Author | Olaf Stapledon |
---|---|
Language | English |
Genre | science fiction future history Speculative evolution |
Published | 1930 (Methuen) |
Publication place | United Kingdom |
Media type | Print (hardback & paperback) |
Pages | 336 |
ISBN | 978-1-85798-806-2 |
OCLC | 43880808 |
Last and First Men: A Story of the Near and Far Future is a "future history" science fiction novel written in 1930 by the British author Olaf Stapledon. A work of unprecedented scale in the genre, it describes the history of humanity from the present onwards across two billion years [1] and eighteen distinct human species, of which our own is the first. The book employs a narrative conceit that, under subtle inspiration, the novelist has unknowingly been dictated a channelled text from the last human species.
Stapledon's conception of history follows a repetitive cycle with many varied civilisations rising from and descending back into savagery over millions of years, as the later civilisations rise to far greater heights than the first. The book anticipates the science of genetic engineering, and is an early example of the fictional supermind; a consciousness composed of many telepathically linked individuals.
In 1932, Stapledon followed Last and First Men with the far less acclaimed Last Men in London . Another Stapledon novel, Star Maker (1937), could also be considered a sequel to Last and First Men (mentioning briefly man's evolution on Neptune), but is even more ambitious in scope, being a history of the entire universe.
It is the 11th title in the SF Masterworks series.
Characters discuss the novel in H. G. Wells' Star Begotten .
The novel appears in the computer game Deus Ex as a reference when a corporation in the game allegedly tries to develop the Second Men in the series, but also in a much broader aspect as the game deals with genetic engineering, the next phase of evolution and human augmentations. Also similar to the book are the options presented to the player as to where human kind will go next: a fall back into an almost savage state of humanity, a keeping of the status quo or an extreme progression with the danger of sacrificing basic rights.
Icelandic composer Jóhann Jóhannsson directed and scored a multimedia Last and First Men , "combining a film narrated by actress Tilda Swinton and accompanying score played by the BBC Philharmonic" at the 2017 Manchester International Festival. [3] The 16mm black-and-white film is predominantly of memorial sculptures erected in the former Republic of Yugoslavia. Jóhann collaborated with José Enrique Macián on writing the narration adapted from Stapledon's novel. This was next performed at the Barbican Centre, London in December 2018, and later at Sydney Opera House as part of the Vivid Festival, on 2 June 2019. In 2020, a film of this work was released as Jóhann's debut and final directorial work, with sound artist Yair Elazar Glotman completing the work after Jóhann's death in February 2018. The film premiered at the 70th Berlin International Film Festival, and later screened at other film festivals around the world and released on VOD.
Brian Aldiss, in his preface to the 1962 edition, acknowledges the deep impression on him—and considerable influence on his own later writing—of Stapledon's book, which he encountered in 1943 while a British soldier fighting the Japanese in Burma, "An appropriately unusual period of life at which to encounter a vision so far outside ordinary experience."
Aldiss also mentions James Blish as another writer deeply influenced by Stapledon.
C. S. Lewis, in his own preface to That Hideous Strength , notes: "I believe that one of the central ideas of this tale came into my head from conversations I had with a scientific colleague, some time before I met a rather similar suggestion in the works of Mr. Olaf Stapledon. If I am mistaken in this, Mr. Stapledon is so rich in invention that he can afford to lend, and I admire his invention (though not his philosophy) so much that I should feel no shame to borrow."
The reference to objecting to Stapledon's philosophy was no accident. In particular, Lewis objected to Stapledon's idea, as expressed in the present book, that mankind could escape from an outworn planet and establish itself on another one; this Lewis regarded as no less than a Satanic idea—especially, but not only, because it involved genocide of the original inhabitants of the target planet. Professor Weston, the chief villain of Lewis's Space Trilogy , is an outspoken proponent of this idea, and in Out of the Silent Planet , Lewis opposes to it the depiction of the virtuous and stoic Martians/Malacandrians who choose to die with their dying planet, even though they possessed the technology to cross space and colonise Earth.
