop in Andover; Elizabeth "Betty" Barnard, a flirty waitress killed on the beach at Bexhill; and Sir Carmichael Clarke, a wealthy man, killed at his home in Churston. In each murder, an ABC Rail Guide is left beside the victim.
The police team for the investigation, led by Chief Inspector Japp, includes Inspector Crome, who doubts Poirot's detective abilities, and Dr. Thompson, who tries to profile the killer. Poirot forms a "Legion" of relatives of the deceased to uncover new information: Franklin Clarke, Sir Carmichael's brother; Mary Drower, Ascher's niece; Donald Fraser, Betty's fiancé; Megan Barnard, Betty's elder sister, and Thora Grey, Sir Carmichael's young assistant. Following a meeting with the third victim's widow, Lady Clarke, one key similarity between the murders is established – on the day of each murder, a man selling silk stockings has appeared at or near each crime scene. Despite this information, Poirot wonders why the letters were sent to him, rather than the police or the newspapers, and why the third letter misspelled Poirot's address, causing a delay in his receipt of it. Soon, A.B.C. sends his next letter, directing everybody to Doncaster, where it is suspected that the next murder will occur at the St. Leger Stakes race meeting that day. However, the murderer strikes at a cinema instead, and the victim's name does not match the alphabetical pattern of the other killings.
The police soon get a tip-off about the man linked to the murders – Alexander Bonaparte Cust, an epileptic travelling salesman, who suffers from memory blackouts and constant agonising headaches as the result of a head injury during the First World War. Cust flees his apartment but collapses upon arriving at the Andover police station, where he is taken into custody. Apart from claiming that a stocking firm hired him, he lacks any memory of committing the murders but believes he must be guilty of them – he had been at the cinema when the last murder occurred and found blood on his sleeve and a knife in his pocket after he had left. The police learn that the firm in question never hired Cust. Their search of his room turns up an unopened box of ABC railway guides and the typewriter and fine paper used in A.B.C.'s letters, while the knife is discovered in the hallway outside his room where he dropped it. Poirot doubts Cust's guilt because of his memory blackouts, and especially because he had a solid alibi for the Bexhill murder.
Calling a Legion meeting, Poirot proclaims Cust's innocence, and exposes Franklin Clarke as the A.B.C. murderer. His motive was simple: Lady Clarke is slowly dying from cancer, and upon her death, Carmichael would probably marry his assistant. Franklin feared a possible second marriage, as he wants all of his brother's wealth, so he chose to murder his brother while Lady Clarke was still alive. A chance encounter with Cust at a pub gave Franklin the idea for the murder plot – he would disguise his crime as part of a serial killing. Having created the letters Poirot would receive, Franklin set up Cust with his job, giving him the typewriter and other items Franklin would use to frame him for the murders. A suggestion by Hastings makes clear that the third letter was misaddressed intentionally because Franklin wanted no chance of the police interrupting that murder. Franklin then followed Cust to the cinema, committed the last murder, and planted the knife on him as he left.
Franklin laughs off Poirot's theory but panics when he is told that his fingerprint has been found on Cust's typewriter key and that Milly Higley, a co-worker of Betty Barnard, saw him in her company. Franklin attempts to end his life with his own gun, only to find that Poirot has emptied it with the help of a pickpocket. With the case solved, Poirot pairs off Donald with Megan. Later, Cust tells Poirot that the press has made him an offer for his story; Poirot suggests that he demand a higher price for it and that his headaches may have arisen from his poorly fitted spectacles. Once alone, Poirot tells Hastings that the claim of the fingerprint on the typewriter was a bluff but is pleased that the pair "went hunting once more".
Characters
Hercule Poirot – Renowned Belgian detective, involved in investigating the serial killings by A.B.C., due to letters received from him.
Captain Arthur Hastings – Poirot's old friend and companion on the case. He is also the narrator of the novel.
Inspector Japp – Poirot's old friend in Scotland Yard, and the chief investigating officer into the serial killings.
Inspector Crome – Part of Japp's police team investigating the murders. Initially in charge of the Bexhill murder, and maintains a low opinion of Poirot.
Dr Thompson – Forensic psychologist, assigned to Japp's police team. Focuses on making a profile of the killer.
A.B.C. – The unknown, cold-blooded serial killer of the case. His pattern of murders is done in alphabetical order, with his calling card being an ABC railway guide left at each crime scene.
