Robin Hood and the Prince of Aragon (Roud 3983, Child 129) is an English-language folk song. [1] The song portrays Robin Hood in a tale of chivalrous adventures, such as are uncommon in his ballads, and has seldom been featured in later tales. [2]
Robin Hood, Will Scadlock and Little John hunt a deer. After they feast, Robin meets a black-dressed woman on a black horse. She tells them that the Prince of Aragon has besieged London to demand the princess for his wife. He will only give it up if champions defeat the prince himself and two giants, and has set a deadline of Midsummer. Robin Hood, Will Scadlock, and Little John arrive just in time; Robin defeats the prince, and his men the giants.
Robin begs, and gets, a pardon for himself and his men. The princess chooses to marry Will. A noble weeps on seeing him, because he had a son much like him, now dead, and Will says that he is that son, still alive. They celebrate the wedding.
Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature, theatre, and cinema. He stole from the rich and gave to the poor. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff. In the oldest known versions, he is instead a member of the yeoman class. He is traditionally depicted dressed in Lincoln green.
Little John is a companion of Robin Hood who serves as his chief lieutenant and second-in-command of the Merry Men. He is one of only a handful of consistently named characters who relate to Robin Hood and one of the two oldest Merry Men, alongside Much the Miller's Son. His name is an ironic reference to his giant frame, as he is usually portrayed in legend as a huge warrior – a 7-foot-tall (2.1-metre) master of the quarterstaff. In folklore, he fought Robin Hood on a tree bridge across a river on their first meeting.
Much, the Miller's Son is one of the Merry Men in the tales of Robin Hood. He appears in some of the oldest ballads, A Gest of Robyn Hode and Robin Hood and the Monk, as one of the company.
Alan-a-Dale is a figure in the Robin Hood legend. According to the stories, he was a wandering minstrel who became a member of Robin's band of outlaws, the "Merry Men".
Will Scarlet is a prominent member of Robin Hood's Merry Men. He is present in the earliest ballads along with Little John and Much the Miller's Son.
The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire is an 1883 novel by the American illustrator and writer Howard Pyle. Pyle compiled the traditional Robin Hood ballads as a series of episodes of a coherent narrative. For his characters' dialog, Pyle adapted the late Middle English of the ballads into a dialect suitable for children.
"The Earl of Mar's Daughter" is an English-language folk song.
"Robin Hood and Queen Katherine" is an English folk song about Robin Hood. The ballad "Robin Hood's Chase" functions as a sequel to it.
Robin Hood Rescuing Will Stutly is a traditional English-language folk song about Robin Hood.
Robin Hood and the Tanner is a late seventeenth-century English broadside ballad and folk song that forms part of the Robin Hood canon.
Robin Hood and the Potter is a 15th century ballad of Robin Hood. While usually classed with other Robin Hood ballads, it does not appear to have originally been intended to be sung, but rather recited by a minstrel, and thus is closer to a poem. It is one of the very oldest pieces of the surviving Robin Hood legend, with perhaps only Robin Hood and the Monk older than it. It inspired a short play intended for use in May Day games, attested to around 1560. It was later published by Francis James Child as Child ballad #121 in his influential collection of popular ballads in the 1880s.
"Robin Hood and the Golden Arrow" is an English folk song, part of the Robin Hood canon. It features an archery competition for a golden arrow that has long appeared in Robin Hood tales, but it is the oldest recorded one where Robin's disguise prevents his detection.
The King's Disguise, and Friendship with Robin Hood is an English ballad of Robin Hood. It is a relatively late work in the corpus, found in the Forresters Manuscript from the 1670s. The work seems loosely based on the 7th and 8th fyttes of A Gest of Robyn Hode which recounts the end of Robin Hood's outlawry after an encounter with the king. Unlike Gest, the king is not acting out of the need to suppress Robin; additionally, The King's Disguise and Friendship uses the 17th century updates to the legend that places Robin as contemporaneous with King Richard's reign. In the late 1800s, Francis James Child included it in his influential collection, the Child Ballads, as #151.
A Gest of Robyn Hode is one of the earliest surviving texts of the Robin Hood tales. Written in late Middle English poetic verse, it is an early example of an English language ballad, in which the verses are grouped in quatrains with an ABCB rhyme scheme, also known as ballad stanzas. Gest, which means tale or adventure, is a compilation of various Robin Hood tales, arranged as a sequence of adventures involving the yeoman outlaws Robin Hood and Little John, the poor knight Sir Richard at the Lee, the greedy abbot of St Mary's Abbey, the villainous Sheriff of Nottingham, and King Edward of England. The work survives in printed editions from the early 16th century, just some 30 years after the first printing press was brought to England. Its popularity is proven by the fact that portions of more than ten 16th- and 17th-century printed editions have been preserved. While the oldest surviving copies are from the early 16th century, many scholars believe that based on the style of writing, the work likely dates to the 15th century, perhaps even as early as 1400. The story itself is set somewhere from 1272 to 1483, during the reign of a King Edward; this contrasts with later works, which generally placed Robin Hood earlier in 1189–1216, during the reigns of Richard I of England and John, King of England.
Robin Hood and the Bishop is an English-language folk song describing an adventure of Robin Hood. This song has also survived as a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
Robin Hood and the Monk is a Middle English ballad and one of the oldest surviving ballads of Robin Hood. The earliest surviving document with the work is from around 1450, and it may have been composed even earlier in the 15th century. It is also one of the longest ballads at around 2,700 words. It is considered one of the best of the original ballads of Robin Hood.
The Bold Pedlar and Robin Hood is an English folk song, forming part of the Robin Hood canon.
The Merry Men are the group of outlaws who follow Robin Hood in English literature and folklore. The group appears in the earliest ballads about Robin Hood and remains popular in modern adaptations.
Robin Hood and Allan-a-Dale is a traditional English ballad, catalogued as Child Ballad No. 138 and as Roud Folk Song Index No. 3298.
Robin Hood and Little John is Child ballad 125. It is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.