The Three Ravens

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"The Twa Corbies", illustration by Arthur Rackham for Some British Ballads The-Twa-Corbies.jpg
"The Twa Corbies", illustration by Arthur Rackham for Some British Ballads

"The Three Ravens" (Roud 5 , Child 26) is an English folk ballad, printed in the songbook Melismata [1] compiled by Thomas Ravenscroft and published in 1611, but the song is possibly older than that. Newer versions (with different music) were recorded up through the 19th century. [2] Francis James Child recorded several versions in his Child Ballads (catalogued as number 26). [3]

Contents

The ballad centers three scavenger birds conversing about where and what they should eat. One tells the others of a newly slain knight, but they find he is guarded by his loyal hawks and hounds. Furthermore, a "fallow doe", a metaphor for the knight's pregnant ("as great with young as she might go") lover or mistress (see "leman") comes to his body, kisses his wounds, bears him away, and buries him, leaving the ravens without a meal. The narrative ends with "God send euery gentleman / Such haukes, such hounds, and such a Leman". [4]

Text of the ballad

These lyrics to "The Three Ravens" are transcribed using 1611 orthography. They can be sung either straight through in stanzas of four lines each, or in stanzas of two lines each repeating the first line three times, depending on how long the performer would like the ballad to last. The second method appears to be more canonical, so it is what is illustrated below. The refrains are sung in all stanzas, but they are only shown here for the first.

There were three rauens [a] sat on a tree,
downe a downe, hay downe, hay downe, [b]
There were three rauens sat on a tree,
with a downe,
There were three rauens sat on a tree,
They were as blacke as they might be.
With a downe, derrie, derrie, derrie, downe, downe.
The one of them said to his mate,
Where shall we our breakfast take?
Downe in yonder greene field,
There lies a Knight slain under his shield,
His hounds they lie downe at his feete,
So well they can their Master keepe,
His Hawkes they flie so eagerly,
There's no fowle dare him come nie [c]
Downe there comes a fallow Doe,
As great with yong as she might goe,
She lift up his bloudy head,
And kist his wounds that were so red,
She got him up upon her backe,
And carried him to earthen lake, [d]
She buried him before the prime, [e]
She was dead her self ere euen-song time.
God send euery gentleman,
Such haukes, such hounds, and such a Leman. [f]

The Twa Corbies

The Twa Corbies, illustration by G. Howell-Baker, from his book Penholm (1901) Penholm - G. Howell-Baker - 1901 - 74126fB167 20 (cropped).png
The Twa Corbies, illustration by G. Howell-Baker, from his book Penholm (1901)

Written in the Scots language, there is no record of how early "The Twa Corbies" was first performed. Child (I, 253) quotes a letter from Charles Kirkpatrick Sharpe to Walter Scott (August 8, 1802): "The song of 'The Twa Corbies' was given to me by Miss Erskine of Alva (now Mrs Kerr), who, I think, said that she had written it down from the recitation of an old woman at Alva." This indicates that it was already known in Scotland at that date. [5] It was first published in Walter Scott's Minstrelsy of the Scottish Border in 1803.

It has a more dark and cynical tone than the Three Ravens, from which its lyrics were clearly derived. [2] There are only two scavengers in “The Twa Corbies”, but they begin the same way. Rather than commenting on the loyalty of the knight's beasts, the corbies see that the hawk and the hound have forsaken their master, and are off chasing other game, while his mistress has already taken another lover. The ravens are therefore given an undisturbed meal, as nobody else knows where the man lies, or even that he is dead. They talk in gruesome detail about the meal they will make of him, plucking out his eyes and using his hair for their nests. It contains themes of the fragility of life, life going on after death, and a more pessimistic viewpoint on life. The loneliness and despair of the song are summed up in the final couplets;

O'er his banes [bones], when they are bare,
The wind sall [shall] blaw for evermair

There are a few different versions of this anonymously authored poem. The full text of at least one version of the poem is as follows:

As I was walking all alane, [g]
I heard twa [h] corbies [i] making a mane; [j]
The tane [k] unto the t'other say,
‘Where sall we gang and dine to-day?’
‘In behint yon auld fail [l] dyke,
I wot [m] there lies a new slain knight;
And naebody kens [n] that he lies there,
But his hawk, his hound, and lady fair.
‘His hound is to the hunting gane, [o]
His hawk to fetch the wild-fowl hame, [p]
His lady's taen [q] another mate,
So we may mak our dinner sweet.
‘Ye'll sit on his white hause-bane, [r]
And I'll pike [s] out his bonny blue een; [t]
Wi ae lock o his gowden [u] hair
We'll theek [v] our nest when it grows bare.
‘Mony [w] a one for him makes mane, [x]
But nane sall ken [y] where he is gane; [z]
Oer [aa] his white banes, [ab] when they are bare,
The wind sall blaw [ac] for evermair. [ad]

This ballad was one of 25 traditional works included in Ballads Weird and Wonderful (1912), illustrated by Vernon Hill.

Jubilee and Munin, "Twa Corbies" of the Tower of London. Jubilee and Munin, Ravens, Tower of London 2016-04-30.jpg
Jubilee and Munin, "Twa Corbies" of the Tower of London.

Translations

Both "The Three Ravens" and "Twa Corbies" have been translated to other languages, typically sung to the same melody as Twa Corbies or that of the Breton song "An Alarc'h" ("The Swan").

Known versions include:

See also

Notes

  1. In printed text of the time, u and v were often used interchangeably.
  2. The refrain consists of nonsense words that create a vocal musical interlude between lines of the stanza. See Puirt a beul.
  3. Nie: Variant of nigh.
  4. Lake: Pit.
  5. Prime, Euen-song: see Canonical hours.
  6. Leman: Sweetheart or mistress
  7. alone
  8. two
  9. carrion crows
  10. moan
  11. one
  12. turf
  13. know
  14. knows
  15. gone
  16. home
  17. taken
  18. breast bone
  19. peck
  20. eyes
  21. with a lock of his golden
  22. feather
  23. many
  24. a moan
  25. none shall know
  26. gone
  27. over
  28. bones
  29. shall blow
  30. evermore

References

  1. Ravenscroft, Thomas; Ravenscroft, William (1611). "Covntry Pastimes". Melismata. p. 20. Retrieved 2007-08-15.
  2. 1 2 Bronson, B. H. (Ed.). (1976). The Three Ravens. In The Singing Tradition of Child’s Popular Ballads. (Abridgement) (pp. 90–93). Princeton University Press. http://www.jstor.org/stable/j.ctt13x0vsj.27 pp. 90–91 & 92–93
  3. Child, Francis James (ed.). "The English and Scottish Popular Ballads, Volume 1 (of 5)" . Retrieved 2025-03-03.
  4. Rosenthal, M. L.; Smith, A. J. M. (1955). Exploring Poetry. New York: The Macmillan Company. pp.  310–314.{{cite book}}: CS1 maint: date and year (link)
  5. Douglas, Malcolm (2004-08-01). "Origins: Twa Corbies / Three Ravens / etc". mudcat.org. Retrieved 2024-08-27.
  6. Michell, Roger (29 August 2017). "Audio commentary by Roger Michell and Kevin Loader". My Cousin Rachel (DVD). United Kingdom: Twentieth Century Fox Film Corporation. 46 minutes in. And the song that we commissioned I wanted to be dark and not playful. And our musical director, ... Neill MacColl, did a marvellous job ... in helping select that old English folk tune ...
  7. "A lustrum, by Expurgatory". Expurgatory. Retrieved 2024-01-29.
  8. "Spirituál kvintet - Válka růží". KaraokeTexty.cz (in Czech). Retrieved 2024-08-27.
  9. "Два ворона". Электронные публикации. Archived from the original on 2011-10-04. Retrieved 2024-08-27.

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