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Subway to Sally | |
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Background information | |
Origin | Potsdam, Germany |
Genres | |
Years active | 1990–present |
Labels | Various |
Members | |
Past members |
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Website | subwaytosally |
Subway to Sally is a German folk metal band founded in Potsdam in the early 1990s. Their music has clear folk and medieval influences, later also adding gothic and metal elements. With their continuous inclusion of oriental sounds and elements of classical music and the use of instruments seldom seen in metal bands such as bagpipes, shawm, violin, hurdy-gurdy and lute, Subway to Sally has acquired the label of medieval metal. The band has released 12 studio albums, two live albums, and two live DVDs. Their fame is centered mainly in the German-speaking countries, having played only a handful of concerts outside of that area.
The very first concert given by Subway to Sally was held in September 1990. The band then consisted of Ingo Hampf, Bodenski, Simon, Coni (trumpet) and Guido (drums). Their first appearance onstage was given in the Potsdamer "Stube" in January 1992, in the constellation with which they later recorded their first album (Album 1994). With the group deciding on needing a fiddle to complete the sound, they brought Frau Schmitt (Silke Volland) to the band, who in turn introduced them to Eric Fish (Erik Hecht) on bagpipes.
In their early years, Subway to Sally played Irish/Scottish-inspired folk rock, as reflected by the tracklist of their first album which was their only album where the majority of songs are in English. For these English lyrics they hired a friend. After this, the group decided that they wanted to keep their lyrics in German, thus becoming a part of the first wave of bands to do so after the Berlin Wall broke down. Their second album, released in 1995 and aptly named MCMXCV, saw a mixture of biblically-inspired lyrics and what is often referred to as medieval music. Three major changes can be noted with the release of MCMXCV: the appearance of German lyrics penned by Bodenski, Eric Fish moving up from the piper to being the frontman and main singer, and two translated folk songs, Krähenfraß ("The two Corbies") and Carrickfergus, adapted to fit the band's style.
Between 1994 and 1997, the band rapidly released four albums and toured Germany to exhaustion, with an average of around 100 concerts per year. Drummer T.W. left the band in 1997 after completing the recordings of Foppt den Dämon! and was replaced by David Pätsch for the tour and subsequent albums. Bannkreis was the first chart entry of the band. With Hochzeit, the band broke their habits and spent more time on album production, leading to a more polished sound. This paid off with another chart placement, as the album made it to number 19 in the official charts. The sound of Hochzeit is very much continued with the next studio album, Herzblut, though thematically moving in a different direction. Where Hochzeit is darker and ends on the note of "Müde" ("Tired"), Herzblut starts off with the energetic "die Schlacht" ("the battle"), declaring "Ich gewinne diese Schlacht" ("I am winning this battle").
In 2003, the album Engelskrieger was released. In preparation of the release, the band made the lyrics available on their homepage, leading to wild discussions and accusations of "selling out". The sound of the record, breaking clearly with their previous works, did nothing to silence those accusations. Subway to Sally had grown up, met up with the real world and made a deeply disturbing record, dealing with modern issues on modern terms. The song Wenn Engel hassen ("When angels hate") from Herzblut can be said to explore the same terrain that Geist des Kriegers ("Spirit/Ghost of the warrior") does, dealing with an individual running amok. Several band members have emphasized the impact of the September 11 attacks and the following political events as inspirational source for the album. Other songs deal with incest, euthanasia, leaders who mislead their people, and the general fall and corruption of Western society. Engelskrieger entered the German charts at number 9, and the band once more toured extensively. A live DVD was filmed in the Columbiahalle in Berlin on the first leg of the tour, leading to the release of a double DVD in the fall of 2003. In April 2004, Subway to Sally changed labels, leaving Universal (Motor) for the smaller metal label Nuclear Blast.
The band's concert in Lindenpark on 30 December 2004 was drummer David Pätsch's last show. Pätsch left the band to pursue another musical direction with the Blue Man Group in Berlin. Subway to Sally then spent half a year looking for a replacement before finally deciding on Simon Michael Schmitt to replace Pätsch. The recording of the new album was already finished by the time "Tiny Simon" joined the band.
Despite being very pleased with the outcome of Engelskrieger, the band made no secret of it being a one-off and a return to the more conventional "Sally-Sound" with the next studio recording. Nord Nord Ost was originally planned to be released in 2004 but was delayed until late 2005 due to the extensiveness of the production. Though the band have previously made use of musicians from outside the band, they now did so on a bigger scale, involving the Deutsches Filmorchester Babelsberg to create a wider and more orchestral sound. The album debuted at number 5 in the official charts, the highest chart placement the band has seen to date.
In 2006, the group released the CD/DVD Nackt, which was a live recording of acoustic versions of some of their songs.
On 19 October 2007, their album Bastard was released via Nuclear Blast Records. Bastard was recorded at Horus studio in Hanover, Germany, and Lundgaard studio in Denmark. [2]
Several of the band members have side or solo projects going. Wanting to "return to his roots" as a musician, Eric Fish started touring on his own in 1999. This project has now grown up to become a band in its own right. Three CDs have been released; Auge in Auge, Zwilling and Gegen den Strom. Fish is also involved in an online-only project called "Weiß" and often appears as a guest musician for other bands such as Letzte Instanz and Fiddler's Green. Bodenski has published a book of poems, called Inniglich, which draws heavily from his lyrics for Subway to Sally and also contains other works and non-published Sally songs. Along with his brother Chris and his sister Dodo Little, Simon also plays in the power metal band Silverlane which signed with Drakkar Entertainment in 2008. [3] Frau Schmitt used to be a member of the somewhat "folky-jazzy" ensemble 17 Hippies. [2]
Medieval metal is a subgenre of folk metal that blends heavy metal music with medieval folk music. Medieval metal is mostly restricted to Germany where it is known as Mittelalter-Metal or Mittelalter-Rock. The genre emerged from the middle of the 1990s with contributions from Subway to Sally, In Extremo and Schandmaul. The style is characterised by the prominent use of a wide variety of traditional folk and medieval instruments.
Folk metal is a fusion genre of heavy metal music and traditional folk music that developed in Europe during the 1990s. It is characterised by the widespread use of folk instruments and, to a lesser extent, traditional singing styles. It also sometimes features soft instrumentation influenced by folk rock.
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