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The Friar in the Well (Roud 116, Child 276) is a traditional English-language folk song.
A friar tries to seduce a maiden. She cites fear of hell for refusing. He says he could whistle her out. She hangs a cloth in front of the well and invites him home, with directions to bring money. Then, she declares that her father is coming and tells him to hide behind the cloth. He falls in. When he pleads for help, she tells him that if he can get her out of hell, he can whistle himself out of the well. Sometimes she reminds him that St. Francis never taught his friars to seduce maidens. Eventually she helps him out, refuses to return his money, and sends him home, dripping wet. The story spreads, and she is commended for her cleverness.
Martin Carthy recorded a version on his album Out of the Cut and played it with Brass Monkey at Barnsley Acoustic Roots Festival in 2012. [1]
Anyone Can Whistle is a musical with music and lyrics by Stephen Sondheim, and a book by Arthur Laurents. Described as "a satire on conformity and the insanity of the so-called sane," the show tells a story of an economically depressed town whose corrupt mayor decides to create a fake miracle in order to attract tourists. The phony miracle draws the attention of an emotionally inhibited nurse, a crowd of inmates from a local asylum, and a doctor with secrets of his own.
Kalevipoeg is a 19th-century epic poem by Friedrich Reinhold Kreutzwald which has since been considered the Estonian national epic.
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The Rover or The Banish'd Cavaliers is a play in two parts that is written by the English author Aphra Behn. It is a revision of Thomas Killigrew's play Thomaso, or The Wanderer (1664), and features multiple plot lines, dealing with the amorous adventures of a group of Englishmen and women in Naples at Carnival time. According to Restoration poet John Dryden, it "lacks the manly vitality of Killigrew's play, but shows greater refinement of expression." The play stood for three centuries as "Behn's most popular and most respected play."
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