Anna Christie | |
---|---|
Directed by | John Griffith Wray |
Written by | Bradley King (screenplay) |
Based on | Anna Christie 1921 play by Eugene O'Neill |
Produced by | Thomas H. Ince |
Starring | Blanche Sweet William Russell George F. Marion |
Cinematography | Henry Sharp |
Distributed by | First National Pictures |
Release date |
|
Running time | 96 minutes |
Country | United States |
Language | Silent (English intertitles) |
Budget | $165,236 [1] |
Anna Christie is a 1923 American silent drama film based on the 1921 play by Eugene O'Neill (first film version) and starring Blanche Sweet and William Russell.
Directed by John Griffith Wray and produced by Thomas H. Ince for First National Pictures, the screenplay was adapted by Bradley King from the Eugene O'Neill play of the same title. [2] [3] [4] Thomas H. Ince Inc. paid a then-astronomical $35,000 for the screen rights to the play. [1]
As described in a film magazine review, [5] Anna Christie, daughter of rugged coal barge captain Chris Christopherson, has not seen her father since she was a baby. During her life on a farm, she has been betrayed by one man and been the mistress of another. Her father, unaware of her past, is determined to protect her from the advances of sailor folk. She takes a voyage with him and falls in love with drunken Matt Burke. She admits her sins and is rescued from suicide by Chris. She is forgiven by Matt who still wishes to wed her.
Prints of Anna Christie are located in the Museum of Modern Art in New York City, George Eastman Museum Motion Picture Collection, Gosfilmofond in Moscow, Cineteca Del Friuli in Genoma, Italy, and Harvard Film Archive. [6]
Anna Christie is a play in four acts by Eugene O'Neill. It made its Broadway debut at the Vanderbilt Theatre on November 2, 1921. O'Neill received the 1922 Pulitzer Prize for Drama for this work. According to historian Paul Avrich, the original of Anna Christie was Christine Ell, an anarchist cook in Greenwich Village, who was the lover of Edward Mylius, a Belgian-born radical living in England who libeled the British king George V.
Sarah Blanche Sweet was an American silent film actress who began her career in the early days of the motion picture film industry.
Anita Stewart was an American actress and film producer of the early silent film era.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
Anna Christie is a 1930 Metro-Goldwyn-Mayer pre-Code film adaptation of the 1921 play of the same name by Eugene O'Neill. It was adapted by Frances Marion, produced and directed by Clarence Brown with Paul Bern and Irving Thalberg as co-producers. The cinematography was by William H. Daniels, the art direction by Cedric Gibbons and the costume design by Adrian.
George Francis Marion Sr. was an American film and stage actor and director, known for Anna Christie, both (1923) and (1930), and Death from a Distance (1935). Marion acted in 35 films between 1915 and 1935.
His Supreme Moment is a 1925 American silent drama film with sequences filmed in Technicolor, starring Blanche Sweet and Ronald Colman, directed by George Fitzmaurice, and produced by Samuel Goldwyn. Anna May Wong has a small role as a harem girl appearing in a play. The film is now considered lost.
A Kiss for Cinderella is a 1925 American silent fantasy film taken from the 1916 stage play by James M. Barrie. The film stars Betty Bronson and Tom Moore and was made at Paramount's Astoria Studios in Astoria, Queens. The play had starred stage actress Maude Adams in the Bronson role.
Hotel Imperial is a 1927 American silent war drama film directed by Mauritz Stiller and released by Paramount Pictures. The film is set in Austria-Hungary during World War I and starring Pola Negri as a hotel chambermaid. It is based on the 1917 Hungarian play of the same name by Lajos Bíró.
Are Parents People? is a 1925 American silent comedy film starring Betty Bronson, Florence Vidor, Adolphe Menjou, George Beranger, and Lawrence Gray. The film was directed by Malcolm St. Clair and released by Paramount Pictures.
To-Day is a 1917 silent film drama directed by Ralph Ince, who is also credited as the film's writer, and starring Florence Reed. A story about prostitution, this film is based on a 1913 stage play Today by George Broadhurst and Abraham S. Schomer and starred Emily Stevens which ran for an astounding 280 performances in eight months' time. Actors Gus Weinburg and Alice Gale are the only actors in the film that appeared in the play. It is considered to be a lost film.
The Unpardonable Sin is a 1919 American silent drama/propaganda film set during World War I. The film was produced by Harry Garson, directed by Marshall Neilan, written by Kathryn Stuart, and stars Neilan's wife, Blanche Sweet, who portrays dual roles in the film. The Unpardonable Sin is based on the novel of the same name by Rupert Hughes. The Silent Era site reports that it is not known whether the film currently survives, suggesting that it is a lost film. However, prints and/or fragments did turn up in the Dawson Film Find in 1978, so some of it at least survives.
Those Who Dance is a 1924 American silent drama film produced by Thomas H. Ince and directed by Lambert Hillyer. Released by Associated First National, the film stars Blanche Sweet, Bessie Love, and Warner Baxter. It is based on a story by George Kibbe Turner.
The Silent Partner is a 1923 American silent drama film produced by Famous Players–Lasky and released through Paramount Pictures. It was based on a series of articles from the Saturday Evening Post by Maximilian Foster and directed by Charles Maigne. Leatrice Joy and Owen Moore star in the feature. The film is a remake of the 1917 film of the same name.
Lombardi, Ltd. is a surviving 1919 American silent feature comedy film. It was adapted by June Mathis from a 1917 play of the same name by Frederick and Fanny Hatton, and directed by Jack Conway. Warner Baxter had an early uncredited minor role in the film.
Let's Elope is a lost 1919 American silent comedy film starring Marguerite Clark and directed by John S. Robertson. It was produced by Famous Players–Lasky and released through Paramount Pictures. The film is based on The Naughty Wife by Frederick J. Jackson.
Let's Get a Divorce is a 1918 American silent comedy film starring Billie Burke and written for the screen by husband and wife team John Emerson and Anita Loos. The film was produced by the Famous Players–Lasky company and distributed through Paramount Pictures. The film is based on the popular stage play Divorçons by Victorien Sardou and Émile de Najac.
Playing with Souls is a 1925 American silent drama film directed by Ralph Ince and starring Jacqueline Logan, Mary Astor, and Clive Brook.
Her Temporary Husband is a 1923 American silent comedy film directed by John McDermott and starring Owen Moore. Based upon a play of the same name by Edward A. Paulton, it was produced and distributed by Associated First National.
The Governor's Lady is a lost 1923 American silent drama film directed by Harry Millarde. It was produced and distributed by Fox Film Corporation.