The book features the Belgian detective Hercule Poirot and is narrated by his friend Arthur Hastings. It is the last book to feature the character of Hastings until the final Poirot novel, 1975's Curtain: Poirot's Last Case, which he also narrates.
Reviews of this novel at publication in 1937 were generally positive, though several pointed out what they considered to be plot weaknesses. The author does "this sort of thing so superlatively well",[5] while The Times in London questioned one of the actions by the murderer: "who would use hammer and nails and varnish in the middle of the night near an open bedroom door?"[6] In the New York Times, this novel was not considered "Mrs Christie's best, but she has produced a much-better-than-average thriller nevertheless",[7] which is a view shared by "Torquemada" (Edward Powys Mathers), who called this "the least of all the Poirot books" and then concluded "Still, better a bad Christie than a good average."[8] By contrast, Mary Dell considered this novel to be "Mrs Christie at her best".[9]The Scotsman felt the author deserved "full marks" for this novel.[10] A review in 1990 found this novel to be not very interesting, with obvious clues.[11]
Plot summary
Wealthy spinster Emily Arundell writes to Hercule Poirot in the belief she has been the victim of an attempted murder after a fall in her Berkshire home. Her family and household believe she tripped over a ball left by her fox terrier, Bob. After Poirot receives the letter, he travels to Miss Arundell’s home, only to learn she is dead; her physician, Dr Grainger, states her death was from chronic liver problems. While recovering from her earlier fall, she made a new will, which bequeathed her vast fortune and home to her paid companion, Minnie Lawson.
Seeking to investigate Miss Arundell's belief that someone wanted to murder her, Poirot, accompanied by Captain Hastings, notes that under her previous will, her nephew Charles and nieces Theresa and Bella would have inherited. All three consider contesting the will.
Visiting the house on the pretence of buying it, Poirot discovers a nail covered with varnish at the top of the stairs, and deduces a string had been tied to it. Through Miss Arundell's last words, he concludes that Bob had been out all night and that she had therefore fallen down the stairs as a result of a tripwire, and there is a chance Miss Arundell was indeed murdered. Her family therefore become suspects in the matter.
During his investigation, Poirot learns that a luminous aura was noticed coming from the dead woman's mouth when she spoke during a seance. Visiting Miss Lawson at her home, he learns that she saw someone moving about on the night of Miss Arundell's fall, who wore a brooch with the initials "TA". At the same time, Miss Lawson's gardener recalls Charles inquiring about his arsenic-based weed killer and is surprised to find the bottle containing it to be nearly empty.
Bella later leaves her Greek husband Jacob, on the implication he bullies her, taking the children with her. After Miss Lawson helps hide them in a hotel, Poirot moves her to another for fear of a second murder; before he does, he gives her a summary of Miss Arundell's death. The next day, Bella is found dead from an overdose of sleeping medication.
Bringing the surviving family members together, Poirot reveals Bella was the murderer. She hated her husband and sought to separate from him and keep her children in England. As she had no means to do so, she resolved to kill Miss Arundell to hasten her inheritance. When the attempt with the tripwire failed, she filled one of Miss Arundell's patent capsules with elemental phosphorus, knowing the poison would mimic the symptoms of liver failure. The aura witnessed by those attending the seance was due to the poison Miss Arundell had unknowingly consumed.
When she found out her aunt changed her will and that Poirot had discovered the cause of her death, Bella found herself in a far worse quandary. She relinquished her children to their father before committing suicide; the medication was originally intended to be used to murder Jacob, who was to be her second victim.
Poirot reveals that Miss Lawson saw Bella on the night of Emily's fall, though in a mirror; the brooch's initials were reversed from that of "AT" – Arabella Tanios. The arsenic was stolen by Theresa, who intended to use it, but could not bear to do so in the end. A small sum of cash that went missing was later discovered to have been stolen by Charles; he knew his aunt had changed her will before her death. Knowing Emily wished for no scandal, Poirot honours this, while Miss Lawson decides to share her inheritance with Theresa, Charles, and Bella's children. Meanwhile, Poirot and Hastings find themselves returning home with Bob joining them.
Characters
Hercule Poirot: the renowned Belgian detective who solves the case.
Emily Arundell: wealthy older woman who never married, owner of Little Green House; last survivor of five siblings, Matilda, Emily, Arabella, Thomas, and Agnes. She was murdered by poison.