Arthur C. Clarke has said of Stapledon's 1930 book Last and First Men that "No other book had a greater influence on my life... [It] and its successor Star Maker (1937) are the twin summits of [Stapledon's] literary career." [4]
H. P. Lovecraft held the book in very high regard (though he did not say whether it influenced any of his own stories), saying in a 1936 letter to Fritz Leiber [5] "no one ought to miss reading W. Olaf Stapledon's Last and First Men... Probably you have read it. If not, make a bee line for library or bookstall!", and in another 1936 letter to Leiber [6] "I'm glad to hear of your perusal of Last and First Men—a volume which to my mind forms the greatest of all achievements in the field that Master Ackerman would denominate "scientifiction". Its scope is dizzying—and despite a somewhat disproportionate acceleration of the tempo toward the end, and a few scientific inferences which might legitimately be challenged, it remains a thing of unparalleled power. As you say, it has the truly basic quality of a myth, and some of the episodes are of matchless poignancy and dramatic intensity." Finally, in a 1937 letter to Arthur Widner [7] he said "I don't care for science fiction of the sort published in cheap magazines. There's no vitality in it—merely dry theories tacked on to shallow, unreal, insincere juvenile adventure stories. But I do like the few real masterpieces in the field—certain of H. G. Wells's novels, S. Fowler Wright's The World Below , & that marvellous piece of imagination by W. Olaf Stapledon, Last & First Men."
John Maynard Smith has said "A man called Olaf Stapledon was a marvellous predictor who wrote science fiction books that I read when I was 16 and that completely blew my mind; and Arthur C. Clarke put his finger on quite a number of bright thoughts. He and I have something in common: we both took out of the public library the same science fiction book when we were boys of about 15 or 16, which was Stapledon's Last and First Men. We took it out of the same country library in Porlock in Somerset. Whoever put that book on the shelves had a lot to answer for!" [8]
Sir Patrick Moore has said "The science fiction novel Last and First Men by Olaf Stapledon is immensely thought-provoking and I've read it time and time again." [9]
A Dyson sphere is a hypothetical megastructure that encompasses a star and captures a large percentage of its power output. The concept is a thought experiment that attempts to imagine how a spacefaring civilization would meet its energy requirements once those requirements exceed what can be generated from the home planet's resources alone. Because only a tiny fraction of a star's energy emissions reaches the surface of any orbiting planet, building structures encircling a star would enable a civilization to harvest far more energy.
Childhood's End is a 1953 science fiction novel by the British author Arthur C. Clarke. The story follows the peaceful alien invasion of Earth by the mysterious Overlords, whose arrival begins decades of apparent utopia under indirect alien rule, at the cost of human identity and culture.
Apocalyptic and post-apocalyptic fiction is a subgenre of science fiction in which the Earth's civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, an impact event; destructive, nuclear holocaust or resource depletion; medical, a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or any other scenario in which the outcome is apocalyptic, such as a zombie apocalypse, AI takeover, technological singularity, dysgenics or alien invasion.
William Olaf Stapledon was a British philosopher and author of science fiction. In 2014, he was inducted into the Science Fiction and Fantasy Hall of Fame.
Scientific romance is an archaic, mainly British term for the genre of fiction now commonly known as science fiction. The term originated in the 1850s to describe both fiction and elements of scientific writing, but it has since come to refer to the science fiction of the late nineteenth and early twentieth centuries, primarily that of Jules Verne, H. G. Wells and Arthur Conan Doyle. In recent years the term has come to be applied to science fiction written in a deliberately anachronistic style as a homage to or pastiche of the original scientific romances.
Out of the Silent Planet is a science fiction novel by the British author C. S. Lewis, first published in 1938 by John Lane, The Bodley Head. Two sequels were published in 1943 and 1945, completing the Space Trilogy.
Star Maker is a science fiction novel by British writer Olaf Stapledon, published in 1937. Continuing the theme of the author's previous book, Last and First Men (1930)—which narrated a history of the human species over two billion years—it describes a history of life in the universe, dwarfing the scale of the earlier work. Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilisations.
