1634 in literature

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This article contains information about the literary events and publications of 1634.

Contents

Events

New books

Prose

Children

Drama

Poetry

Births

Deaths

Related Research Articles

<span class="mw-page-title-main">Ben Jonson</span> English playwright, poet, and actor (1572–1637)

Benjamin Jonson was an English playwright and poet. Jonson's artistry exerted a lasting influence upon English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Fox, The Alchemist (1610) and Bartholomew Fair (1614) and for his lyric and epigrammatic poetry. "He is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I."

<span class="mw-page-title-main">William Davenant</span> English poet and playwright (1606–1668)

Sir William Davenant, also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned both the Caroline and Restoration eras and who was active both before and after the English Civil War and during the Interregnum.

This article contains information about the literary events and publications of 1641.

This article contains information about the literary events and publications of 1640.

This article contains information about the literary events and publications of 1639.

This article contains information about the literary events and publications of 1638.

This article contains information about the literary events and publications of 1637.

This article contains information about the literary events and publications of 1636.

This article contains information about the literary events and publications of 1635.

This article contains information about the literary events and publications of 1632.

This article is a summary of the literary events and publications of 1631.

This article contains information about the literary events and publications of 1618.

This article contains information about the literary events and publications of 1612.

This article contains information about the literary events and publications of 1611.

This article contains information about the literary events and publications of 1606.

This article contains information about the literary events and publications of 1605.

This article contains information about the literary events and publications of 1604.

Love's Welcome at Bolsover is the final masque composed by Ben Jonson. It was performed on 30 July 1634, three years before the poet's death, and published in 1641.

Chloridia: Rites to Chloris and Her Nymphs was the final masque that Ben Jonson wrote for the Stuart Court. It was performed at Shrovetide, 22 February 1631, with costumes, sets and stage effects designed by Inigo Jones.

The King's Entertainment at Welbeck in Nottinghamshire, alternatively titled Love's Welcome at Welbeck, was a masque or entertainment written by Ben Jonson, and performed on 21 May 1633 at the Welbeck estate of William Cavendish, 1st Duke of Newcastle. It has been argued that the philosopher Thomas Hobbes may have participated in the entertainment as a performer.

References

  1. Official record book of Sir Henry Herbert, Master of the Revels.
  2. Karen Britland (6 April 2006). Drama at the Courts of Queen Henrietta Maria. Cambridge University Press. p. 161. ISBN   978-0-521-84797-1.
  3. Germán Bleiberg; Maureen Ihrie; Janet Pérez (1993). Dictionary of the Literature of the Iberian Peninsula. Greenwood Publishing Group. p. 1330. ISBN   978-0-313-28732-9.
  4. John S. Powell; John Scott Powell (2000). Music and Theatre in France, 1600-1680. Oxford University Press. p. 15. ISBN   978-0-19-816599-6.
  5. Sara E. Karesh; Mitchell M. Hurvitz (2005). Encyclopedia of Judaism. Infobase Publishing. p. 380. ISBN   978-0-8160-6982-8.
  6. Williams, Hywel (2005). Cassell's Chronology of World History . London: Weidenfeld & Nicolson. pp.  253–257. ISBN   0-304-35730-8.
  7. Francisco de Quevedo (1624). La Cuna, y la Sepultura, para el conocimiento propio, y desengaño de las cosas agenas. (Dotrina para morir.). Seuilla. p. 3.
  8. Maria Cristina Quintero (1 January 1991). Poetry as Play: Gongorismo and the Comedia. John Benjamins Publishing. p. 175. ISBN   90-272-1762-9.
  9. Alexander Chalmers (1816). The General Biographical Dictionary. J. Nichols. p. 485.