Life with Father is a 1939 play by Howard Lindsay and Russel Crouse, adapted from a humorous autobiographical book of stories compiled in 1935 by Clarence Day. The Broadway production ran for 3,224 performances over 401 weeks to become the longest-running non-musical play on Broadway, a record that it still holds. The play was adapted into a 1947 feature film and a television series.
Robert Alan Morse was an American actor. Morse, known for his gap-toothed boyishness, started his career as a star on Broadway acting in musicals and plays before expanding into film and television. He earned numerous accolades including two Tony Awards, two Drama Desk Awards, a Primetime Emmy Award, and a Screen Actors Guild Award.
Edwin Eugene Lockhart was a Canadian-American character actor, playwright, singer and lyricist. He appeared in over 300 films, and received an Academy Award nomination for Best Supporting Actor for his role as Regis in Algiers (1938), the American remake of Pepe le Moko.
Robert Edmond Jones was an American scenic, lighting, and costume designer.
Eileen Herlie was a Scottish-American actress.
The Theatre Guild is a theatrical society founded in New York City in 1918 by Lawrence Langner, Philip Moeller, Helen Westley and Theresa Helburn. Langner's wife, Armina Marshall, then served as a co-director. It evolved out of the work of the Washington Square Players.
George Alexander Coulouris was an English film and stage actor. He was perhaps best known for his collaborations with Orson Welles, most notably Citizen Kane.
Thomas McCreery Powers was an American actor in theatre, films, radio and television. A veteran of the Broadway stage, notably in plays by George Bernard Shaw, he created the role of Charles Marsden in Eugene O'Neill's Strange Interlude. He succeeded Orson Welles in the role of Brutus in the Mercury Theatre's debut production, Caesar. In films, he was a star of Vitagraph Pictures and later became best known for his role as the victim of scheming wife Barbara Stanwyck and crooked insurance salesman Fred MacMurray in the film noir classic Double Indemnity (1944).
Margaret Lorraine "Margalo" Gillmore was an English-born American actress who had a long career as a stage actress on Broadway. She also appeared in films and TV series, mostly in the 1950s and early 1960s.
Studio One is an American anthology drama television series that was adapted from a radio series. It was created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. It premiered on November 7, 1948, and ended on September 29, 1958, with a total of 467 episodes over the course of 10 seasons.
Take Me Along is a 1959 musical based on the 1933 Eugene O'Neill play Ah, Wilderness!, with music and lyrics by Bob Merrill and book by Joseph Stein and Robert Russell.
A Moon for the Misbegotten is a play in four acts by Eugene O'Neill. The play is a sequel to O'Neill's Long Day's Journey into Night, with the Jim Tyrone character as an older version of Jamie Tyrone. He began drafting the play late in 1941, set it aside after a few months and returned to it a year later, completing the text in 1943 – his final work, as his failing health made it physically impossible for him to write. The play premiered on Broadway in 1957 and has had four Broadway revivals, plus a West End engagement.
Peter Glenville was an English theatre and film director, and actor. He was a prominent director of stage plays on the West End and Broadway in the 1950s. He was nominated for four Tony Awards for his American plays.
Summer Holiday is a 1948 American musical-comedy film, directed by Rouben Mamoulian and starring Mickey Rooney and Gloria DeHaven. The picture is based on the play Ah, Wilderness! (1933) by Eugene O'Neill, which had been filmed under that name by MGM in 1935 with Rooney in a much smaller role, as the younger brother. Although completed in October 1946, the film sat on the shelf until 1948.
Three Men on a Horse is a three-act farce co-authored by John Cecil Holm and George Abbott. The comedy focuses on a man who discovers he has a talent for choosing the winning horse in a race as long as he never places a bet himself. Originally titled Hobby Horse by John Cecil Holm, Three Men On A Horse was a property controlled and produced by Alex Yokel, who reached out to Warner Bros. for financial assistance; Warners agreed to provide financing on the condition Yokel find someone to doctor the script and direct the Broadway production. George Abbott, the director, who had since 1932 directed and produced each of his Broadway productions, immediately saw the potential and rewrote the script and agreed to direct if he received co-author credit and split the author's royalties with Holm. Abbott wrote a third act, resulting in a new three-act play titled Three Men on a Horse.
Ah, Wilderness! is a 1935 American comedy-drama film adaptation of the 1933 Eugene O'Neill play of the same name. Directed by Clarence Brown, the film stars Wallace Beery and features Lionel Barrymore, Eric Linden, Cecilia Parker, Spring Byington, and a young Mickey Rooney. Rooney stars as Richard in MGM's musical remake Summer Holiday (1948).
George Michael Cohan was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and theatrical producer.
Men in White is a 1933 play written by American playwright Sidney Kingsley. It was produced by the Group Theatre, Sidney Harmon and James Ramsey Ullman, directed by Lee Strasberg with scenic design created by Mordecai Gorelik. It ran for 351 performances from September 26, 1933 to July 28, 1934 at the Broadhurst Theatre. The play won the 1934 Pulitzer Prize for Drama.
Ruth Gilbert was an American actress, best known for her role as Alice in the first sound version of Alice in Wonderland in 1931, and as Max in The Milton Berle Show.
The Comedy Theatre was a Broadway theatre located at 110 West 41st Street in Manhattan that opened in 1909. It presented the first Broadway appearances of Katharine Cornell and Ruth Draper, as well as Eugene O'Neill's first Broadway play. Shuttered in the wake of the Depression, it reopened in 1937 as the Mercury Theatre — the venue for Orson Welles's groundbreaking adaptation of Shakespeare's Julius Caesar and other productions for the Mercury Theatre repertory company. In 1939 it began presenting classic Yiddish theatre. The building was demolished in 1942.