Alice Ascher – A.B.C.'s first victim. An elderly woman with no children, and the owner of a tobacco shop in Andover.
Betty Barnard – A.B.C.'s second victim. A young, flirtatious part-time waitress in Bexhill.
Sir Carmichael Clarke – A.B.C.'s third victim. A rich, childless old man from Churston.
George Earlsfield – A.B.C.'s fourth victim. A barber by trade, killed at a cinema in Doncaster. Considered illogical to be a victim in the pattern of A.B.C.'s murders.
Franklin Clarke – Sir Carmichael's aggrieved younger brother and his immediate successor. A member of the Legion assisting Poirot in the investigation, responsible for inspiring Poirot to form the group.
Mary Drower – Ascher's niece. A member of the Legion assisting Poirot in the investigation.
Megan Barnard – Betty's elder, sensible and comparatively down to earth sister. A member of the Legion assisting Poirot in the investigation.
Donald Fraser – Betty's would-be fiancé, and a temperamental man. Initially a suspect in her murder, he later becomes a member in the Legion.
Thora Grey – Sir Carmichael Clarke's attractive young assistant. A member of the Legion assisting Poirot in the investigation.
Alexander Bonaparte Cust – An epileptic travelling salesman; his condition is the result of a blow to the head during the war, leaving him prone to blackouts and severe headaches. The prime suspect of the case, unknowingly set up by A.B.C., and the main red herring of the novel.
Franz Ascher – Alice's alcoholic and estranged husband. The initial suspect in his wife's murder.
Milly Higley – A co-worker of Betty.
Charlotte, Lady Clarke – Sir Carmichael's wife, suffering from terminal cancer. Rendered delusional or irritated by the medication she takes.
Roger Downes – School teacher visiting the cinema in Doncaster, and comes across Earlsfield's body after his murder.
Lily Marbury – Daughter of Cust's landlady, who warns him about the police coming after him.
Tom Hartigan – Lily's boyfriend, who tells police of his suspicions about Cust's movements on the day of Earlsfield's murder.
Literary significance and reception
The Times Literary Supplement on 11 January 1936 concluded, with a note of admiration for the plot that, "If Mrs Christie ever deserts fiction for crime, she will be very dangerous: no one but Poirot will catch her."[7]
Isaac Anderson in The New York Times Book Review of 16 February 1936 finished his review by writing, "This story is a baffler of the first water, written in Agatha Christie's best manner. It seems to us the very best thing she has done, not even excepting Roger Ackroyd."[4]
In The Observer's issue of 5 January 1936, "Torquemada" (Edward Powys Mathers) wrote, "Ingenuity ... is a mild term for Mrs Christie's gift. In The A.B.C. Murders, rightly chosen by the [crime] club as its book of the month, she has quite altered her method of attack upon the reader, and yet the truth behind this fantastic series of killings is as fairly elusive as any previous truth which Poirot has had to capture for us. The reader adopts two quite different mental attitudes as he reads. At first, and for a great many pages, he is asking himself: "Is Agatha Christie going to let me down? Does she think she can give us this kind of tale as a detective story and get away with it?" Then the conviction comes to him that he has been wronging the authoress, and that he alone is beginning to see through her artifice. In the last chapter he finds, because brilliant circus work with a troop of red horses and one dark herring has diverted his attention from a calm consideration of motive, he has not been wronging, but merely wrong. It is noticeable, by the way, that characters break off at intervals to tell us that we have to do with "a homicidal murderer". We are ready to take this for granted until Mrs Christie (I wouldn't put it past her) gives us one who isn't."[5]
E R Punshon reviewed the novel in 1936, writing that "Some readers are drawn to the detective novel by the sheer interest of watching and perhaps anticipating the logical development of a given theme, others take their pleasure in following the swift succession of events in an exciting story, and yet others find themselves chiefly interested in the psychological reactions caused by crime impinging upon the routine of ordinary life. Skilful and happy is that author who can weave into a unity this triple thread. In Mrs Agatha Christie's new book...the task is attempted with success." He added, "In the second chapter, Mrs Christie shows us what seems to be the maniac himself. But the wise reader, remembering other tales of Mrs Christie's, will murmur to himself 'I trust her not; odds on she is fooling me,' and so will continue to a climax it is not 'odds on' but a dead cert he will not have guessed. To an easy and attractive style and an adequate if not very profound sense of character Mrs Christie adds an extreme and astonishing ingenuity, nor does it very greatly matter that it is quite impossible to accept the groundwork of her tale or to suppose that any stalking-horse would behave so invariably so exactly as required. As at Bexhill, a hitch would always occur. In the smooth and apparently effortless perfection with which she achieves her ends Mrs. Christie reminds one of Noël Coward; she might, indeed, in that respect be called the Noël Coward of the detective novel."[8]