Theresa Arundell: fashionable, attractive niece of Emily Arundell, not yet 30 years old; spent the capital she inherited at age 21 from her father; engaged to ambitious young doctor.
Dr Rex Donaldson: Theresa's fiancé, and younger partner to Dr. Grainger.
Charles Arundell: nephew of Emily Arundell and brother to Theresa, in his early thirties; son of Thomas Arundell and widowed Mrs Varley. He also spent the capital of his inheritance from his father, and settled in British Columbia, Canada.
Bella Tanios: niece of Emily Arundell, cousin to Charles and Theresa; plain looking daughter of Arabella Arundell and Professor Biggs, who taught chemistry at an English university.
Dr Jacob Tanios: Bella's husband, of Greek descent, a physician practicing in Smyrna.
Edward Tanios: young son of Bella and Jacob.
Mary Tanios: young daughter of Bella and Jacob, about 7 years old.
Ellen: long time member of Emily Arundell's household staff.
Wilhelmina (Minnie) Lawson: Emily Arundell's companion for the last year, and in her final will, sole heiress.
Isabel and Julia Tripp: two eccentric sisters and amateur spiritualists who share a home near Little Green House.
Dr Grainger: physician to Emily Arundell; in Market Basing since 1919.
Miss Peabody: long time resident of village and friend of Emily Arundell, she knew all the Arundell siblings and shared her knowledge with Poirot.
Bob: Wire Fox Terrier belonging to Emily Arundell and the titular dumb witness.
Literary significance and reception
John Davy Hayward in the Times Literary Supplement (10 July 1937), while approving of Christie's work, commented on some length at what he felt was a central weakness of this book: "Who, in their senses, one feels, would use hammer and nails and varnish in the middle of the night within a few feet of an open door! – a door, moreover, that was deliberately left open at night for observation! And, incidentally, do ladies wear large brooches on their dressing gowns? .. These are small but tantalising points which it would not be worth raising in the work of a less distinguished writer than Mrs Christie; but they are worth recording, if only as a measure of curiosity and interest with which one approaches her problems and attempts to anticipate their solution."[6]
In The New York Times Book Review (26 September 1937), Kay Irvin wrote that "Agatha Christie can be depended upon to tell a good tale. Even when she is not doing her most brilliant work she holds her reader's attention, leads them on from clue to clue, and from error to error, until they come up with a smash against surprise in the end. She is not doing her most brilliant work in Poirot Loses A Client, but she has produced a much-better-than-average thriller nevertheless, and her plot has novelty, as it has sound mechanism, intriguing character types, and ingenuity.[7]
In The Observer's issue of 18 July 1937, "Torquemada" (Edward Powys Mathers) said, "usually after reading a Poirot story the reviewer begins to scheme for space in which to deal with it adequately; but Dumb Witness, the least of all the Poirot books, does not have this effect on me, though my sincere admiration for Agatha Christie is almost notorious. Apart from a certain baldness of plot and crudeness of characterisation on which this author seemed to have outgrown years ago, and apart from the fact that her quite pleasing dog has no testimony to give either way concerning the real as opposed to the attempted murder, her latest book betrays two main defects. In the first place, on receiving a delayed letter from a dead old lady Poirot blindly follows a little grey hunch. In the second place, it is all very well for Hastings not to see the significance of the brooch in the mirror, but for Poirot to miss it for so long is almost an affront to the would-be worshipper. Still, better a bad Christie than a good average."[8]
The Scotsman of 5 July 1937 started off with: "In Agatha Christie's novel there is a minor question of construction which might be raised." The reviewer then went on to outline the set-up of the plot up to the point where Poirot receives Emily Arundell's letter and then said, "Why should the story not have begun at this point? M. Poirot reconstructs it from here and the reader would probably have got more enjoyment out of it if he had not had a hint of the position already. But the detection is good, and the reader has no ground for complaint, for the real clue is dangled before his eyes several times, and because it seems a normal feature of another phenomenon than poisoning that he tends to ignore it. For this Agatha Christie deserves full marks."[10]
