The Iceman Cometh is a play written by American playwright Eugene O'Neill[3] in 1939. First published in 1946,[3] the play premiered on Broadway at the Martin Beck Theatre on October 9, 1946, directed by Eddie Dowling, where it ran for 136 performances before closing on March 15, 1947. It has subsequently been adapted for the screen multiple times. The work tells the story of a number of alcoholic dead-enders who live together in a flop house above a saloon and what happens to them when the most outwardly "successful" of them embraces sobriety.
New York Times theatre critic Brooks Atkinson, at the beginning of the telecast of Sidney Lumet's 1960 television adaptation of The Iceman Cometh, called it, "a harsh and ruthless drama.... It is one of America's greatest plays," 14 years after it opened to mixed reviews on Broadway. Many years later, the 1999 Broadway revival, based on a 1998 London production starring Kevin Spacey as Hickey, was staged at the Brooks Atkinson Theatre.
Characters
Harry Hope: Widowed proprietor of the saloon and rooming house where the play takes place. He has a tendency to give free drinks, though he constantly says otherwise
Ed Mosher: Hope's brother-in-law (brother of Hope's late wife Bess), a con-man and former circus man
Pat McGloin: Former police lieutenant who was convicted on criminal charges and kicked off the force
Willie Oban: Harvard Law School alumnus
Joe Mott: Former proprietor of a gambling house
General Piet Wetjoen: Former leader of a Boer commando
Captain Cecil Lewis: Former Captain of British infantry
James "Jimmy Tomorrow" Cameron: Former Boer War correspondent who is constantly daydreaming about getting his old job back again tomorrow (hence his nickname)
Hugo Kalmar: Former editor of anarchist periodicals who often quotes the Old Testament
Rocky Pioggi: Night bartender, who is paid little and makes his living mostly by allowing Pearl and Margie to stay at the bar in exchange for a substantial cut of the money they make from prostitution, although he despises being called a pimp
Don Parritt: Teenage son of a former anarchist
Pearl: Streetwalker working for Rocky
Margie: Streetwalker working for Rocky
Cora: Streetwalker, Chuck's girlfriend
Chuck Morello: Day bartender, Cora's boyfriend
Theodore "Hickey" Hickman: Hardware salesman
Moran: Police detective
Lieb: Police detective
Plot summary
The Iceman Cometh is set in New York in 1912 in Harry Hope's downmarket Greenwich Villagesaloon and rooming house. The patrons, twelve men and three prostitutes, are dead-end alcoholics who spend every possible moment seeking oblivion in one another's company and trying to con or wheedle free drinks from Harry and the bartenders. They drift purposelessly from day to day, coming fully alive only during the semi-annual visits of salesman Theodore "Hickey" Hickman. When Hickey finishes a tour of his business territory, which is apparently a wide expanse of the East Coast, he typically turns up at the saloon and starts the party. As the play opens, the regulars are expecting Hickey to arrive in time for Harry's birthday party. The first act introduces the various characters as they bicker among themselves, showing how drunk and delusional they are, all the while awaiting Hickey.
Joe Mott insists that he will soon re-open his gambling casino. The English Cecil "The Captain" Lewis and South African Boer Piet "The General" Wetjoen, who fought each other during the Boer War, are now good friends, and both insist that they'll soon return to their nations of origin. Harry Hope has not left the bar since his wife Bess's death 20 years ago. He promises that he'll walk around the neighborhood on his birthday, which is the next day. Pat McGloin says he hopes to be reinstated into the police force, but is waiting for the right moment. Ed Mosher prides himself on his ability to give incorrect change, but he kept too much of his illegitimate profits to himself and was fired from the circus; he says he will get his job back someday. Hugo Kalmar, a former anarchist, is drunk and passed out for most of the play; when he is conscious, he pesters the other patrons to buy him a drink. Chuck Morello says that he will marry Cora tomorrow. Larry Slade is a former syndicalist-anarchist who looks pityingly on the rest. Don Parritt is the son of a former anarchist who shows up early in the play to talk about his mother (Larry's ex-girlfriend) to Larry; specifically her arrest due to her involvement in the anarchist movement.