An unnamed reviewer in the Daily Mirror of 16 January 1936 said, "I'm thanking heaven I've got a name that begins with a letter near the end of the alphabet! That's just in case some imitative soul uses this book as a text book for some nice little series of murders." They summed up, "It's Agatha Christie at her best."[9]
Robert Barnard reviewed this novel favorably, calling it "A classic, still fresh story, beautifully worked out." He noted that the plot "differs from the usual pattern in that we seem to be involved in a chase: the series of murders appears to be the work of a maniac. In fact the solution reasserts the classic pattern of a closed circle of suspects, with a logical, well-motivated murder plan. The English detective story cannot embrace the irrational, it seems." His final judgment on this novel is that it was "a total success – but thank God she didn't try taking it through to Z".[6]
In the "Binge!" article of Entertainment Weekly issue #1343–44 (26 December 2014 – 3 January 2015), the writers picked The A.B.C. Murders as an "EW favorite" on the list of the "Nine Great Christie Novels".[10]
References to other works
In Chapter 1, Poirot alludes to a situation in the 1935 novel, Three Act Tragedy. In the same chapter, Poirot mentions his failed attempt at retirement to grow vegetable marrows as depicted in The Murder of Roger Ackroyd.
In Chapter 3, an exchange between Japp and Poirot shows that, in 1935, Christie was already thinking about Poirot's death as later narrated in Curtain: "I shouldn't wonder if you ended by detecting your own death," said Japp, laughing heartily. "That's an idea, that is. Ought to be put in a book." "It will be Hastings who will have to do that," said Poirot, twinkling at me. "Ha ha! That would be a joke, that would," laughed Japp."
Still in Chapter 3, Poirot lays out the plot of what he considers a perfect crime, a crime so challenging that "even he" would find it hard to solve. This exact murder – where someone is murdered by one of four people playing bridge in the same room with him – is the subject of Christie's Cards on the Table, which was published later in the same year and which, in turn, features Hercule Poirot and has another character refer to him as the man who solved the ABC murders.
In Chapter 19, Poirot reflects over his first case in England, where he "brought together two people who loved one another by the simple method of having one of them arrested for murder". This is a reference to the novel The Mysterious Affair at Styles, and the lovers mentioned are John and Mary Cavendish.
References in other works
The plot of The A.B.C. Murders is mentioned by Detective Inspector John Appleby in Michael Innes′ novel Appleby's End (1945).[11]
Chapters 393–397 of Gosho Aoyama's mangaDetective Conan feature a case with some similarities as the criminal was inspired by the plot of The A.B.C. Murders.[12] Episodes 325–327 of its anime adaptation also featured the incident. The 1998 anime film Case Closed: The Fourteenth Target is a combination of this story, with a murderer killing based on numbers in names as a ruse to confuse detectives, while also incorporating Christie's And Then There Were None.
A Bengali detective novel of Narayan Sanyal 'O Aa Ka Khuner Kanta' was based on The A.B.C. Murders. Sanyal admitted the inspiration from Christie's novel in the introduction to the book. Here the character P. K. Basu, Bar-at-law, has the role of main protagonist, similar to Poirot.[13]
Film, TV and other adaptations
Film
The first adaptation of the novel was the 1965 film The Alphabet Murders with Tony Randall as Hercule Poirot, a version far more comic than mysterious.
The story of the 2012 Malayalam film Grandmaster written by director B. Unnikrishnan draws inspirations from The A.B.C. Murders. The characterisation of Chandrasekhar in the movie as played by the Indian movie veteran Mohanlal, while inspired by that of the legendary Hercule Poirot, has more to do with the popular established screen persona of Mohanlal in Malayalam.
In fact, B. Unnikrishnan himself had penned a more fleshed-out script themed on the ABC murders for an investigative television series named "Black and White (Season 2)", starring actor Siddique in the role of the investigator, which aired around 2004 on Asianet.
