| |||
|---|---|---|---|
| +... |
This article is a summary of the literary events and publications of 1631.
This article contains information about the literary events and publications of 1639.
This article contains information about the literary events and publications of 1638.
This article contains information about the literary events and publications of 1637.
This article contains information about the literary events and publications of 1636.
This article contains information about the literary events and publications of 1634.
This article presents lists of the literary events and publications in 1633.
This article contains information about the literary events and publications of 1632.
This article contains information about the literary events and publications of 1626.
This article contains information about the literary events and publications of 1625.
This article contains information about the literary events and publications of 1623.
This article contains information about the literary events and publications of 1622.
This article contains information about the literary events and publications of 1620.
This article contains information about the literary events and publications of 1614.
This article contains information about the literary events and publications of 1612.
This article contains information about the literary events and publications of 1611.
This article contains information about the literary events and publications of 1608.
This article contains information about the literary events and publications of 1605.
Love's Triumph Through Callipolis was the first masque performed at the Stuart Court during the reign of King Charles I, and the first in which a reigning monarch appeared. The work was written by Ben Jonson, with costumes, sets, and stage effects designed by Inigo Jones, and music by Nicholas Lanier. This play Also played in Greece national theatre in 1979 together with the Johnsons masques Oberon, the faery prince and News from the new world discovered in the moon.
Robert Allot was a London bookseller and publisher of the early Caroline era; his shop was at the sign of the black bear in St. Paul's Churchyard. Though he was in business for a relatively short time – the decade from 1625 to 1635 – Allot had significant connections with the dramatic canons of the two greatest figures of English Renaissance theatre, William Shakespeare and Ben Jonson.
Events from the year 1631 in England.