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The Grey Cock or Saw You My Father (Roud 179) is one of the famous English/Scots Child ballads (number 248) and is sometimes known as The Lover's Ghost.
It has been recorded by many singers, including Tim Hart and Maddy Prior (on Summer Solstice , 1971) and Eliza Carthy.
A woman asks after her father, her mother, and her true-love John. Only John is there. He waits until all are abed and joins her. The woman tells the cock to crow when it is day; it crows an hour early, and she sends her love away before she needs to.
Two versions are printed in James Reeves's The Everlasting Circle. They were collected at Beaminster and Puddletown in Dorset. "Child assumes the ballad to be an aubade, but in an article in the Journal of American Folklore (Vol. 67, No. 265, 1954) Dr Albert B. Friedman gives reasons for thinking that it concerns a revenant or lover's ghost, due to return to the world of the dead at cock-crow.—James Reeves. Popularly known and recorded as The Night Visiting Song, the piece implies that the lover's death was from drowning at sea: he died because of the "tempest's rages" and must return to the "arms of the deep". [1] [2]
"The Daemon Lover" – also known as "James Harris", "A Warning for Married Women", "The Distressed Ship Carpenter", "James Herries", "The Carpenter’s Wife", "The Banks of Italy", or "The House-Carpenter" – is a popular ballad dating from the mid-seventeenth century, when the earliest known broadside version of the ballad was entered in the Stationers' Register on 21 February 1657.
James Reeves was a British writer principally known for his poetry, plays and contributions to children's literature and the literature of collected traditional songs. His published books include poetry, stories and anthologies for both adults and children. He was also well known as a literary critic and a broadcaster.
"The Wife of Usher's Well" is a traditional ballad, catalogued as Child Ballad 79 and number 196 in the Roud Folk Song Index. An incomplete version appeared in Sir Walter Scott's "Minstrelsy of the Scottish Border" (1802). It is composed of three fragments. They were notated from an old woman in West Lothian. The Scottish tune is quite different from the English tune, and America produced yet another tune. William Motherwell also printed a version in "Minstrelsy Ancient and Modern" (1827). Cecil Sharp collected songs from Britain but had to go the Appalachian Mountains to locate this ballad. He found 8 versions and 9 fragments. In the first half of the twentieth century many more versions were collected in America.
"Allison Gross" is a traditional ballad, catalogued as Child Ballad #35. It tells the story of "the ugliest witch in the north country" who tries to persuade a man to become her lover and then punishes him by a transformation.
"Captain Wedderburn's Courtship" is an old Scottish ballad dating from 1785 or earlier. It is Child Ballad #46, Roud 36. It is known by a number of titles, including "Lord Roslin's Daughter" and "The Laird of Rosslyn's Daughter".
"The Twa Sisters" is a traditional murder ballad, dating at least as far back as the mid 17th century. The song recounts the tale of a girl drowned by her jealous sister. At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel Sister", "The Wind and Rain", "Dreadful Wind and Rain", "Two Sisters", "The Bonny Swans" and the "Bonnie Bows of London". The ballad was collected by renowned folklorist Francis J. Child as Child Ballad 10 and is also listed in the Roud Folk Song Index ., Whilst the song is thought to originate somewhere around England or Scotland, extremely similar songs have been found throughout Europe, particularly in Scandinavia.
"The Great Silkie of Sule Skerry" or "The Grey Selkie of Sule Skerry" is a traditional folk song from Orkney and Shetland. Sule skerry being a far flung island of the Orkney archipelago. A woman has her child taken away by its father, the great selkie of Sule Skerry which can transform from a seal into a human. The woman is fated to marry a gunner who will harpoon the selkie and their son.
"Young Hunting" is a traditional folk song, Roud 47, catalogued by Francis James Child as Child Ballad number 68, and has its origin in Scotland. Like most traditional songs, numerous variants of the song exist worldwide, notably under the title of "Henry Lee" and "Love Henry" in the United States and "Earl Richard" and sometimes "The Proud Girl" in the United Kingdom.
John of Hazelgreen or Jock o' Hazeldean is Child ballad 293. Jock of Hazeldean is a poem and song by Sir Walter Scott based on a fragment of the ballad. Versions of the ballad were published by Chambers, Kinloch and Buchan. The version printed by John S. Roberts (1887) was compiled from those of Kinloch and Buchan.
"Fair Margaret and Sweet William" is a traditional English ballad which tells of two lovers, of whom either one or both die from heartbreak. Thomas Percy included it in his folio and said that it was quoted as early as 1611 in the Knight of the Burning Pestle. In the United States, variations of Fair Margaret have been regarded as folk song as early as 1823.
The Bonny Birdy is Child ballad 82.
Brown Robin is the 97th Child ballad from the collection of 305 ballads from England and Scotland, and their American variants, collected by Francis James Child in the late nineteenth century. The ballad tells the story of a king's daughter who brings her lover, Brown Robin, into the castle and back out without being discovered by the king. The second variant comes from the ballad "Love Robbie."
Crow and Pie is Child ballad 111. It is one of the oldest preserved ballads, dating to c. 1500. Pie is the now-obsolete original name for the magpie, a bird often connected with sorrow and misfortune. The crow is a scavenger, often thought of as feeding upon the bodies of men hanged or slain in battle, and thus associated with unhallowed and violent death.
Sweet William's Ghost is an English Ballad and folk song which exists in many lyrical variations and musical arrangements. Early known printings of the song include Allan Ramsay's The Tea-Table Miscellany in 1740 and Thomas Percy's Reliques of Ancient English Poetry in 1765. Percy believed that the last two stanzas of the version he published were later additions, but that the details of the story they recounted were original.
Clerk Saunders is Child ballad 69. It exists in several variants.
Willie's Fatal Visit is Child ballad 255.
The Keach I the Creel is Child ballad 281.
"Young Johnstone" is Child ballad 88, a border ballad that exists in several variants. The ballad tells the story of a woman killed either by her brother or lover, depending on the variant.
The Suffolk Miracle is Child ballad 272 and is listed as #246 in the Roud Folk Song Index. Versions of the ballad have been collected from traditional singers in England, Ireland and North America. The song is also known as "The Holland Handkerchief" and sometimes as "The Lover's Ghost".
"One Night As I Lay On My Bed" is a traditional folksong.
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