The adaptation, while mostly faithful to the novel's plot, has a number of minor changes:
The characters of Inspector Crome, Dr Thompson, Lily Marbury and Tom Hartigan are omitted.
Police are alerted to Cust's suspected involvement with the murders through his landlady, while the knife used in the fourth murder is found in his room.
Franklin Clarke attempts to escape when he is exposed by Poirot as the killer.
Meitantei Akafuji Takashi (2005)
This Japanese adaptation aired as the first night of a two-night release in December 2005. The second night was an adaptation of The Murder on the Links. The show stars Shirō Itō as Takashi Akafuji, who represents the character of Poirot.[citation needed]
Les Petits Meurtres d'Agatha Christie (2009)
The first aired episode of the French television series Les Petits Meurtres d'Agatha Christie was an adaptation of The A.B.C. Murders. The episode aired in January 2009.
This adaptation only loosely follows the novel's plot, and features considerable changes to both story and character:
Captain Hastings is omitted from the plot.
Japp dies from a heart attack at the start, leaving the investigation to be solely conducted by Inspector Crome.
Poirot's background is explored prior to the outbreak of the First World War; in this adaptation, he was a priest before the conflict rather than a detective in the Belgian police force.
The first three murders are committed in locations that have some relevance to Poirot; he helped deliver a baby when on a refugee train that stopped in Andover, visited the café where Betty Barnard would later work on a visit to Bexhill, and attended a party at the Clarke house.
More care is taken in planning the D murder; rather than just stabbing a person in a cinema, reasoning that someone with a suitable name would be nearby, the killer intends to murder a ventriloquist at a theatre, but kills another performer on the theatre bill.
A fifth murder is conducted pertaining to the letter E and Cust is present at the scene. The killer is surprised by this and takes this opportunity to implicate Cust by planting the weapon when Cust has a fit.
Cust is pursued by police shortly after murder E. He is caught after he injures himself, rather than passing out at a police station.
There is no reference to Mary Drower, Alice Ascher's niece, within the plot. Thora Grey's character is changed to being manipulated into being Franklin's accomplice by establishing an alibi for him in one of the murders.
Franklin claims, prior to his execution, that he committed the crimes to give Poirot a new cause to live for, considering them friends, although Poirot has nothing but disdain for the man's methods.
The A.B.C. Murders are also an arc of the anime "Hyouka", or episode 15 "The Jūmonji Case" of the Hyouka video series.
Manga
'ABC Satsujin Jiken' (ABC殺人事件, The ABC Murders) is a two-volume manga by Yasushi Hoshino, set in Japan, loosely based on a mixture of the original novel and Murder in the Mews. Poirot retains his iconic appearance, though is renamed Eikubo, while Hastings is renamed Asakura.[citation needed]
Video games
In 2009, DreamCatcher Interactive released a video game version of the novel for the Nintendo DS titled Agatha Christie: The ABC Murders. The game has players control Captain Hastings and must solve the mystery by inspecting crime scenes and questioning suspects. To appeal to players familiar with the original story, the game also offers the option to play with a different murderer, which results in different clues and testimony throughout the entire game.[21] The game received mediocre reviews, but was commended for its faithful recreation of the source material.[21][22]
2006, Poirot Facsimile Edition (facsimile of 1936 UK first edition), HarperCollins, 4 September 2006, hardcover; ISBN0-00-723443-0
The first true publication of The A.B.C. Murders occurred in the US, when an abridged version appeared in the November 1935 (Volume XCIX, Number 5) issue of Cosmopolitan magazine with illustrations by Frederic Mizen.
The UK serialisation was in 16 parts in the Daily Express from Monday 28 November to Thursday 12 December 1935. All the instalments carried an illustration by Steven Spurrier. This version did not contain any chapter divisions and totally omitted the foreword as well as chapters 26, 32 and 35; in addition, most of chapters seven and 20 were missing. Combined with other abridgements, this serialisation omitted almost 40% of the text of the published novel.[23]
Related Research Articles
Hercule Poirot is a fictional Belgian detective created by British writer Agatha Christie. Poirot is one of Christie's most famous and long-running characters, appearing in 33 novels, two plays, and 51 short stories published between 1920 and 1975.
Death in the Clouds is a work of detective fiction by British writer Agatha Christie, published in 1935. It features the Belgian detective Hercule Poirot and Chief Inspector Japp. It is a "closed circle" murder mystery: the victim is a passenger on a cross-Channel aircraft flight, and the perpetrator can only be one of eleven fellow-passengers and crew.
