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Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints or plasticine figures are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation.
The term independent animation refers to animated shorts, web series, and feature films produced outside a major national animation industry.
Caroline Leaf is a Canadian-American filmmaker, animator, director, tutor and artist. She has produced numerous short animated films and her work has been recognized worldwide. She is best known as one of the pioneering filmmakers at the National Film Board of Canada (NFB). She worked at the NFB from 1972 to 1991. During that time, she created the sand animation and paint-on-glass animation techniques. She also tried new hands-on techniques with 70mm IMAX film. Her work is often representational of Canadian culture and is narrative-based. Leaf now lives in London, England, and is a tutor at The National Film and Television School. She maintains a studio in London working in oils and on paper and does landscape drawing with an iPad.
Make Mine Music is a 1946 American animated musical anthology film produced by Walt Disney and released by RKO Radio Pictures on April 20, 1946.
Ken Brown is an American filmmaker, photographer, cartoonist, and designer. He grew up in Amherst, Massachusetts, relocated to Cambridge, Massachusetts, and currently lives in New York City. He has directed dozens of animations, experimental films, and video documentaries since the late 1960s.
Faith Hubley was an American animator, known for her experimental work both in collaboration with her husband John Hubley, and on her own following her husband's death.
Lynn Tomlinson is an animator and artist. She is a professor at Towson University. She lives in Baltimore, MD, with her husband, Craig J Saper, and her family. She has taught at Cornell University, the University of the Arts in Philadelphia, Maryland Institute College of Art, and Delaware College of Art and Design, Richard Stockton College, and Tufts University. Her films have been screened at film festivals around the world over the past two decades. She has received awards and grants including several Mid-Atlantic Emmys, an ITVS production grant, and Individual Artist Fellowships from the State Arts Councils of Pennsylvania, Florida, and Maryland.
Joanna Priestley is an American contemporary film director, producer, animator and teacher. Her films are in the collections of the Academy Film Archive in Los Angeles and the Museum of Modern Art in New York. Priestley has had retrospectives at the British Film Institute, Museum of Modern Art and Hiroshima International Animation Festival in Japan. Bill Plympton calls her the "Queen of independent animation". Priestley lives and works in Portland, Oregon.
The Revolutionary Snake Ensemble is an American instrumental musical group led by Boston, Massachusetts based saxophonist Ken Field. They performs an improvised style inspired by the second line brass bands of New Orleans parades. The group's colorful costumes and creative arrangements have earned it invitations to entertain audiences as large as 20,000
Ken Field is a saxophonist, flautist, percussionist, and composer. Since 1988 he has been a member of the electrified modern music ensemble Birdsongs of the Mesozoic, with whom he has recorded eight CDs.
Lisa Crafts is an American animator and moving image artist whose interdisciplinary work has addressed issues of environmental uncertainty, sexuality, creativity and chaos.
Candyjam is a 1988 7 minute 35mm short animated film animated collaboration by ten animators from four countries produced and directed by Joanna Priestley and Joan C. Gratz. The animation was made with clay painting, drawings, puppets and object animation.
Bully Dance is a 2000 animated short film by Janet Perlman about bullying. In this 10 minutes short film without words, a community is disrupted when a bully victimizes a smaller member of the group. The whole community becomes involved in dealing with the bully, who is himself a victim at home.
Amy Kravitz is an independent filmmaker and teacher specializing in abstract animation. She is currently a Professor in the Film Department at the Rhode Island School of Design.
Lilli Carré is an American interdisciplinary artist currently based in Los Angeles, working in experimental animation, ceramics, print, and textile. She is co-director of the Eyeworks Festival of Experimental Animation and is represented by contemporary art gallery Western Exhibitions. She currently teaches in the Experimental Animation department at the California Institute of the Arts
Ken Kimmelman is an American filmmaker, animator, and Aesthetic Realism consultant. He is the president of Imagery Film, Ltd. and is known for his films opposing racism and prejudice, including The Heart Knows Better, a public service film for which he received a National Emmy Award and Brushstrokes, produced for the United Nations. Both films were inspired by Aesthetic Realism, the philosophy whose founder, Eli Siegel, identified contempt, "the addition to self through the lessening of something else" as the cause of racism and all human injustice. Kimmelman is also noted for his Poetry film, Hot Afternoons Have Been in Montana, based on the prize-winning poem by Eli Siegel. Historian Howard Zinn said of this film, "It matches, in its visual beauty, the elegance of Siegel's words, and adds the dimension of stunning imagery to an already profound work of art."
Ayoka "Ayo" Chenzira is an independent African-American producer, film director, television director, animator, writer, experimental filmmaker, and transmedia storyteller. She is the first African American woman animator and one of a handful of Black experimental filmmakers working since the late 1970s. She has earned international acclaim for her experimental, documentary, animation, and cross-genre filmmaking productions. Her work, as well as her efforts as one of the first African American woman film educators, have led some in the press to describe her as a media activist for social justice and challenging stereotype representations of African Americans in the mainstream media.
Deanna Morse is an independent American experimental filmmaker and media artist. Her work is included in collections at the Metropolitan Museum of Art.
Allison Schulnik is an American painter, sculptor and animated filmmaker. She is known for her heavily textured, impasto oil paintings and her animated short videos. Schulnik is married to fellow artist Eric Yahnker. They live and work in Sky Valley, California.
References
- ↑ Marquard, Bryan (2003-08-17). "Karen Aqua, 57, film animation artist, teacher from Cambridge". Boston.com. Retrieved 2020-10-30.
- ↑ "Karen Aqua Collection - Collection".
- ↑ King, Loren (2011-09-25). "Focusing on one filmmaker's legacy". Boston Globe. Retrieved 2020-10-30.
- ↑ Mason, Amelia (2019-03-20). "In Ken Field's Tribute To Karen Aqua, A Creative Couple's Collaboration Lives On". WBUR. Retrieved 2020-10-30.
- ↑ "Karen Aqua | Biography".
- ↑ Garelick, Jon (2014-04-27). "Revolutionary Snake Ensemble digs deeper into tradition". Boston Globe. Retrieved 2020-10-30.
- ↑ James, Caryn (1988-10-26). "Review/Film; Taking an Animated Dip In Psychological Waters". The New York Times. Retrieved 2020-10-30.
- ↑ Maslin, Janet (1989-10-04). "Film Festival; 'Yaaba' Explores Humans and Frailties". The New York Times. Retrieved 2020-10-30.
- ↑ Holden, Stephen (2003-10-17). "FILM FESTIVAL REVIEWS; What Chance for Love Across the Divide?". The New York Times. Retrieved 2020-10-30.
- ↑ "Ken Field - Sesame Street Soundtracks" . Retrieved 2024-05-02.