When Hickey finally arrives, his changed behavior throws the characters into turmoil. With as much charisma as ever, he insists that he sees life clearly now as never before because he no longer drinks. Hickey wants the characters to cast away their delusions and accept that their heavy drinking and inaction mean that their hopes will never be fulfilled. He takes on this task with a near-maniacal fervor. How he goes about his mission, how the other characters respond, and their efforts to find out what has wrought this change in him, take over four hours to resolve. During and after Harry's birthday party, most seem to have been affected by Hickey's ramblings. Larry who says he's done with active participation in life and is content to be a spectator "in the grandstand" pretends to be unaffected, but when Don reveals he was the informant responsible for the arrest of his own mother (Larry's former girlfriend), Larry angrily insists he doesn't want to hear it. Willie the former lawyer proposes that he'll represent McGloin in his appeal to get his old police job back as a way to brush up his own lawyering skills before he tries to get back his old job with the district attorney, and Rocky admits he is a pimp, not a bartender.
Most of the men Hickey talked with do go out into the world—dressed up, hopeful of turning their lives around—but they fail to make any progress. Eventually, they return and are jolted by a sudden revelation. Hickey, who had earlier told the other characters first that his wife had died and then that she was shot and then that she was murdered, admits that he is the one who killed her. The police arrive, called by Hickey himself, to arrest Hickey. Hickey tries to explain his murder of the woman he loved so deeply in a long dramatic monologue, saying that he did it out of love for her. He relates that his father was a preacher in the backwoods of Indiana. Evidently he was both charismatic and persuasive, and it was his inheriting these traits which led Hickey to become a salesman. An angry kid trapped in a small town, Hickey had no use for anyone but his sweetheart, Evelyn. Evelyn's family forbade her to associate with Hickey, but she ignored them. After Hickey left to become a salesman, he promised he would marry Evelyn as soon as he was able. He became a successful salesman, then sent for her and the two were very happy until Hickey became increasingly guilty following his wife's constant forgiveness of his infidelities and drinking. He then recounts how he murdered her to free her from the pain of his persistent philandering and drinking because she loved him too much to live apart from him. But, in retelling the murder, he laughs and tells Evelyn, "Well, you know what you can do with that pipe dream now, don't you?" In realizing he said this, Hickey breaks down completely. He says that he must have been insane and that people need their empty dreams to keep existing. The others are now relieved that what Hickey had been telling them all throughout the play, which had made them all face the truth about themselves, was just the ravings of a lunatic, and so they could now safely resume believing their old "pipe dreams" and excuses about themselves and resume drinking and their old lives hanging out in Harry Hope's bar. The reaffirm their solidarity with Hickey and pledge to testify to his insanity at his murder trial, despite Hickey's desire for a death sentence. He no longer wishes to live now that he has no illusions about life.
They return to their empty promises and pipe dreams except for Parritt, who runs to his room and jumps off the fire escape, unable to live with the knowledge of what he has done to his mother after discarding the last of his lies about his action and motivation for it. He first claims that he did it due to patriotism and then for money, but finally admits he did it because he hated his mother, who was so obsessed with her own freedom of action that she became self-centered and alternately ignored or dominated him. Despite witnessing the young man's fatal leap, and acknowledging the futility of his own situation, as Larry says at the end, "Be God, there’s no hope! I’ll never be a success in the grandstand— or anywhere else! Life is too much for me! I’ll be a weak fool looking with pity at the two sides of everything till the day I die!"