The Mysterious Affair at Styles is the first detective novel by British writer Agatha Christie, introducing her fictional detective Hercule Poirot. It was written in the middle of the First World War, in 1916, and first published by John Lane in the United States in October 1920 and in the United Kingdom by The Bodley Head on 21 January 1921.
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Captain Arthur J. M. Hastings, OBE, is a fictional character created by Agatha Christie as the companion-chronicler and best friend of the Belgian detective, Hercule Poirot. He is first introduced in Christie's 1920 novel The Mysterious Affair at Styles and appears as a character in seven other Poirot novels, including the final one Curtain: Poirot's Last Case (1975), along with a play and many short stories. He is also the narrator of several of them.
Inspector James Japp is a fictional character who appears in several of Agatha Christie's novels featuring Hercule Poirot.
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Peril at End House is a work of detective fiction by British writer Agatha Christie, first published in the US by the Dodd, Mead and Company in February 1932 and in the UK by the Collins Crime Club in March of the same year. The US edition retailed at $2.00 and the UK edition at seven shillings and sixpence (7/6).
The Big Four is a work of detective fiction by Agatha Christie, first published in the UK by William Collins & Sons on 27 January 1927 and in the US by Dodd, Mead and Company later in the same year. It features Hercule Poirot, Arthur Hastings, and Inspector Japp. The UK edition retailed at seven shillings and sixpence (7/6) and the US edition at $2.00.
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Curtain: Poirot's Last Case is a work of detective fiction by British writer Agatha Christie, first published in the UK by the Collins Crime Club in September 1975 and in the US by Dodd, Mead and Company later in the same year, selling for $7.95.
Hercule Poirot's Christmas is a work of detective fiction by British writer Agatha Christie, first published in the UK by the Collins Crime Club on 19 December 1938. It retailed at seven shillings and sixpence (7/6).
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One, Two, Buckle My Shoe is a work of detective fiction by Agatha Christie first published in the United Kingdom by the Collins Crime Club in November 1940, and in the US by Dodd, Mead and Company in February 1941 under the title of The Patriotic Murders. A paperback edition in the US by Dell books in 1953 changed the title again to An Overdose of Death. The UK edition retailed at seven shillings and sixpence (7/6) while the United States edition retailed at $2.00.
This page details the other fictional characters created by Agatha Christie in her stories about the Belgian detective, Hercule Poirot.
Superintendent Battle is a fictional character created by Agatha Christie who appeared in five of her novels.
The Alphabet Murders is a 1965 British detective film directed by Frank Tashlin and starring Tony Randall, Anita Ekberg and Robert Morley. It is based on the 1936 novel The A.B.C. Murders by Agatha Christie.
Black Coffee is a play by the British crime-fiction author Agatha Christie (1890–1976) which was produced initially in 1930. The first piece that Christie wrote for the stage, it launched a successful second career for her as a playwright. In the play, a scientist discovers that someone in his household has stolen the formula for an explosive. The scientist calls Hercule Poirot to investigate, but is murdered just as Poirot arrives with Hastings and Inspector Japp.
The ABC Murders is a 2018 mystery thriller television serial loosely based on Agatha Christie's 1936 novel of the same name. It was broadcast over three consecutive nights beginning on 26 December 2018 on BBC One. It was adapted by Sarah Phelps and directed by Alex Gabassi. It stars John Malkovich as Hercule Poirot, with Rupert Grint, Andrew Buchan, Tara Fitzgerald and Shirley Henderson in supporting roles.
Hercule Poirot is a series of full cast BBC Radio drama adaptations of Agatha Christie's Hercule Poirot novels and short stories adapted by Michael Bakewell, broadcast on BBC Radio 4 between 1985 and 2007. With the exception of the first two adaptations, the series stars John Moffatt as Poirot.
↑ Chris Peers, Ralph Spurrier and Jamie Sturgeon. Collins Crime Club – A checklist of First Editions. Dragonby Press (Second Edition) March 1999 (p. 15)
↑ "Suspense - The A.B.C. Murders". ESCAPE AND SUSPENSE! Vintage Radio Broadcasts of Dangerous Adventure, Urban Legends, and Tales of Fear and Trembling. Retrieved 24 February 2020.
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