Tony Award for Best Revival | |
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Awarded for | Best Revival |
Location | United States New York City |
Presented by | American Theatre Wing The Broadway League |
Website | TonyAwards.com |
The Tony Award for Best Revival was given to the best play, musical or non-musical, which had already appeared on Broadway in a previous production. It was presented from 1977, where it was called Most Innovative Production of a Revival and later Reproduction (Play or Musical) in 1980, until 1994, when it was split into the Best Revival of a Musical and the Best Revival of a Play.
If there are not enough revivals, it is possible under the current Tony rules for this category to return. Any time there are three play revivals and three musical revivals, the categories are automatically separated; if there are fewer, the Tony Awards Administration Committee may still choose to split up the categories.
Year | Production | Nominees | ||
---|---|---|---|---|
Best Revival | ||||
1977 (31st) [1] | ||||
Porgy and Bess | Produced by Sherwin M. Goldman and Houston Grand Opera | |||
Guys and Dolls | Produced by Moe Septee in association with Victor H. Potamkin, Carmen F. Zollo, and Ashton Springer | |||
The Cherry Orchard | Produced by Joseph Papp | |||
The Threepenny Opera | Produced by Joseph Papp | |||
1978 (32nd) [2] | ||||
Dracula | Produced by Jujamcyn Theaters, Elizabeth I. McCann, John Wulp, Victor Lurie, Nelle Nugent, and Max Weitzenhoffer | |||
Tartuffe | Produced by Circle in the Square | |||
Timbuktu! | Produced by Luther Davis | |||
A Touch of the Poet | Produced by Elliot Martin | |||
Year | Production | Nominees |
---|---|---|
1980 (34th) [3] | ||
Morning's at Seven | Produced by Elizabeth I. McCann, Nelle Nugent and Ray Larson | |
Major Barbara | Produced by Circle in the Square | |
Peter Pan | Produced by Zev Bufman | |
West Side Story | Produced by Gladys Rackmil, the Kennedy Center, James M. Nederlander and Ruth Mitchell | |
1981 (35th) [4] | ||
The Pirates of Penzance | Produced by Joseph Papp and The New York Shakespeare Festival | |
Brigadoon | Produced by Zev Bufman and The Shubert Organization | |
Camelot | Produced by Mike Merrick and Don Gregory | |
The Little Foxes | Produced by Zev Bufman, Donald C. Carter and Jon Cultler | |
1982 (36th) [5] | ||
Othello | Produced by Barry and Fran Weissler and CBS Video Enterprises | |
Medea | Produced by Barry and Fran Weissler, The Kennedy Center and Bunny and Warren Austin | |
My Fair Lady | Produced by Mike Merrick and Don Gregory | |
A Taste of Honey | Produced by Roundabout Theatre Co., Gene Feist and Michael Fried | |
1983 (37th) [6] | ||
On Your Toes | Produced by Alfred de Liagre, Jr., Roger L. Stevens, John Mauceri, Donald R. Seawell and Andre Pastoria | |
All's Well That Ends Well | Produced by the Royal Shakespeare Company | |
The Caine Mutiny Court-Martial | Produced by Circle in the Square Theatre and The Kennedy Center | |
A View from the Bridge | Produced by Zev Bufman and Sidney Schlenker | |
1984 (38th) [7] | ||
Death of a Salesman | Produced by Robert Whitehead and Roger L. Stevens | |
American Buffalo | Produced by Elliot Martin and Arnold Bernhard | |
Heartbreak House | Produced by Circle in the Square | |
A Moon for the Misbegotten | Produced by The Shubert Organization and Emanuel Azenberg | |
1985 (39th) [8] | ||
Joe Egg | Produced by The Shubert Organization, Emanuel Azenberg, Roger Berlind, Ivan Bloch and MTM Enterprises, Inc. | |
Cyrano de Bergerac | Produced by James M. Nederlander, Elizabeth I. McCann, Nelle Nugent, Cynthia Wood, Dale Duffy, and Allan Carr | |
Much Ado About Nothing | Produced by James M. Nederlander, Elizabeth I. McCann, Nelle Nugent, Cynthia Wood, Dale Duffy and Allan Carr | |