E. R. Punshon of The Guardian began his review column of 13 July 1937 by an overview comparison of the books in question that week (in addition to Dumb Witness, I'll be Judge, I'll be Jury by Milward Kennedy, Hamlet, Revenge! by Michael Innes, Dancers in Mourning by Margery Allingham and Careless Corpse by C. Daly King) when he said, "Only Mrs Christie keeps closer to the old tradition, and this time she adds much doggy lore and a terrier so fascinating that even Poirot himself is nearly driven from the centre of the stage." In the review proper, he went on to say that the dedication of the novel to Peter was, "a fact that in this dog-worshipping country is enough of itself to ensure success." He observed that Poirot, "shows all of his usual acumen; Captain Hastings – happily once more at Poirot's side – more than all his usual stupidity, and there is nothing left for the critic but to offer his usual tribute of praise to another of Mrs Christie's successes. She does indeed this sort of thing so superlatively well that one is ungratefully tempted to wish she would do something just a little well different, even if less well."[5]
In the Daily Mirror (8 July 1937), Mary Dell wrote: "Once I had started reading, I did not have to rely on Bob or his cleverness to keep me interested. This is Agatha Christie at her best." She concluded, "Here's a book that will keep all thriller fans happy from page one to page three hundred and something."[9]
Robert Barnard: "Not quite vintage for the period: none of the relations of the dead woman is particularly interesting, and the major clue is very obvious. The doggy stuff is rather embarrassing, though done with affection and knowledge. At the end the dog is given to Hastings – or possibly vice versa."[11]
References to other works
Chapter 11: "Poirot's travellings in the East, as far as I knew, consisted of one journey to Syria extended to Iraq, and which occupied perhaps a few weeks". After solving a case in Syria by the request of his friend, Poirot decided to travel to Iraq before returning to England and, while in Iraq, was requested to solve a case, which he did and which is told in Christie's 1936 novel Murder in Mesopotamia, after which Poirot returned to Syria and boarded Orient Express to return home and en route solved the Murder on the Orient Express.
The son of Bella and Jacob Tanios is mentioned as Edward and, twice, as John in the novel. The boy is mentioned by name by his mother in Chapters 2, 16, 17 and by his father in Chapters 2 and 17 as well. At any other time, they are mentioned as "the children". At the very end of Chapter 16 in one print version, when Bella, her daughter Mary and Poirot are joined by Jacob Tanios and their son, Poirot asks Bella a question and she replies: "When do you return to Smyrna, madame?" "In a few weeks' time. My husband – ah! here is my husband and John with him."
At the start of Chapter 17, Jacob Tanios then calls his son John: "Here we are," he said, smiling to his wife. "John has been passionately thrilled by his first ride in the tube. He has always been in buses until today."
Other print versions have more switches between John and Edward (in Chapter 2 a few sentences apart, for example).
However, in the audiobook edition read by Hugh Fraser, the boy is always called Edward, even in those two instances where the print version has the wrong name. Thus they are termed errata. It is not clear when the errata were corrected for the audiobook.[12]
The book is inconsistent in its references to Bella Tanios' maiden name. There is an early reference to her as Bella Winter (see Chapter 1, page 8 "For Bella Winter, Emily Arundell's niece, had married a Greek"). Later she is referred to as Bella Biggs, daughter of Professor Biggs (see Chapter 10, page 74 "Emily was alone in the world then, and they and Bella Biggs were the only kith and kin she had.") Although since Hastings is narrating the book, they can obviously be mistakes on his part.
Also in the audio book, the title of Chapter 18 is A Cuckoo in the Nest, changed from A Nigger in the Woodpile, in early texts.[12] That change is more likely attributed to changing values as to accepted language, than considered errata.
History
Dumb Witness was based on a short story titled "The Incident of the Dog's Ball". For many years, this short story was kept along with Agatha Christie's other papers in a room at Greenway that came to be known as the so-called “fax room”. To add dramatic effect at the time of the story's eventual publication, it was claimed that the story had been thought lost until it was located by the author's daughter in a crate of her personal effects, in 2004.[13] "The Incident of the Dog's Ball" was published in Britain in September 2009 in John Curran's Agatha Christie's Secret Notebooks: Fifty Years of Mysteries in the Making. The short story was also published by The Strand Magazine in their tenth anniversary issue of the revived magazine in 2009.[14][15][16]
Quotes
Poirot on lying as needed to learn the facts, in conversation with Hastings in Chapter 26: H: "More lies, I suppose?" P: "You are really very offensive sometimes, Hastings. Anybody would think I enjoyed telling lies." H: "I rather think you do. In fact, I'm sure of it." P: "It is true that I sometimes compliment myself upon my ingenuity," Poirot confessed naively.