Emma Goldman, whom O'Neill admired, inspired the play's anarchist subplot.[4]The Iceman Cometh is often compared to Maxim Gorky's The Lower Depths, which may have been O'Neill's inspiration for his play.[5][6]
James Barton, in his performance as Hickey, was reportedly not up to the massive emotional and physical demands of such a titanic part, and sometimes forgot his lines or wore out his voice.[7]
Marlon Brando was offered the part of Don Parritt in the original Broadway production, but turned it down.[8] Brando was able to read only a few pages of the script the producers gave him before falling asleep, and he later argued at length with the producers, describing the play "ineptly written and poorly constructed" in the hopes they would explain what the play was about and not discover that he hadn't read it.[8]
Stage productions
The Al Hirschfeld Theatre, then the Martin Beck Theatre, where the original production ran from 1946 to 47
1947: The original production was staged at the Martin Beck Theatre and opened on October 9, 1946, and closed on March 15, 1947, after 136 performances. It was directed by Eddie Dowling with production and lighting design by Robert Edmond Jones. The cast starred James Barton (Theodore "Hickey" Hickman), Jeanne Cagney (Margie), Leo Chalzel (Hugo Kalmar), Russell Collins (James "Jimmy Tomorrow" Cameron), Paul Crabtree (Don Parritt), Dudley Digges (Harry Hope), Ruth Gilbert (Pearl), Charles Hart (Lieb), Nicholas Joy (Cecil "The Captain" Lewis), Marcella Markham (Cora), Joe Marr (Chuck Morello), John Marriott (Joe Mott), E. G. Marshall (Willie Oban), Al McGranary (Pat McGloin), Tom Pedi (Rocky Pioggi), Carl Benton Reid (Larry Slade), Morton L. Stevens (Ed Mosher), Frank Tweddell (Piet "The General" Wetjoen), and Michael Wyler (Moran).[9] The play received mixed reviews.[10]
1956: An Off-Broadway production staged after O'Neill's death featured Jason Robards as Hickey and was directed by José Quintero.[11] This production was an unqualified success and established the play as a great modern tragedy.[10]
1998: A London production featuring Kevin Spacey had a successful and critically acclaimed run through 1998 and 1999 at the Almeida Theatre and the Old Vic in London.
1999: A Broadway revival from the 1998 London production staged at the Brooks Atkinson Theatre with Kevin Spacey as Hickey. It ran from April 8, 1999, to July 17, 1999.[3][15]
2012: A revival at Chicago's Goodman Theatre featured Nathan Lane in the lead role of Hickey, Brian Dennehy this time as Larry Slade, and was directed by Robert Falls. It started its run at the Goodman Theatre in April 2012, slated for a six-week engagement. It was a huge success for the Goodman Theater, whose management stated it was the most successful production in its history.[16] This production omitted the character of Pat McGloin.[17]
2015: The Goodman Theatre production directed by Falls, starring Lane and Dennehy and the rest of the original cast with the creative team from Chicago was produced at the Harvey Theater of the Brooklyn Academy of Music with a six-week engagement starting on February 5, 2015, that featured Nathan Lane and John Douglas Thompson. For his performance, Thompson won an Obie Award.[18][19]
1960: TV Production for Play of the Week on the National Telefilm Associates (NTA) syndication network, directed by Sidney Lumet. This production featured Jason Robards as Hickey, Tom Pedi from the original 1947 stage production as Rocky Pioggi, Sorrell Booke as Hugo Kalmar, and Robert Redford as Don Parritt. It is presented as two separate episodes of the series due to the length of the work, with a total run time of 210 minutes. It is notable in view of TV standards of the time that while much dialog was omitted for time, that which was retained was not changed to soften its language. For example, at the end of Hickey's breakdown, Robards says the words "that damned bitch" exactly as O'Neill had written.[23]