Strange Interlude | Produced by Robert Michael Geisler, John Roberdeau, Douglas Urbanski, James M. Nederlander, Duncan C. Weldon, Paul Gregg, Lionel Becker and Jerome Minskoff | |
1986 (40th) [9] | ||
Sweet Charity | Produced by Jerome Minskoff, James M. Nederlander, Arthur Rubin and Joseph Harris | |
Hay Fever | Produced by Roger Peters and MBS Co. | |
The Iceman Cometh | Produced by Lewis Allen, James M. Nederlander, Stephen Graham and Ben Edwards | |
Loot | Produced by the David Merrick Arts Foundation, Charles P. Kopelman and Mark Simon | |
1987 (41st) [10] | ||
All My Sons | Produced by Jay H. Fuchs, Steven Warnick, and Charles Patsos | |
The Front Page | Produced by Lincoln Center Theatre, Gregory Mosher, and Bernard Gersten | |
The Life and Adventures of Nicholas Nickleby | Produced by The Shubert Organization, Three Knights, Ltd., and Robert Fox, Ltd. | |
Pygmalion | Produced by The Shubert Organization, Jerome Minskoff, and Duncan C. Weldon | |
1988 (42nd) [11] | ||
Anything Goes | Produced by Lincoln Center Theater, Gregory Mosher, and Bernard Gersten | |
Cabaret | Produced by Barry Weissler and Fran Weissler | |
Dreamgirls | Produced by Marvin A. Krauss and Irving Siders | |
A Streetcar Named Desire | Produced by Circle in the Square, Theodore Mann, and Paul Libin | |
1989 (43rd) [12] | ||
Our Town | Produced by Lincoln Center Theatre, Gregory Mosher, and Bernard Gersten | |
Ah, Wilderness! | Produced by Ken Marsolis, Alexander H. Cohen, The Kennedy Center for the Performing Arts, The Yale Repertory Theater, Richard Norton, Irma Oestreicher, and Elizabeth D. White | |
Ain't Misbehavin' | Produced by The Shubert Organization, Emanuel Azenberg, Dasha Epstein, and Roger Berlind | |
Cafe Crown | Produced by LeFrak Entertainment, James M. Nederlander, Francine LeFrak, James L. Nederlander, and Arthur Rubin | |
Year | Production | Nominees |
---|---|---|
1990 (44th) [13] | ||
Gypsy | Produced by Barry and Fran Weissler, Kathy Levin, and Barry Brown | |
The Circle | Produced by Elliot Martin, The Shubert Organization, and Suntory International Corp | |
The Merchant of Venice | Produced by Duncan C. Weldon, Jerome Minskoff, Punch Productions and Peter Hall | |
Sweeney Todd | Produced by Circle in the Square Theatre, Theodore Mann, and Paul Libin | |
1991 (45th) [14] | ||
Fiddler on the Roof | Produced by Barry and Fran Weissler and Pace Theatrical Group | |
The Miser | Produced by Circle in the Square Theatre, Theodore Mann, and Paul Libin | |
Peter Pan | Produced by James M. Nederlander, Arthur Rubin, Thomas P. McCoy, Keith Stava, PP Investments, Inc., and John. B. Platt | |
1992 (46th) [15] | ||
Guys and Dolls | Produced by Dodger Productions, Roger Berlind, Jujamcyn Theaters/TV Asahi, Kardana Productions, and the John F. Kennedy Center for the Performing Arts] | |
The Most Happy Fella | Produced by the Goodspeed Opera House, Center Theatre Group/Ahmanson Theatre, Lincoln Center Theatre, The Shubert Organization, and Japan Satellite Broadcasting/Stagevision | |
On Borrowed Time | Produced by Circle in the Square Theatre, Theodore Mann, Robert Buckley, and Paul Libin | |
The Visit | Produced by Roundabout Theater Company, Todd Haimes, and Gene Feist | |
1993 (47th) [16] | ||
Anna Christie | Produced by Roundabout Theater Co., and Todd Haimes | |
Saint Joan | Produced by National Actors Theatre, Tony Randall, and Duncan C. Weldon | |
The Price | Produced by Roundabout Theatre Co., and Todd Haimes | |
Wilder, Wilder, Wilder | Produced by Circle in the Square Theatre, Theodore Mann, George Elmer, Paul Libin, Willow Cabin Theatre Company, Edward Berkeley, Adam Oliensis, and Maria Radman | |
