Harvard Film Archive

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The Carpenter Center, home of the Harvard Film Archive 2023-0323-Harvard-Carpenter Center for the Visual Arts-02-East view.jpg
The Carpenter Center, home of the Harvard Film Archive

The Harvard Film Archive (HFA) is a film archive and cinema located in the Carpenter Center for the Visual Arts at Harvard University in Cambridge, Massachusetts. Dedicated to the collection, preservation and exhibition of film, the HFA houses a collection of over 25,000 films in addition to videos, photos, posters and other film ephemera from around the world and from almost every period in film history. The HFA cinematheque screens films weekly in its 188-seat theater. It also maintains a film conservation center near Central Square, Cambridge. Harvard Film Archive won the 2020 Webby Award for Cultural Institution in the category Web. [1]

Contents

History

The archive was founded in 1979 by Robert Gardner, Vlada K. Petric and Stanley Cavell in Harvard's Department of Visual and Environmental Studies, with grants from the Henry Luce Foundation and the National Endowment for the Humanities. It opened on March 16, 1979, with a screening of Ernst Lubitsch’s silent film, Lady Windermere's Fan .

Film programmer Amos Vogel's extensive Cinema 16 film collection, originally sold to Barney Rosset and Grove Press circa 1966–1967, served as the founding collection for the Harvard Film Archive. [2]

The archive's first curator was Vlada K. Petric, who expanded the collection and established the year-round regular screenings. He retired in 1995 and in 1999 Bruce Jenkins assumed the post.

In January 2005, Harvard Faculty of Arts and Sciences dean William C. Kirby announced that the archive would be absorbed by the Harvard College Library and managed by the Library of Fine Arts. This caused some concern within the Harvard community about the future of the archive and its programming. Jenkins resigned soon after the announcement. [3]

In September 2006 film scholar Haden Guest became the new director of the archive. He addressed worries that the archives' absorption in the Library would affect its public film screenings. [4]

Collection

The collection spans the history of film-making from the silent film era to today, and includes Hollywood films, documentaries, animation, short films, B-movies and feature films from all over the world. It is the largest collection of 35mm film in New England. The collection grows by an average of 15 to 20 films a year and contains some rarities, such as some of the only prints in the United States of several films by Serbian director Dusan Makavejev. It also features a large collection of German cinema and the Bavarian Film Fund donates prints of any films that it finances. [5] After the death of Karen Aqua, the archive was given more than 300 of her works, both completed and unfinished. [6]

Film conservation

The Archive's mission includes to conserve, restore, and exhibit the collection's prints. It prioritizes film-to-film preservation for archival stability, authenticity, and aesthetics. [7] It may also perform film-to-digital transfers.[ citation needed ]

Related Research Articles

<span class="mw-page-title-main">Silent film</span> Film with no synchronized recorded sound

A silent film is a film with no synchronized recorded sound. Though silent films convey narrative and emotion visually, various plot elements or key lines of dialogue may, when necessary, be conveyed by the use of inter-title cards.

<i>Intolerance</i> (film) 1916 epic film

Intolerance is a 1916 epic silent film directed by D. W. Griffith. Subtitles include Love's Struggle Throughout the Ages and A Sun-Play of the Ages.

<span class="mw-page-title-main">Film preservation</span> Historic preservation of motion pictures

Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.

<span class="mw-page-title-main">National Film Preservation Foundation</span>

The National Film Preservation Foundation (NFPF) is an independent, nonprofit organization created by the U.S. Congress to help save America's film heritage. Growing from a national planning effort led by the Library of Congress, the NFPF began operations in 1997. It supports activities nationwide that preserve American films and improve film access for study, education, and exhibition. The NFPF's top priority is saving orphan films, so called because are not protected by commercial interests and are unlikely to survive without public support. Through its grant programs, the NFPF has helped archives, historical societies, libraries, museums, and universities from all 50 states preserve American films and make them available to the public.

<span class="mw-page-title-main">Lost film</span> Feature or short film that is no longer known to exist

A lost film is a feature or short film that no longer exists in any studio archive, private collection, or public archive.

The Academy Film Archive is part of the Academy Foundation, established in 1944 with the purpose of organizing and overseeing the Academy of Motion Picture Arts and Sciences’ educational and cultural activities, including the preservation of motion picture history. Although the current incarnation of the Academy Film Archive began in 1991, the Academy of Motion Picture Arts and Sciences acquired its first film in 1929.

A film base is a transparent substrate which acts as a support medium for the photosensitive emulsion that lies atop it. Despite the numerous layers and coatings associated with the emulsion layer, the base generally accounts for the vast majority of the thickness of any given film stock. Since the late 19th century, there have been three major types of film base in use: nitrate, acetate, and polyester.

The UCLA Film & Television Archive is a visual arts organization focused on the preservation, study and appreciation of film and television, based at the University of California, Los Angeles (UCLA).

<i>Moods of the Sea</i> 1941 film by Slavko Vorkapić

Moods of the Sea (1941) is a non-narrative experimental film by Slavko Vorkapich and John Hoffman, set to the music of Felix Mendelssohn known as the Hebrides Overture.

