Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature and film. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff. In the oldest known versions, he is instead a member of the yeoman class. Traditionally depicted dressed in Lincoln green, he is said to have robbed from the rich and given to the poor.
Yeoman is a noun originally referring either to one who owns and cultivates land or to the middle ranks of servants in an English royal or noble household. The term was first documented in mid-14th-century England. The 14th century also witnessed the rise of the yeoman longbow archer during the Hundred Years' War, and the yeoman outlaws celebrated in the Robin Hood ballads. Yeomen also joined the English Navy during the Hundred Years' War as seamen and archers. In the early 15th century, yeoman was the rank of chivalry between page and squire. By the late 17th century, yeoman became a rank in the Royal Navy for the common seamen who were in charge of ship's stores, such as foodstuffs, gunpowder, and sails.
Little John is a companion of Robin Hood who serves as his chief lieutenant and second-in-command of the Merry Men. He is one of only a handful of consistently named characters who relate to Robin Hood and one of the two oldest Merry Men, alongside Much the Miller's Son. His name is an ironic reference to his giant frame, as he is usually portrayed in legend as a huge warrior – a 7-foot-tall (2.1-metre) master of the quarterstaff. In folklore, he fought Robin Hood on a tree bridge across a river on their first meeting.
Much, the Miller's Son is one of the Merry Men in the tales of Robin Hood. He appears in some of the oldest ballads, A Gest of Robyn Hode and Robin Hood and the Monk, as one of the company.
The Bishop of Hereford is a character in the Robin Hood legend. He is typically portrayed as a wealthy and greedy clergyman who is robbed by Robin and his Merry Men.
Will Scarlet is a prominent member of Robin Hood's Merry Men. He is present in the earliest ballads along with Little John and Much the Miller's Son.
Adam Bell was a legendary English outlaw. He and his companions William of Cloudsley and Clym of the Clough lived in Inglewood Forest near Carlisle and were figures similar to Robin Hood. Their story is told in Child Ballad 116 entitled Adam Bell, Clym of the Cloughe and Wyllyam of Cloudeslee. The basis of the tale has historical roots in the criminal activities of the Folville and Coterel gangs. At one point William of Cloudsley, who is famed as an archer, shoots an arrow through an apple on his son's head at six score paces, a feat also ascribed to William Tell and other heroes. The oldest printed copy of this ballad dates from 1505 and was printed by Wynkyn de Worde. There are notable parallels between this ballad and that of Robin Hood and the Monk, but whether either legend was the source for the other cannot be established.
The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire is an 1883 novel by the American illustrator and writer Howard Pyle. Pyle compiled the traditional Robin Hood ballads as a series of episodes of a coherent narrative. For his characters' dialog, Pyle adapted the late Middle English of the ballads into a dialect suitable for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.
Richard at the Lee is a major character in the early medieval ballads of Robin Hood, especially the lengthy ballad A Gest of Robyn Hode, and has reappeared in Robin Hood tales throughout the centuries.
"Robin Hood's Progress to Nottingham" is Child ballad 139, an original story that is part of the Robin Hood canon. This song has survived as, among other forms, a late 17th-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
Robin Hood's Death, also known as Robin Hoode his Death, is an Early Modern English ballad of Robin Hood. It dates from at the latest the 17th century, and possibly originating earlier, making it one of the oldest existing tales of Robin Hood. It is a longer version of the last six stanzas of A Gest of Robyn Hode, suggesting that one of the authors was familiar with the other work and made an expansion or summary of the other, or else both were drawing from a lost common tale. The surviving version in the Percy Folio is fragmentary, with sections missing. A more complete but later version is from the middle of the 18th century, and is written in modern English. Both versions were later published by Francis James Child as Child ballad #120 in his influential collection of popular ballads.
Robin Hood and the Butcher is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads. It may have been derived from the similar Robin Hood and the Potter.
"Robin Hood and the Golden Arrow" is Child ballad 152. It features an archery competition for a golden arrow that has long appeared in Robin Hood tales, but it is the oldest recorded one where Robin's disguise prevents his detection.
Robin Hood's Delight is Child ballad 136. It is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
A Gest of Robyn Hode is one of the earliest surviving texts of the Robin Hood tales. Written in late Middle English poetic verse, it is an early example of an English language ballad, in which the verses are grouped in quatrains with an ABCB rhyme scheme, also known as ballad stanzas. Gest, which means tale or adventure, is a compilation of various Robin Hood tales, arranged as a sequence of adventures involving the yeoman outlaws Robin Hood and Little John, the poor knight Sir Richard at the Lee, the greedy abbot of St Mary's Abbey, the villainous Sheriff of Nottingham, and King Edward of England. The work survives in printed editions from the early 16th century, just some 30 years after the first printing press was brought to England. Its popularity is proven by the fact that portions of more than ten 16th- and 17th-century printed editions have been preserved. While the oldest surviving copies are from the early 1500s, many scholars believe that based on the style of writing, the work likely dates to the 1400s, perhaps even as early as 1400. The story itself is set somewhere from 1272 to 1483, during the reign of a King Edward; this contrasts with later works, which generally placed Robin Hood earlier in 1189–1216, during the reigns of King Richard and King John.
Robin Hood and the Bishop is number 143 in Francis James Child's collection of Child ballads, and describes an adventure of Robin Hood. This song has also survived as a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
"Robin Hood and the Beggar" is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is a pair out of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads. These two ballads share the same basic plot device in which the English folk hero Robin Hood meets a beggar.
The Merry Men are the group of outlaws who follow Robin Hood in English literature and folklore. The group appears in the earliest ballads about Robin Hood and remains popular in modern adaptations.
Robin Hood and Little John is Child ballad 125. It is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