The Tony Award for Best Musical is given annually to the best new Broadway musical, as determined by Tony Award voters. The award is one of the ceremony's longest-standing awards, having been presented each year since 1949. The award goes to the producers of the winning musical. A musical is eligible for consideration in a given year if it has not previously been produced on Broadway and is not "determined... to be a 'classic' or in the historical or popular repertoire", otherwise it may be considered for Best Revival of a Musical.
The Tony Award for Best Play is an annual award given to the best new (non-musical) play on Broadway, as determined by Tony Award voters. There was no award in the Tonys' first year. The award goes to the authors and the producers of the play. Plays that have appeared in previous Broadway productions are instead eligible for Best Revival of a Play.
The Tony Award for Best Revival of a Musical has been awarded since 1994. Before that time, both plays and musicals were considered together for the Tony Award for Best Revival. The award is given to the producers of the best musical play which has already appeared on Broadway in a previous production, or is regarded as being in the common theatrical repertoire. Like Best Musical, excerpts from the musicals that are nominated for this award are usually performed during the ceremony before this award is presented.
The Tony Award for Best Revival of a Play has only been awarded since 1994. Prior to that, plays and musicals were considered together for the Tony Award for Best Revival. The award is given to the best non-musical play that has appeared on Broadway in a previous production, or which is determined to be a "classic" or in the historical or popular repertoire despite not having been produced on Broadway. The award goes to the producers of the play. In addition, as of 2019, authors are also eligible for the award for shows that are considered revivals but that have not previously appeared on Broadway.
The Tony Award for Best Book of a Musical is awarded to librettists of the spoken, non-sung dialogue, and storyline of a musical play. Eligibility is restricted to works with original narrative framework; plotless revues and revivals are ineligible. This award was originally called the Tony Award for Best Author, until musicals were split off from dramas.
The Tony Award for Best Original Score is the Tony Award given to the composers and lyricists of the best original score written for a musical or play in that year. The score consists of music and/or lyrics. To be eligible, a score must be written specifically for the theatre and must be original; compilations of non-theatrical music or compilations of earlier theatrical music are not eligible for consideration.
The Tony Award for Best Performance by a Featured Actress in a Musical is an honor presented at the Tony Awards, a ceremony established in 1947 as the Antoinette Perry Awards for Excellence in Theatre, to actresses for quality featured roles in a musical play, whether a new production or a revival. The awards are named after Antoinette Perry, an American actress who died in 1946.
The Tony Award for Best Performance by a Leading Actor in a Musical is an honor presented at the Tony Awards, a ceremony established in 1947 as the Antoinette Perry Awards for Excellence in Theatre, to actors for quality leading roles in a musical play, whether a new production or a revival. The awards are named after Antoinette Perry, an American actress who died in 1946.
The Tony Award for Best Direction of a Musical has been given since 1960. Before 1960 there was only one award for both play direction and musical direction, then in 1960 the award was split into two categories: Dramatic and Musical.