Evolution is a collection of short stories that work together to form an episodic science fiction novel by author Stephen Baxter. It follows 565 million years of human evolution, from shrewlike mammals 65 million years in the past to the ultimate fate of humanity and its descendants, both biological and non-biological, 500 million years in the future.
The Space Trilogy is a series of science fiction novels by C. S. Lewis. The trilogy consists of Out of the Silent Planet (1938), Perelandra (1943), and That Hideous Strength (1945). A philologist named Elwin Ransom is the protagonist of the first two novels and an important character in the third.
Earth Abides is a 1949 American post-apocalyptic science fiction novel by George R. Stewart. The novel tells the story of the fall of civilization from deadly disease and the emergence of a new culture with simpler tools. Set in the 1940s in Berkeley, California, the story is told by Isherwood Williams, who emerges from isolation in the mountains to find almost everyone dead.
Last Men in London (1932) is a science fiction novel by British writer Olaf Stapledon.
Man After Man: An Anthropology of the Future is a 1990 speculative evolution and science fiction book written by Scottish geologist and palaeontologist Dougal Dixon and illustrated by Philip Hood. The book also features a foreword by Brian Aldiss. Man After Man explores a hypothetical future path of human evolution set from 200 years in the future to 5 million years in the future, with several future human species evolving through genetic engineering and natural means through the course of the book.
Farewell, Fantastic Venus is a 1968 American science fiction anthology edited by Brian Aldiss and Harry Harrison. An abridged version was published in the same year under the title All About Venus. It was first published as a direct response to the information returned from the first space probes sent to Venus, especially the first atmospheric probe to return data, Venera 4. The first data was not returned from the surface until Venera 7 successfully landed in 1970.
Neptune has appeared in fiction since shortly after its 1846 discovery, albeit infrequently. It initially made appearances indirectly—e.g. through its inhabitants—rather than as a setting. The earliest stories set on Neptune itself portrayed it as a rocky planet rather than as having its actual gaseous composition; later works rectified this error. Extraterrestrial life on Neptune is uncommon in fiction, though the exceptions have ranged from humanoids to gaseous lifeforms. Neptune's largest moon Triton has also appeared in fiction, especially in the late 20th century onwards.
Pantropy is a hypothetical process of space habitation or space colonization in which, rather than terraforming other planets or building space habitats suitable for human habitation, humans are modified to be able to thrive in the existing environment. The term was coined by science fiction author James Blish, who wrote a series of short stories based on the idea.
The Flames is a science fiction novella by British writer and philosopher Olaf Stapledon. It was published by Secker and Warburg in 1947.
Nebula Maker is a science fiction novel by Olaf Stapledon and published posthumously by Bran's Head Books in 1976. It was written in the 1930s and discovered in 1976. It appears that this novel was written between his other books; Last and First Men in 1930, and Star Maker in 1937.
Beyond Time and Space is an anthology of science fiction stories edited by American writer August Derleth. It was first published by Pellegrini & Cudahy in 1950. Several of the stories had originally appeared in the magazines The Century, The Atlantic Monthly, The Strand, Blue Book, Blackwood's Magazine, Weird Tales, Amazing Stories, Astounding Stories, Maclean's, The American Legion Magazine and Startling Stories. A heavily abridged paperback edition was issued by Berkley Books in 1958.
All Tomorrows: A Billion Year Chronicle of the Myriad Species and Mixed Fortunes of Man is a 2006 work of science fiction and speculative evolution written and illustrated by the Turkish artist C. M. Kosemen under the pen name Nemo Ramjet. It explores a hypothetical future path of human evolution set from the near future to a billion years from the present. Several future human species evolve through natural means and through genetic engineering, conducted by both humans themselves and by a mysterious and superior alien species called the Qu.
The far future has been used as a setting in many works of science fiction. The far future setting arose in the late 19th century, as earlier writers had little understanding of concepts such as deep time and its implications for the nature of humankind. Classic examples of this genre include works such as H.G. Wells' The Time Machine (1895) or Olaf Stapledon's Last and First Men (1930). Recurring themes include themes such as Utopias, eschatology or the ultimate fate of the universe. Many works also overlap with other genres such as space opera, science fantasy or apocalyptic and post-apocalyptic fiction.