The Merry Adventures of Robin Hood

Last updated
The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire
1883 decorative title page.jpg
Decorative title page, 1883 edition
Author Howard Pyle
LanguageEnglish
Genre Children's literature, historical fiction
Published1883 (Scribner's)
Publication placeUnited States
Pages192
Text The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire at Wikisource

The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire is an 1883 novel by the American illustrator and writer Howard Pyle. Pyle compiled the traditional Robin Hood ballads as a series of episodes of a coherent narrative. For his characters' dialog, Pyle adapted the late Middle English of the ballads into a dialect suitable for children.

Contents

The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century. [1]

Character

The plot follows Robin Hood as he becomes an outlaw after a conflict with foresters and through his many adventures and run-ins with the law. Each chapter tells a different tale of Robin as he recruits Merry Men, resists the authorities, and aids his fellow man. The popular stories of Little John defeating Robin in a fight with staffs, of Robin's besting at the hands of Friar Tuck, and of his collusion with Allan a Dale all appear. In the end, Robin and his men are pardoned by King Richard the Lionheart and his band are incorporated into the king's retinue, much to the dismay of the Sheriff of Nottingham.

Development and significance

Friar Tuck carries Robin Hood across a river. Frontispiece illustration by Howard Pyle. The Merry Adventures of Robin Hood, 2 Frontispiece.png
Friar Tuck carries Robin Hood across a river. Frontispiece illustration by Howard Pyle.

Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from mediaeval ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to introduce Friar Tuck as part of retelling the ballad "Robin Hood and Allan-a-Dale", as he needed a cooperative priest for the wedding of outlaw Allan a Dale to his sweetheart Ellen. [2] In the original "A Gest of Robyn Hode", the knight saves the life of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow". In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland.

Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others. [1] For instance, he modified the late 17th-century ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against an attempt on his life by one of the foresters. Pyle has Robin kill only one man, who shoots at him first. [3] Tales are changed in which Robin steals all that an ambushed traveler carried, such as the late 18th-century ballad "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor.

"The Passing of Robin Hood". Painting by N C Wyeth, a student of Pyle. Published in Robin Hood by Paul Creswick (1917) N.C. Wyeth - The Passing of Robin Hood.jpg
"The Passing of Robin Hood". Painting by N C Wyeth, a student of Pyle. Published in Robin Hood by Paul Creswick (1917)

Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Heart, with whom Robin eventually makes peace.

The novel was first published by Scribner's in 1883, and met with immediate success, [1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe . In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains. [1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books. [3] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C. Wyeth, were children's novels after Pyle's fashion. [3] [4] :202

Invented Middle English dialect

Merry Adventures

"Now will I make my vow," quoth Little John, "thou art the very best swordsman that ever mine eyes beheld." ...
"Now," quoth Little John, "it doth seem to me that instead of striving to cut one another's throats, it were better for us to be boon companions. What sayst thou, jolly Cook, wilt thou go with me to Sherwood Forest and join with Robin Hood's band? Thou shalt live a merry life within the woodlands, and sevenscore good companions shalt thou have, one of whom is mine own self. Thou shalt have two suits of Lincoln green each year, and forty marks in pay."

Part Second, Chapter III, p 73 [5] :73

Gest

"I make my vow to God," said Little John,
"And by my true lewté,
Thou art one of the best swordmen
That ever yet saw I me.
 
"Couldst thou shoot as well with a bow,
To green wood thou shouldst with me,
And two times in the year thy clothing
Changed should be,
 
"And every year of Robin Hood
Twenty marks to thy fee."
"Put up thy sword," said the cook,
"And fellows will we be."

Third Fytte, lines 673-684 [6] :lines 673-684

Pyle's characters use a manner of speaking that has since become familiar to modern audiences as a sort of Middle English or Early Modern English dialect. Here is part of the dialog during the sword duel scene between Little John and the Cook compared to the dialog in the corresponding scene found in A Gest of Robyn Hode . (The Gest spelling has been updated to Modern English spelling for easier reading.)