The Tony Awards for Best Sound Design of a Play and Best Sound Design of a Musical recognize excellence in sound design for Broadway theatre. They were first given in the 2007–2008 season. In 2014, the Tony Awards Administration Committee announced that starting with the 2014–2015 season the Tony Awards for Best Sound Design of a Play and of a Musical would be eliminated. In 2017, the committee announced that the two Sound Design awards would again be presented starting in the 2017–2018 season.
Stewart F. Lane is a Broadway producer, director, playwright and former actor. He has also written books, including Let's Put on a Show! and Jews of Broadway. He has also produced in Dublin. In addition to publishing two plays, he has directed across the country, working with Stephen Baldwin, Shannen Doherty, Chazz Palminteri, and more. He is co-owner of the Palace Theatre (Broadway) with the Nederlander Organization and a partner in the Tribeca Grill with Robert De Niro, Sean Penn and Mikhail Baryshnikov. He has written three books: Let's Put on a Show!, Jews on Broadway: An Historical Survey of Performers, Playwrights, Composers, Lyricists and Producers, and Black Broadway: African Americans on the Great White Way.
The Drama Desk Award for Outstanding Revival of a Play is an annual award presented by Drama Desk in recognition of achievements in the theatre across collective Broadway, off-Broadway and off-off-Broadway productions in New York City. The award was first presented at the 1993 ceremony, after Drama Desk retired the Outstanding Revival (1955–1992), a singular award covering achievement by either a play or a musical production. The accompanying category Revival of a Musical was also created, though it was first presented at the 1994 ceremony.
The Drama Desk Award for Outstanding Revival of a Musical is an annual award presented by Drama Desk in recognition of achievements in the theatre across collective Broadway, off-Broadway and off-off-Broadway productions in New York City. The award was first presented at the 1994 ceremony, after Drama Desk retired the Outstanding Revival category (1955–1992), a singular award covering achievement by either a play or a musical production. The accompanying Drama Desk Award for Outstanding Revival of a Play was also created, though it was first presented at the 1993 ceremony.
Tony Award for Best Scenic Design in a Play is an award for outstanding set design of a play. The award was first presented in 1960 after the category of Best Scenic Design was divided into Scenic Design in a Play and Scenic Design in a Musical with each genre receiving its own award. Between 1962 and 2004, the award was re-combined to Best Scenic Design before being split again in 2005.
Tony Award for Best Scenic Design in a Musical is an award for outstanding set design of a musical. The award was first presented in 1960 after the category of Best Scenic Design was divided into Scenic Design in a Play and Scenic Design in a Musical with each genre receiving its own award. Between 1962 and 2004, the award was re-combined to Best Scenic Design before being split again in 2005.
Tony Award for Best Costume Design in a Play is an award for outstanding costume design of a play. The award was first presented in 1961 after the category of Best Costume Design was divided into Costume Design in a Play and Costume Design in a Musical with each genre receiving its own award.
This is a list of winners and nominations for the Tony Award for Best Costume Design in a Musical for outstanding costume design of a musical. The award was first presented in 1961 after the category of Best Costume Design was divided into Costume Design in a Play and Costume Design in a Musical with each genre receiving its own award. That lasted for only one year, but the Costume Design category was split in two again in 2005 and has remained that way since.
This is a list of winners and nominations for the Tony Award for Best Lighting Design in a Play for outstanding Lighting design of a play. The award was first presented in 2005 after the category of Best Lighting Design was divided into Lighting Design in a Play and Lighting Design in a Musical with each genre receiving its own award.
Tony Award for Best Lighting Design in a Musical is an award for outstanding Lighting design of a musical. The award was first presented in 2005 after the category of Best Lighting Design was divided into Lighting Design in a Play and Lighting Design in a Musical with each genre receiving its own award.
Neil Austin is an English lighting designer. He has won two Olivier Awards and three Tony Awards and is the lighting designer for Harry Potter and the Cursed Child, for which he has won an Olivier, Tony, Drama Desk, Helpmann, Outer Critics Circle and WhatsOnStage Award.