Author | Hanya Yanagihara |
---|---|
Cover artist | Peter Hujar (photo) Cardon Webb (design) |
Language | English |
Publisher | Doubleday |
Publication date | March 10, 2015 |
Publication place | United States |
Pages | 814 |
Awards | Kirkus Prize for Fiction |
ISBN | 0-385-53925-8 |
813/.6 | |
LC Class | PS3625.A674 L58 2015 |
A Little Life is a 2015 novel by American writer Hanya Yanagihara. [1] Lengthy and tackling difficult subject matter, it garnered critical acclaim, was shortlisted for the 2015 Man Booker Prize and the National Book Awards, and became a best seller. [2] [3]
Set primarily in New York City, the story chronicles the lives of four friends as they grapple with substance abuse, sexual assault and depression.
A Little Life follows a chronological narrative with flashbacks frequently interspersed throughout. The novel's narrative perspectives shift throughout the story's progression. During the beginning of the novel, a third-person omniscient perspective privileging the thoughts of Jude, Willem, JB and Malcolm is employed. As the story gradually shifts its focus towards Jude, its perspective progressively molds entirely around each character's interactions with Jude and the experiences of Jude himself. This literary perspective is punctuated by first-person narratives told by an older Harold, nine years in the future.
The book is divided into seven parts:
The novel focuses on the lives of four friends: Jude St. Francis, a disabled genius with a mysterious past; Willem Ragnarsson, a kind, handsome man who aspires to be an actor; Malcolm Irvine, an architect working at a prestigious firm; and Jean-Baptiste "JB" Marion, a quick-witted painter who wants to make a name in the art world. The book follows their relationships changing under the influence of success, wealth, addiction, and pride.
The novel's main focus is the enigmatic lawyer, Jude. He suffers from a damaged spine which leaves him with a limp and excruciating pain in his legs that comes and goes. Unbeknownst to his friends, he also frequently self-harms; one such bout of cutting led Willem to take him to Andy Contractor, Jude's doctor and trusted friend. It is clear that he suffers from debilitating mental trauma from his childhood.
Despite this apparent closeness with his friends, Jude finds himself unable to divulge either detail of his past or current state of mind to his roommate. Nonetheless, he thrives in his law practice, and develops a close parent-child relationship with his former professor, Harold, and his wife Julia, which results in the pair adopting him when Jude turns 30. While thankful, the time before the adoption is filled with further bouts of self-harm, as Jude believes he is inherently unworthy of affection. Meanwhile, the rest of the group finds success in their respective fields, with Willem becoming a star of theater and then film. JB finds success as an artist but also becomes addicted to crystal meth. The group stages an intervention, where JB mocks Jude by doing a crude imitation of his limp. In spite of successful treatment, and a great deal of apologizing, Jude finds it impossible to forgive JB. Willem refuses to forgive him too, causing the group to fragment, with only Malcolm remaining friends with all three of them.
It becomes clear that Jude was sexually traumatized at a very young age, making it difficult for him to engage in romantic relationships. His friends and loved ones begin questioning this isolation as he enters his forties, with Willem especially being baffled with regard to Jude's sexuality. As his loneliness grows more intense, he enters an abusive relationship with fashion executive Caleb, who is disgusted by Jude's limp and his increasing use of a wheelchair. Jude finally breaks off the relationship after Caleb rapes him, and they meet a final time when Caleb follows him to dinner with Harold, humiliates him, and then follows Jude to his apartment, where he brutally beats and rapes him, leaving him for dead. Jude nonetheless refuses to report the incident to the police, believing he deserved it. Besides Harold, only Andy – Jude's doctor and ongoing confidante – knows the truth of the failed relationship.
Although Jude's body manages to heal, the rape causes him to flash back to his childhood, wherein he was raised in a monastery and repeatedly sexually assaulted by the brothers. He recalls a period when one of the brothers, Brother Luke, ran away with him, forcing him into years of child prostitution. After he was rescued by the police, Jude was placed in state care, where the abuse continued at the hands of the counselors there. After the break-up with Caleb brings back this childhood trauma, Jude finally decides to kill himself but survives the attempt. In the aftermath, Willem comes back home and begins to live with him. Jude continues to refuse therapy but begins to tell Willem the least traumatic stories about his childhood, which Willem finds disturbing and horrifying. The two soon begin a relationship, but Jude continues to struggle with opening up, and does not enjoy having sex with him.