Adaptations
Television
1996 Agatha Christie's Poirot
In 1996 the novel was adapted by Douglas Watkinson as part of the television series Agatha Christie's Poirot, starring David Suchet as Poirot. The adaptation makes a number of changes, which include the following:
The setting is changed from Berkshire to England's Lake District.
Poirot visits the Arundell home before Emily dies, not after; he does not pretend to want to buy the house in order to examine it. In addition, after learning of her fall, he influences her to change her will to favour Miss Lawson. Later, after the court case, he advises Miss Lawson to share her inheritance with the Arundell family.
Charles Arundell is a friend of Captain Hastings, a motor-boat racer attempting to beat the water speed record. He relies on his aunt to finance these attempts. The character of his sister Theresa is changed from the vain, young, engaged woman in the novel to a single woman in her late thirties.
Bella Tanios does not leave on her own with the children, but is helped by Poirot and Hastings to the home of Emily's friends the Tripp sisters.
No arsenic is stolen in this adaptation.
The role of the dog, Bob, the dumb witness who is initially suspected of causing Emily's fall, is slightly altered in the television adaptation. In the novel, the dog often left the ball on the landing, and the people of the house put it away, but the dog was outside all night on the night of Emily's fall: The ball with was in a drawer. In this adaptation, Bob always takes the ball with him to his basket, never leaving it anywhere else, proving that when it was found on the stairs, it could not have been the dog's doing. It must have been put there by someone who wanted to implicate the dog. Bob is present when Emily falls, and hurries to stands over her body .
This adaptation has an additional murder—that of Dr Grainger. While talking to Miss Lawson about Emily's death, he suddenly realises that the mist coming out of Emily is a sign that she was poisoned with elemental phosphorus. Foolishly, he alerts Bella to his suspicions. Bella goes to his room while he sleeps and opens the valve on an unlit gas heater, flooding the room with coal gas and killing him
When Poirot reveals his findings to all, Bella is present with the others and is exposed as the murderer, rather than being given a summary of it by Poirot on her own. She does not commit suicide.
At the prospect of returning to London, Poirot offers Bob—“a country dog”—to the Tripp sisters, but they decline for fear it will put their own pet's nose “out of joint.” Albert is—or rather was— a springer spaniel. At the very end, Poirot—with Hastings' assistance—convinces them that the spirit of a springer spaniel visited him and spoke to Bob, saying: “Go live with my people, they have of you the great need.”
Tarn Hows Cottage, Cumbria, doubled as Teresa Arundell's home in Agatha Christie's Poirot
The production was recorded for sale as an audio book on cassette or CD. Three editions of this BBC Radio Full Cast Drama were released in the UK and US markets, the latest being the January 2010 US edition on CD, ISBN9781602838086.[18]
2007, Poirot Facsimile Edition (Facsimile of 1937 UK First Edition), HarperCollins, 3 January 2007, Hardback, ISBN0-00-723446-5
In addition to those listed above, thirteen paperbacks issued from July 1969 (Macmillan UK edition) to June 2011 (William Morrow US edition ISBN9780062073754) are shown at Fantastic Fiction. The most recent hardback edition was issued in April 2013 for the US market by Center Point ISBN9781611736830.[18]
The book is in continuous publication, and in several forms. Two Kindle editions have been issued: one in January 2005 by William Morrow Paperbacks (ISBN B000FC2RRM) and again in October 2010 by HarperCollins (ISBN B0046RE5CW). Four audio editions for the UK and US markets are listed, from August 2002, all read by Hugh Fraser by HarperCollins Audiobooks in the UK, and by BBC Audiobooks America and Audio Partners, The Mystery Masters ISBN9781572705135 February 2006 in the US.[18]
The book was first serialised in the US in The Saturday Evening Post in seven instalments from 7 November (Volume 209, Number 19) to 19 December 1936 (Volume 209, Number 25) under the title Poirot Loses a Client with illustrations by Henry Raleigh.
In the UK, the novel was serialised as an abridged version in the weekly Women's Pictorial magazine in seven instalments from 20 February (Volume 33, Number 841) to 3 April 1937 (Volume 33, Number 847) under the title Mystery of Littlegreen House. There were no chapter divisions and all of the instalments carried illustrations by "Raleigh".[19]
Related Research Articles
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The Murder on the Links is a work of detective fiction by Agatha Christie, first published in the US by Dodd, Mead & Co in March 1923, and in the UK by The Bodley Head in May of the same year. It is the second novel featuring Hercule Poirot and Arthur Hastings. The UK edition retailed at seven shillings and sixpence (7/6), and the US edition at $1.75.