Related Research Articles

<span class="mw-page-title-main">Robin Hood</span> Heroic outlaw in English folklore

Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature, theatre, and cinema. He stole from the rich and gave to the poor. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff. In the oldest known versions, he is instead a member of the yeoman class. He is traditionally depicted dressed in Lincoln green.

<span class="mw-page-title-main">Yeoman</span> Social rank in late medieval/early modern England

Yeoman is a noun originally referring either to one who owns and cultivates land or to the middle ranks of servants in an English royal or noble household. The term was first documented in mid-14th-century England. The 14th century witnessed the rise of the yeoman longbow archers during the Hundred Years' War, and the yeoman outlaws celebrated in the Robin Hood ballads. Yeomen joined the English Navy during the Hundred Years' War as seamen and archers. In the early 15th century, yeoman was the rank of chivalry between page and squire. By the late 17th century, yeoman became a rank in the Royal Navy for the common seamen who were in charge of ship's stores, such as foodstuffs, gunpowder, and sails.

<span class="mw-page-title-main">Howard Pyle</span> American illustrator and author (1853–1911)

Howard Pyle was an American illustrator, painter, and author, primarily of books for young people. He was a native of Wilmington, Delaware, and he spent the last year of his life in Florence, Italy.

Much, the Miller's Son is one of the Merry Men in the tales of Robin Hood. He appears in some of the oldest ballads, A Gest of Robyn Hode and Robin Hood and the Monk, as one of the company.

The Bishop of Hereford is a character in the Robin Hood legend. He is typically portrayed as a wealthy and greedy clergyman who is robbed by Robin and his Merry Men.

Alan-a-Dale is a figure in the Robin Hood legend. According to the stories, he was a wandering minstrel who became a member of Robin's band of outlaws, the "Merry Men".

Will Scarlet is a prominent member of Robin Hood's Merry Men. He is present in the earliest ballads along with Little John and Much the Miller's Son.

<span class="mw-page-title-main">Barnsdale</span> Area of South Yorkshire, England

Barnsdale, or Barnsdale Forest, is an area of South and West Yorkshire, England. The area falls within the modern-day districts of Doncaster and Wakefield. Barnsdale was historically part of the West Riding of Yorkshire. Barnsdale is commonly assoicated with Robin Hood.

Richard at the Lee is a major character in the early medieval ballads of Robin Hood, especially the lengthy ballad A Gest of Robyn Hode, and has reappeared in Robin Hood tales throughout the centuries.

Gilbert Whitehand is a member of Robin Hood's Merry Men about whom next to nothing is known. It is possible that he is a character known from oral literature, with only allusions remaining in written literature.

"Robin Hood and the Curtal Friar" is Child Ballad number 123, about Robin Hood.

"Robin Hood's Progress to Nottingham" is Child ballad 139, an original story that is part of the Robin Hood canon. This song has survived as, among other forms, a late 17th-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.

<i>Robin Hoods Death</i> 17th-century ballad

Robin Hood's Death, also known as Robin Hoode his Death, is an Early Modern English ballad of Robin Hood. It dates from at the latest the 17th century, and possibly originating earlier, making it one of the oldest existing tales of Robin Hood. It is a longer version of the last six stanzas of A Gest of Robyn Hode, suggesting that one of the authors was familiar with the other work and made an expansion or summary of the other, or else both were drawing from a lost common tale. The surviving version in the Percy Folio is fragmentary, with sections missing. A more complete but later version is from the middle of the 18th century, and is written in modern English. Both versions were later published by Francis James Child as Child ballad #120 in his influential collection of popular ballads.

"Robin Hood and the Golden Arrow" is Child ballad 152. It features an archery competition for a golden arrow that has long appeared in Robin Hood tales, but it is the oldest recorded one where Robin's disguise prevents his detection.

Robin Hood and the Valiant Knight is an 18th century ballad of the death of Robin Hood. The song, written in Modern English, was included in the popular "garlands" (collections) of Robin Hood stories and songs published in the 18th and early 19th centuries, generally at the end as a suitable close to the garland. It was later published by Francis James Child as Child ballad #153 in his influential collection of popular ballads.