In an attempt to curb his cutting, Jude decides to instead burn himself as a form of self-harm, but accidentally inflicts third-degree burns that require a skin graft. The wound is so severe that Andy tells him he has to tell Willem what happened, or else he will do it for him. Before Jude can tell Willem, Andy accidentally divulges the information. Willem is horrified but, after a difficult fight, Jude finally confesses that he does not enjoy sex, and tells Willem about the years of sexual and physical abuse he endured. Jude also reveals that he escaped state care at age 14 and hitchhiked, performing sexual acts as payment to drivers. He also explains to Willem that the damage to his legs was caused by a man called Dr. Traylor, who picked Jude up and held him captive while he cured him of venereal disease, assaulted him, and eventually ran him over with his car.
The relationship continues, with Willem sleeping with women (and not with Jude). The two settle into a comfortable life together, which is shaken when Jude's legs become worse, and he must reluctantly amputate. He manages to learn to walk again with his new prosthetics, and the pair enter a period of their life which Willem dubs "The Happy Years". However, while picking up Malcolm and his wife from the train station for a visit, Willem is involved in a car accident with a drunk driver, which kills all three occupants. With his close friend and lover dead, Jude descends once again into self-destructive habits, losing such an excessive amount of weight that his remaining loved ones stage another intervention. Though they are able to get him to gain weight and to attend therapy, years of depression and despair finally overtake Jude, and he takes his own life.
A core focus of the novel is the evolution of the relationships between Jude, Willem, JB, Malcolm and Jude's adoptive father, Harold. Jude's life in particular is populated by men who love and care about him, as well as men who exploit and abuse him, and those who fall in between the two categories. This is shown from the moment that he follows Brother Luke into the greenhouse, as well as the moments in which he knew what he was doing in the motel rooms was wrong, but still had felt dedication and love for Luke since up until those moments in his life, he was the only person who was kind to him. The social and emotional lives of each male character are the fabric that weaves the novel together, creating a narrative bubble that provides clues about the historical moment in which the story is situated. [4]
In an article written for New York Magazine , Yanagihara states that "one of the things [she] wanted to do with this book was create a protagonist who never got better... [for him] to begin healthy (or appear so) and end sick – both the main character and the plot itself". [1] The first 16 years of Jude's life, plagued by sexual, physical, and psychological abuse, continue to haunt him as he enters adulthood. His trauma directly affects his mental and physical health, relationships, beliefs, and the ways in which he navigates the world. He struggles to move beyond the damage the past has wrought upon his body and psyche.
Writing in The New Yorker , Parul Sehgal called Jude "one of the most accursed characters to ever darken a page". She went on,
The story is built on the care and service that Jude elicits from a circle of supporters who fight to protect him from his self-destructive ways; truly, there are newborns envious of the devotion he inspires. The loyalty can be mortifying for the reader, who is conscripted to join in, as a witness to Jude's unending mortifications. Can we so easily invest in this walking chalk outline, this vivified DSM entry? With the trauma plot, the logic goes: evoke the wound and we will believe that a body, a person, has borne it. [5]
There is evident self-harm in the novel that is depicted in explicit details, with descriptions of how Jude does it and how he feels while doing so. Harold's realization is excruciatingly painful[ clarification needed ], more so than the news that Jude has indeed finally died by suicide. Harold's self-deception does not save him or Jude from pain; if anything, it adds to both their suffering. [6]
A Little Life was met with positive reviews from critics. [2] In 2015, the novel received positive reviews from The New Yorker , The Atlantic and The Wall Street Journal . [7] [8] [9] [10] [11] According to Book Marks, the book received "positive" reviews (or a "A-" based on twenty-one critic reviews [12] ) based on forty-nine critic reviews with 34 being "rave", nine being "positive", three being "mixed" and three being "pan". [13] On Bookmarks May/June 2015 issue, a magazine that aggregates critic reviews of books, the book was scored at four out of five, based on critics’ reviews, with a summary saying, "Richly imagined and written with emotional sensitivity and intelligence, A Little Life – little in no sense of the word – masterfully explores the fragility of all of our existences". [14] [15]