Hallowe'en Party is a work of detective fiction by English writer Agatha Christie, first published in the United Kingdom by the Collins Crime Club in November 1969 and in the United States by Dodd, Mead and Company later in the same year. This book was dedicated to writer P. G. Wodehouse. It has been adapted for television, radio, and most recently for the film A Haunting in Venice (2023).
Peril at End House is a work of detective fiction by British writer Agatha Christie, first published in the US by the Dodd, Mead and Company in February 1932 and in the UK by the Collins Crime Club in March of the same year. The US edition retailed at $2.00 and the UK edition at seven shillings and sixpence (7/6).
Death on the Nile is a work of detective fiction by British writer Agatha Christie, published in the UK by the Collins Crime Club on 1 November 1937 and in the US by Dodd, Mead and Company the following year. The UK edition retailed at seven shillings and sixpence (7/6)(equivalent to £31 in 2023) and the US edition at $2.00 . The book features the Belgian detective Hercule Poirot. The action takes place in Egypt, mostly on the River Nile. The novel is unrelated to Christie's earlier (1933) short story of the same name, which featured Parker Pyne as the detective.
Evil Under the Sun is a work of detective fiction by British writer Agatha Christie, first published in the UK by the Collins Crime Club in June 1941 and in the US by Dodd, Mead and Company in October of the same year.
Curtain: Poirot's Last Case is a work of detective fiction by British writer Agatha Christie, first published in the UK by the Collins Crime Club in September 1975 and in the US by Dodd, Mead and Company later in the same year, selling for $7.95.
The Mystery of the Blue Train is a work of detective fiction by British writer Agatha Christie, first published in the United Kingdom by William Collins & Sons on 29 March 1928 and in the United States by Dodd, Mead and Company later in the same year. The UK edition retailed at seven shillings and sixpence (7/6) and the US edition at $2.00. The book features her detective Hercule Poirot.
Appointment with Death is a work of detective fiction by British writer Agatha Christie, first published in the UK by the Collins Crime Club on 2 May 1938 and in the US by Dodd, Mead and Company later in the same year. The UK edition retailed at seven shillings and sixpence (7/6) and the US edition at $2.00.
Three Act Tragedy is a work of detective fiction by British writer Agatha Christie, first published in the United States by Dodd, Mead and Company in 1934 under the title Murder in Three Acts and in the UK by the Collins Crime Club in January 1935 under Christie's original title. The US edition retailed at $2.00 and the UK edition at seven shillings and sixpence (7/6).
Murder in Mesopotamia is a work of detective fiction by British writer Agatha Christie, first published in the UK by the Collins Crime Club on 6 July 1936 and in the US by Dodd, Mead and Company later in the same year. The UK edition retailed at seven shillings and sixpence (7/6) and the US edition at $2.00. The cover was designed by Robin McCartney.
Murder in the Mews and Other Stories is a short story collection by British writer Agatha Christie, first published in the UK by Collins Crime Club on 15 March 1937. In the US, the book was published by Dodd, Mead and Company under the title Dead Man's Mirror in June 1937 with one story missing ; the 1987 Berkeley Books edition of the same title has all four stories. All of the tales feature Hercule Poirot. The UK edition retailed at seven shillings and sixpence (7/6) and the first US edition at $2.00.
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Three Blind Mice and Other Stories is a collection of short stories written by Agatha Christie, first published in the US by Dodd, Mead and Company in 1950. The first edition retailed at $2.50.
In Agatha Christie's mystery novels, several characters cross over different sagas, creating a fictional universe in which most of her stories are set. This article has one table to summarize the novels with characters who occur in other Christie novels; the table is titled Crossovers by Christie. There is brief mention of characters crossing over in adaptations of the novels. Her publications, both novels and short stories, are then listed by main detective, in order of publication. Some stories or novels authorised by the estate of Agatha Christie, using the characters she created, and written long after Agatha Christie died, are included in the lists.
Agatha Christie's Secret Notebooks:Fifty Years of Mysteries in the Making is a book written by John Curran and published by HarperCollins on 6 September 2009, which later went on to win the Anthony Award for Best Critical Nonfiction in 2011.
↑ Willis, Chris (2006). "The Story of The Strand". History: 1891 to 1950, December 1998 restart. Archived from the original on 26 April 2011. Retrieved 27 May 2014.
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