1973: A film adaptation as part of the American Film Theatre directed by John Frankenheimer. This production featured many well known actors including Lee Marvin as Hickey, Fredric March as Harry Hope, Robert Ryan as Larry Slade, Tom Pedi as Rocky Pioggi, Bradford Dillman as Willie Oban, Sorrell Booke as Hugo Kalmar, Martyn Green as Cecil Lewis, Moses Gunn as Joe Mott, George Voskovec as The General (Piet Wetjoen) and Jeff Bridges as Don Parritt. This film was the final film appearance of Fredric March, Robert Ryan and Martyn Green. The film run time is 239 minutes. Dialog was consistently trimmed for time as might be done for a stage production. The character of Ed Mosher was excised entirely. There are some variations in words or word order in ordinary speech that differ from the published text. The most important speeches are present and usually performed in full from the published text. Some segments of dialog are presented in an order that differs from the published text.[23]
2020: The Iceman Cometh was broadcast as a two-part ZoomPremiere on YouTube Live as a benefit for the Actors Fund. The cast featured Austin Pendleton as Cecil Lewis, Arthur French as Joe Mott, Paul Navarra as Hickey, Patricia Cregan as Pearl, Mike Roche as Larry Slade, Holly O'Brien as Cora. Marygrace Navarra was the stage manager. The event was produced by Caroline Grace Productions, in association with the 2020 Theatre Company. The event was a benefit for the Actors Fund during the COVID-19pandemic of 2020.[24]
Notable performers
Tom Pedi was the original Rocky and portrayed the character in both the TV adaptation and the film adaptation
Jason Robards played the role of Hickey in multiple stage productions and the 1960 TV adaptation.
Tom Pedi played the role of Rocky the bartender in the original 1947 stage production, the 1960 TV adaptation and the 1973 film adaptation.
Sorrell Booke played the role of Hugo Kalmar in both the 1960 TV adaptation and the 1973 film adaptation.
Robert Redford played the role of Don Parritt in the 1960 TV adaptation.
James Earl Jones played the role of Hickey in the 1973 stage production.
Jeff Bridges played the role of Don Parritt in the 1973 film adaptation and Lee Marvin played Hickey.
Denzel Washington played the role of Hickey in the 2018 stage production.
Austin Butler played the role of Don Parritt in the 2018 stage production.
Kevin Spacey played the role of Hickey in the 1999 Broadway and London Old Vic Productions.
Nathan Lane played the role of Hickey and Brian Dennehy played Larry Slade in the 2012 Goodman Theater production, which was revived in 2015 at BAM.
Nathan Lane is an American actor. Since 1975, he has been on stage and screen in both comedic and dramatic roles. His awards include three Tony Awards, seven Drama Desk Awards, a Laurence Olivier Award, three Emmy Awards, and a Screen Actors Guild Award. Lane received a star on the Hollywood Walk of Fame in 2006 and was inducted into the American Theater Hall of Fame in 2008. In 2010, The New York Times hailed Lane as being "the greatest stage entertainer of the decade".
Jason Nelson Robards Jr. was an American actor. Known for his roles on stage and screen, he gained a reputation as an interpreter of the works of playwright Eugene O'Neill. Robards received numerous accolades and is one of 24 performers to have achieved the Triple Crown of Acting having earned competitive wins for two Academy Awards, a Tony Award, and an Emmy Award. He was inducted into the American Theatre Hall of Fame in 1979, earned the National Medal of Arts in 1997, and the Kennedy Center Honors in 1999.
Brian Manion Dennehy was an American actor of stage, television, and film. He won two Tony Awards, an Olivier Award, and a Golden Globe, and received six Primetime Emmy Award nominations. Dennehy had roles in over 180 films and in many television and stage productions. His film roles included First Blood (1982), Gorky Park (1983), Silverado (1985), Cocoon (1985), F/X (1986), Presumed Innocent (1990), Tommy Boy (1995), Romeo + Juliet (1996), Ratatouille (2007), and Knight of Cups (2015). Dennehy won the Golden Globe Award for Best Actor in a Miniseries or Television Film for his role as Willy Loman in the television film Death of a Salesman (2000). Dennehy's final film was Driveways (2019), in which he plays a veteran of the Korean War, living alone, who befriends a young, shy boy who has come with his mother to clean out his deceased aunt's hoarded home.
Robert Edmond Jones was an American scenic, lighting, and costume designer.