In The Atlantic, Garth Greenwell suggested that A Little Life is "the long-awaited gay novel", as "it engages with aesthetic modes long coded as queer: melodrama, sentimental fiction, grand opera. By violating the canons of current literary taste, by embracing melodrama and exaggeration and sentiment, it can access emotional truth denied more modest means of expression". [16]
The New Yorker's Jon Michaud found A Little Life to be "a surprisingly subversive novel – one that uses the middle-class trappings of naturalistic fiction to deliver an unsettling meditation on sexual abuse, suffering, and the difficulties of recovery". He praised Yanagihara's rendering of Jude's abuse, saying it "never feels excessive or sensationalist. It is not included for shock value or titillation, as is sometimes the case in works of horror or crime fiction. Jude's suffering is so extensively documented because it is the foundation of his character". He concluded that the book "can also drive you mad, consume you, and take over your life. Like the axiom of equality, A Little Life feels elemental, irreducible – and, dark and disturbing though it is, there is beauty in it". [7]
In The Washington Post , Nicole Lee described Yanagihara's novel as "a witness to human suffering pushed to its limits, drawn in extraordinary detail by incantatory prose". She wrote that "through insightful detail and her decade-by-decade examination of these people's lives, Yanagihara has drawn a deeply realized character study that inspires as much as devastates. It's a life, just like everyone else's, but in Yanagihara's hands, it's also tender and large, affecting and transcendent; not a little life at all". [17]
Jeff Chu of Vox would "give A Little Life all of the awards". He said that no book he previously read had "captured as perfectly the inner life of someone hoarding the unwanted souvenirs of early trauma – the silence, the self-loathing, the chronic and aching pain" as this one, and found Yanagihara's prose to be "occasionally so stunning" that it would push him "back to the beginning of a paragraph for a second read". As he phrased it, "indeed, A Little Life may be the most beautiful, profoundly moving novel I've ever read. But I would never recommend it to anyone". Chu also said that Yanagihara's descriptions embodied his feelings, citing that "Jude's inability to address his wounds" compelled him to begin to address his own: "his struggle to find his peace emboldened me to try to find mine". [18]
Writing in The Wall Street Journal, Sam Sacks called the story "an epic study of trauma and friendship, written with such intelligence and depth of perception that it will be one of the benchmarks against which all other novels that broach those subjects (and they are legion) will be measured". He said, "what's remarkable about this novel, and what sets it apart from so many books centered on damaged protagonists, is the poise and equanimity with which Ms. Yanagihara presents the most shocking aspects of Jude's life. There is empathy in the writing but no judgment, and Jude's suffering, though unfathomably extreme, is never used to extort a cheap emotional response". [8]
The Los Angeles Times 's Steph Cha remarks that "A Little Life is not misery porn; if that's what you're looking for, you will be disappointed, denied catharsis. There are truths here that are almost too much to bear – that hope is a qualified thing, that even love, no matter how pure and freely given, is not always enough. This book made me realize how merciful most fiction really is, even at its darkest, and it's a testament to Yanagihara's ability that she can take such ugly material and make it beautiful". [11]
To NPR contributor John Powers, A Little Life is "shot through with pain", but "far from being all dark"; in fact, it is "an unforgettable novel about the enduring grace of friendship", he concluded. [10] Similarly, in Bustle , Ilana Masad wrote that Yanagihara explored "just what the title implies", which is, "the little bits of the little lives, so big when looked at close up, of four characters who live together in college and keep alive their friendship for decades after", and dubbed the novel "a remarkable feat, far from little in size, but worth every single page". [19]
A notable negative opinion appeared in The New York Review of Books . Daniel Mendelsohn sharply critiqued A Little Life for its technical execution, its depictions of violence, which he found ethically and aesthetically gratuitous, and its position with respect to the representation of queer life or issues by a presumed-heterosexual author. [20] Mendelsohn's review prompted a response from Gerald Howard, the book's editor, taking issue not with Mendelsohn's dislike of the novel but "his implication that my author has somehow, to use his word, 'duped' readers into feeling the emotions of pity and terror and sadness and compassion". [21]
Christian Lorentzen, writing in the London Review of Books , referred to the characters as "stereotypical middle-class strivers plucked out of 1950s cinema". [22] The New York Times book reviewer Janet Maslin also wrote critically of the novel, saying Yanagihara introduces "great shock value into her story to override its predictability". [23] Andrea Long Chu of New York criticized "the masochism [of the book] and its authorial intent", articulating: "Reading A Little Life, one can get the impression that Yanagihara is somewhere high above with a magnifying glass, burning her beautiful boys like ants". [24] Chu later received the Pulitzer Prize for Criticism in 2023 for her article. [25]