<i>The Kings Disguise, and Friendship with Robin Hood</i> Traditional ballad

The King's Disguise, and Friendship with Robin Hood is an English ballad of Robin Hood. It is a relatively late work in the corpus, found in the Forresters Manuscript from the 1670s. The work seems loosely based on the 7th and 8th fyttes of A Gest of Robyn Hode which recounts the end of Robin Hood's outlawry after an encounter with the king. Unlike Gest, the king is not acting out of the need to suppress Robin; additionally, The King's Disguise and Friendship uses the 17th century updates to the legend that places Robin as contemporaneous with King Richard's reign. In the late 1800s, Francis James Child included it in his influential collection, the Child Ballads, as #151.

<i>A Gest of Robyn Hode</i> Middle English ballad

A Gest of Robyn Hode is one of the earliest surviving texts of the Robin Hood tales. Written in late Middle English poetic verse, it is an early example of an English language ballad, in which the verses are grouped in quatrains with an ABCB rhyme scheme, also known as ballad stanzas. Gest, which means tale or adventure, is a compilation of various Robin Hood tales, arranged as a sequence of adventures involving the yeoman outlaws Robin Hood and Little John, the poor knight Sir Richard at the Lee, the greedy abbot of St Mary's Abbey, the villainous Sheriff of Nottingham, and King Edward of England. The work survives in printed editions from the early 16th century, just some 30 years after the first printing press was brought to England. Its popularity is proven by the fact that portions of more than ten 16th- and 17th-century printed editions have been preserved. While the oldest surviving copies are from the early 16th century, many scholars believe that based on the style of writing, the work likely dates to the 15th century, perhaps even as early as 1400. The story itself is set somewhere from 1272 to 1483, during the reign of a King Edward; this contrasts with later works, which generally placed Robin Hood earlier in 1189–1216, during the reigns of Richard I of England and John, King of England.

<span class="mw-page-title-main">Merry Men</span> Outlaw group following Robin Hood

The Merry Men are the group of outlaws who follow Robin Hood in English literature and folklore. The group appears in the earliest ballads about Robin Hood and remains popular in modern adaptations. History The Merry Men are Robin Hood's group who work to rob from the rich and give to the poor. They have antagonized the tyrannical rule of Prince John while King Richard is fighting in the Crusades. This also puts them into conflict with Prince John's minions, Guy of Gisbourne and the Sheriff of Nottingham.

<span class="mw-page-title-main">Lincoln green</span> Green colour of dyed woollen cloth formerly originating in Lincoln, England

Lincoln green is the colour of dyed woollen cloth formerly originating in Lincoln, England, a major cloth town during the high Middle Ages. The dyers of Lincoln, known for colouring wool with woad to give it a strong blue shade, created the eponymous Lincoln green by overdyeing this blue wool with yellow weld or dyers' broom. Other colours like "Coventry blue" and "Kendal green" were linked to the dyers of different English towns.

<span class="mw-page-title-main">Friar Tuck</span> Character from the Robin Hood folklore

Friar Tuck is one of the Merry Men, the band of heroic outlaws in the folklore of Robin Hood.

References

  1. 1 2 3 4 "Robin Hood: Development of a Popular Hero". The Robin Hood Project. University of Rochester. 2006. Archived from the original on 27 December 2021. Retrieved 6 February 2022.
  2. Michael Patrick Hearn, "Afterword" p384 Merry Adventures of Robin Hood ISBN 0-451-52007-6
  3. 1 2 3 "CHANGES TO THE ROBIN HOOD LEGEND Children's Stories and Comic Operas". Wolfshead Through the Ages The History of RobinHood. 2013. Archived from the original on 28 July 2021. Retrieved 6 February 2022.
  4. Allen, Douglas; Allen, Jr, Douglas (1972). N. C. Wyeth: The Collected Paintings, Illustrations, and Murals. New York, NY: Crown Publishers. ISBN   0-517-50054-X.
  5. Pyle, Howard (1883). The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire (1 ed.). New York NY: Charles Scribner's Sons. Archived from the original on 28 September 2006. Retrieved 6 February 2022.
  6. "A Gest of Robyn Hode". The Robin Hood Project. University of Rochester. 2021. Archived from the original on 14 Nov 2020. Retrieved 29 December 2021.

Further reading