Leonardo Cimino was an American film, television and stage actor who in 1937 appeared in the original stage production of Marc Blitzstein's The Cradle Will Rock. Cimino's most well known roles are in the 1983 science fiction miniseries, V as Abraham Bernstein and the 1987 feature film The Monster Squad as the "Scary German guy".
George Costello Wolfe is an American playwright and director of theater and film. He won a Tony Award in 1993 for directing Angels in America: Millennium Approaches and another Tony Award in 1996 for his direction of the musical Bring in 'da Noise/Bring in 'da Funk. He served as Artistic Director of The Public Theater from 1993 until 2004.
José Benjamín Quintero was a Panamanian theatre director, producer and pedagogue best known for his interpretations of the works of Eugene O'Neill.
Tammy Blanchard is an American actress. She rose to prominence for her role as teenage Judy Garland in the critically acclaimed television film Life with Judy Garland: Me and My Shadows (2001), for which she received a Golden Globe Award nomination and a Primetime Emmy Award. Her other notable film roles were in The Good Shepherd (2006), Sybil (2007), Into the Woods (2014) and The Invitation (2015).
A Moon for the Misbegotten is a play in four acts by Eugene O'Neill. The play is a sequel to O'Neill's Long Day's Journey into Night, with the Jim Tyrone character as an older version of Jamie Tyrone. He began drafting the play late in 1941, set it aside after a few months and returned to it a year later, completing the text in 1943 – his final work, as his failing health made it physically impossible for him to write. The play premiered on Broadway in 1957 and has had four Broadway revivals, plus a West End engagement.
Ronald Radd was a British television actor. He originated the role of Hunter in the television thriller series Callan. In 1971, he was nominated for a Tony Award for Abelard and Heloise.
Theodore Mann, birth name Goldman, was an American theatre producer and director and the Artistic Director of the Circle in the Square Theatre School.
The Iceman Cometh is a 1973 American drama film directed by John Frankenheimer. The screenplay, written by Thomas Quinn Curtiss, is based on Eugene O'Neill's 1946 play of the same name. The film was produced by Ely Landau for the American Film Theatre, which from 1973 to 1975 presented thirteen film adaptations of noted plays.
Hughie is a short two-character play by Eugene O'Neill set in the lobby of a small hotel on a West Side street in Midtown Manhattan, New York, during the summer of 1928. The play is essentially a long monologue delivered by a small-time hustler named Erie Smith to the hotel's new night clerk Charlie Hughes, lamenting how Smith's luck has gone bad since the death of Hughie, Hughes' predecessor. O'Neill wrote Hughie in 1942, although it did not receive its world premiere until 1958, when it was staged in Sweden at the Royal Dramatic Theatre with Bengt Eklund as Erie Smith. It was first staged in English at the Theatre Royal, Bath, in 1963 with Burgess Meredith as Erie.
Santo Richard Loquasto is an American production designer, scenic designer, and costume designer for stage, film, and dance.
Robert Falls is an American theater director and the former artistic director of the Goodman Theatre in Chicago, Illinois.
"The Iceman Cometh" is a 1960 television production of the 1946 Eugene O'Neill play of the same title. Two separate parts were originally broadcast as episodes of The Play of the Week by the television network and syndication service the NTA Film Network.
The Play of the Week is an American anthology series of televised stage plays which aired in NTA Film Network syndication from October 12, 1959, to May 1, 1961.
Lee Wilkof is an American character actor who has been appearing on stage, film and television for 6 decades.
John Douglas Thompson is an English-American actor. He is a Tony Award nominee and the recipient of two Drama Desk Awards, three Obie Awards, an Outer Critics Circle Award, and a Lucille Lortel Award.
Mike Roche is an American actor. Roche played Humphrey James in the 2007 Off-Broadway revival of Night Over Taos by Maxwell Anderson directed by Estelle Parsons at Theatre for the New City in New York City. The show was produced by INTAR Theatre.
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