Yanagihara appeared on Late Night with Seth Meyers in July 2015 to discuss the book. [26] In 2019, the novel was ranked 96th on The Guardian 's list of the 100 best books of the 21st century. [27] In a 2022 review of A Little Life's theatrical adaptation, Naveen Kumar of The New York Times stated that the novel's reputation "has since become more divisive". [28]
In July 2015, the novel was longlisted for the Man Booker Prize [29] and made the shortlist of six books in September 2015. [30]
Year | Award | Category | Result | Ref. |
---|---|---|---|---|
2015 | Kirkus Prize | Fiction | Won | [31] |
Man Booker Prize | — | Shortlisted | [32] | |
National Book Award | Fiction | Shortlisted | [33] | |
2016 | Andrew Carnegie Medal for Excellence | Fiction | Shortlisted | [34] |
Women's Prize for Fiction | — | Shortlisted | [35] | |
2017 | International Dublin Literary Award | — | Shortlisted | [36] |
The theatre company Toneelgroep Amsterdam debuted Koen Tachelet's adaptation of A Little Life on 23 September 2018 in Amsterdam, Netherlands. Ivo van Hove directed the adaptation, which had a run time of over four hours. [37] Van Hove collaborated with Yanagihara on the script after being given copies of the novel by two friends. [38] Ramsey Nasr played the lead Jude St. Francis in the adaptation, which received generally positive reviews. [39] Theatre critic Matt Trueman wrote that, despite the play's sometime suffocating trauma and violence, it "is van Hove at his best, theatre that leaves an ineradicable mark". [40] The Dutch-language production with English subtitles was shown at the 2022 Edinburgh International Festival, [41] in October 2022 at the Brooklyn Academy of Music, [42] and in March 2023 at the Adelaide Festival. [43]
In August 2020, the theatre company Liver & Lung presented an unofficial musical adaptation of A Little Life in Kuala Lumpur, Malaysia. [44] Seven songs from the album were released on Spotify on 7 January 2022, to celebrate the release of Yanagihara's new novel, To Paradise . [45]
An English-language version of Tachelet's stage adaptation premiered on 14 March 2023 at the Richmond Theatre in South West London, followed by a West End run at the Harold Pinter Theatre and the Savoy Theatre. [46] [47] This theatre adaptation was filmed while being performed at the Savoy Theatre, and was released to cinema for a limited time on 28 September 2023. [48]
Karen Louise Erdrich is a Native American author of novels, poetry, and children's books featuring Native American characters and settings. She is an enrolled member of the Turtle Mountain Band of Chippewa Indians of North Dakota, a federally recognized tribe of Ojibwe people.
Jude the Obscure is a novel by Thomas Hardy, which began as a magazine serial in December 1894 and was first published in book form in 1895. It is Hardy's last completed novel. The protagonist, Jude Fawley, is a working-class young man; he is a stonemason who dreams of becoming a scholar. The other main character is his cousin, Sue Bridehead, who is also his central love interest. The novel is concerned in particular with issues of class, education, religion, morality and marriage.
Daniel Carleton Gajdusek was an American physician and medical researcher who was the co-recipient of the Nobel Prize in Physiology or Medicine in 1976 for work on the transmissibility of kuru, implying the existence of an infectious agent, which he named an 'unconventional virus'. In 1996, Gajdusek was charged with child molestation and, after being convicted, spent 12 months in prison before entering a self-imposed exile in Europe, where he died a decade later.
The Bone People, styled by the writer and in some editions as the bone people, is a 1984 novel by New Zealand writer Keri Hulme. Set on the coast of the South Island of New Zealand, the novel focuses on three characters, all of whom are isolated in different ways: a reclusive artist, a mute child, and the child's foster father. Over the course of the novel the trio develop a tentative relationship, are driven apart by violence, and reunite. Māori and Pākehā culture, myths and language are blended through the novel. The novel has polarised critics and readers, with some praising the novel for its power and originality, while others have criticised Hulme's writing style and portrayals of violence.
The Amazing Adventures of Kavalier & Clay is a 2000 novel by American author Michael Chabon that won the Pulitzer Prize for Fiction in 2001. The book follows the lives of two Jewish cousins, Czech artist Joe Kavalier and Brooklyn-born writer Sammy Clay, before, during, and after World War II. In the story, Kavalier and Clay become major figures in the comics industry from its nascence into its Golden Age. Lengthy, Kavalier & Clay was published to "nearly unanimous praise" and became a New York Times Best Seller.