An orphan film is a motion picture work that has been abandoned by its owner or copyright holder. The term can also sometimes refer to any film that has suffered neglect.

Cinephilia is the term used to refer to a passionate interest in films, film theory, and film criticism. The term is a portmanteau of the words cinema and philia, one of the four ancient Greek words for love. A person with a passionate interest in cinema is called a cinephile, cinemaphile, filmophile, or, informally, a film buff. To a cinephile, a film is often not just a source of entertainment as they see films from a more critical point of view.

<i>Upstream</i> (film) 1927 film

Upstream is a 1927 American comedy film directed by John Ford. A "backstage drama", the film is about a Shakespearean actor and a woman from a knife-throwing act. The film was considered to be a lost film, but in 2009 a print was discovered in the New Zealand Film Archive.

<span class="mw-page-title-main">Paper print</span> Early motion picture print format

Paper prints of films were an early mechanism to establish the copyright of motion pictures by depositing them with the Library of Congress. Thomas Alva Edison’s company was first to register each frame of motion-picture film onto a positive paper print, in 1893. The Library of Congress processed and cataloged each of the films as one photograph, accepting thousands of paper prints of films over a twenty-year period.

Northeast Historic Film (NHF) is a regional moving image archive located at 85 Main Street in Bucksport, Maine. It is a tax-exempt nonprofit organization dedicated to collecting, preserving and sharing film and video related to the people of Northern New England.

The Film Foundation is a US-based non-profit organization dedicated to film preservation and the exhibition of restored and classic cinema. It was founded by director Martin Scorsese and several other leading filmmakers in 1990. The foundation raises funds and awareness for film preservation projects and creates educational programs about film. The foundation and its partners have restored more than 900 films.

<span class="mw-page-title-main">Scratch and Crow</span>

Scratch and Crow (1995) is a four-minute, 16mm, animated film made by Helen Hill as her MFA thesis at the California Institute of the Arts. On January 1, 2017, an authorized Helen Hill Vimeo account launched and includes a high-resolution streaming version of the film, with this annotation: "This hand drawn animated film reveals the secret life cycle of chickens, from their hatching by mother cats to their noisy ascent into Heaven. Filmed in 16 mm."

The China Film Archive (CFA) is a Chinese film archive located in Beijing that is owned and operated by the Central Propaganda Department of the Chinese Communist Party (CCP). It was founded to preserve existing Chinese films and restore ‘lost’ films. In recent years it has collaborated with international film bodies to assist in film preservation and has organised numerous events, most notably the Beijing International Film Festival.

<span class="mw-page-title-main">Yale Film Archive</span> Film archive at Yale University

The Yale Film Archive is a film archive located in Sterling Memorial Library at Yale University, and is part of the Yale University Library. The film collection consists of more than 7,000 35mm, 16mm, 8mm, and Super 8mm prints and the video collection includes more than 50,000 items on DVD, Blu-ray, LaserDisc, and VHS. The Film Archive engages in the conservation, preservation, presentation, and circulation of moving image materials. The Yale Film Archive is an Associate of the International Federation of Film Archives.

Vladimir "Vlada" Petrić was an eminent theoretician, historian and aesthetician of cinema, a professor at Harvard University and co-founder of the Harvard Film Archive. Professor Petrić was the first scholar to receive a doctoral degree in film studies in the United States at New York University in the Department of Cinema Studies.

<i>A Sound Sleeper</i> 1909 American film

A Sound Sleeper is a 1909 American comedy film directed by D. W. Griffith and produced by the American Mutoscope and Biograph Company. The short was filmed in one day in the Coytesville borough of Fort Lee, New Jersey, which at the time was a popular filming location for many early motion-picture studios in the northeastern United States. Due to the brief running time of this comedy, it was originally distributed in April 1909 on a split reel with another Biograph release, a longer dramatic film titled The Winning Coat.

References

  1. Kastrenakes, Jacob (20 May 2020). "Here are all the winners of the 2020 Webby Awards". The Verge. Retrieved 22 May 2020.
  2. Decherney, Peter (2005). Hollywood and the culture elite : how the movies became American. New York. p. 177. ISBN   978-0-231-50851-3. OCLC   213305995.{{cite book}}: CS1 maint: location missing publisher (link)
  3. "The Harvard Film Archive". Harvard Magazine. November–December 2005. pp. 37–38. Archived from the original on 2006-11-14.
  4. Brokaw, Leslie (November 12, 2006). "New director Guest plans larger role for Harvard Film Archive". The Boston Globe.
  5. "Film Archive Goes Silver". Harvard Magazine. January–February 2004. pp. 57–58. Archived from the original on 2006-11-14.
  6. Meek, Tom (2016-04-16). "Local Animator Karen Aqua Remembered In Retrospective At Harvard Film Archive". WBUR. Retrieved 2020-10-30.
  7. Austerlitz, Saul (2007-12-19). "Preserving history, frame by frame". Boston.com. Retrieved 2019-05-10.

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