Infinite Jest is a 1996 novel by American writer David Foster Wallace. Categorized as an encyclopedic novel, Infinite Jest is featured in Time magazine's list of the 100 best English-language novels published between 1923 and 2005.
Sabbath's Theater is a novel by Philip Roth about the exploits of 64-year-old Mickey Sabbath. It won the 1995 U.S. National Book Award for Fiction. The cover is a detail of Sailor and Girl (1925) by German painter Otto Dix.
Shani Mootoois a Trinidadian-Canadian writer, visual artist and video maker. She was born in Dublin, Ireland, in 1957 to Trinidadian parents. She grew up in Trinidad and relocated at the age of 19 to Vancouver, British Columbia, Canada. She currently lives in Toronto, Ontario, Canada.
Henry Roth was an American novelist and short story writer who found success later in life after his 1934 novel Call It Sleep was reissued in paperback in 1964.
Junot Díaz is a Dominican-American writer, creative writing professor at Massachusetts Institute of Technology, and a former fiction editor at Boston Review. He also serves on the board of advisers for Freedom University, a volunteer organization in Georgia that provides post-secondary instruction to undocumented immigrants. Central to Díaz's work is the immigrant experience, particularly the Latino immigrant experience.
Siddhartha Deb is an Indian author.
Specimen Days is a 2005 novel by American writer Michael Cunningham. It contains three stories: one that takes place in the past, one in the present, and one in the future. Each of the three stories depicts three central, semi-consistent character-types: a young boy, a man, and a woman. Walt Whitman's poetry is also a common thread in each of the three stories, and the title is from Whitman's own prose works.
Sarah is a novel by Laura Albert, written under the name JT LeRoy, a persona that she has described as an "avatar," asserting that it enabled her to write things she could not have said as herself.
Lolita is a 1955 novel written by Russian-American novelist Vladimir Nabokov that addresses the controversial subject of hebephilia. The protagonist is a French literature professor who moves to New England and writes under the pseudonym Humbert Humbert. He describes his obsession with a 12-year-old "nymphet", Dolores Haze, whom he kidnaps and sexually abuses after becoming her stepfather. Privately, he calls her "Lolita", the Spanish diminutive for Dolores. The novel was written in English, but fear of censorship in the U.S. and Britain led to it being first published in Paris, France, in 1955 by Olympia Press.
Hanya Yanagihara is an American novelist, editor, and travel writer. She grew up in Hawaii. She is best known for her bestselling novel A Little Life, which was shortlisted for the 2015 Booker Prize, and for being the editor-in-chief of T Magazine.
The People in the Trees is the 2013 debut novel of author Hanya Yanagihara. Yanagihara stated that her book was in part inspired by Daniel Carleton Gajdusek, who was revered in the scientific community before being accused of child molestation.
Real Life is the 2020 debut novel of Alabama-born American writer Brandon Taylor. Described as a campus novel and a coming-of-age novel, the partly autobiographical book tells of the experiences of a gay, Black doctoral student in a predominantly White, Midwestern PhD program.
The Vanishing Half is a historical fiction novel by American author Brit Bennett. It is her second novel and was published by Riverhead Books in 2020. The novel debuted at number one on The New York Times fiction best-seller list. HBO acquired the rights to develop a limited series with Bennett as executive producer. The Vanishing Half garnered acclaim from book critics, and Emily Temple of Literary Hub noted that in 2020 it was the book most frequently listed among the year's best, making 25 lists.
Will and Testament is an absurdist fiction novel written by Norwegian author Vigdis Hjorth. It was written and published in 2016 by Cappelen Damm. In 2019 the novel was translated into English by Charlotte Barslund and published by Verso Books. Will and Testament tells the story of Bergljot, a woman living with a history of sexual assault, as she gets caught up in family drama over an inheritance dispute that reignites childhood trauma. The novel received numerous awards but also received backlash for accused literary ethics violations.
To Paradise is a 2022 novel by American novelist Hanya Yanagihara. The book, Yanagihara's third, takes place in an alternate version of New York City, and has three sections, respectively set in 1893, 1993, and 2093. Though a bestseller, the novel received mixed reviews from critics.