The Rose Tattoo is a three-act play written by Tennessee Williams in 1949 and 1950; after its Chicago premiere on December 29, 1950, he made further revisions to the play for its Broadway premiere on February 2, 1951, and its publication by New Directions the following month. A film adaptation was released in 1955. The Rose Tattoo tells the story of an Italian-American widow in Mississippi who has withdrawn from the world after her husband's death and expects her daughter to do the same.
Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder.
Death of a Salesman is a 1949 stage play written by American playwright Arthur Miller. The play premiered on Broadway in February 1949, running for 742 performances. It is a two-act tragedy set in late 1940s Brooklyn told through a montage of memories, dreams, and arguments of the protagonist Willy Loman, a travelling salesman who is despondent with his life, and appears to be slipping into senility. The play addresses a variety of themes, such as the American Dream, the anatomy of truth, and infidelity. It won the 1949 Pulitzer Prize for Drama and Tony Award for Best Play. It is considered by some critics to be one of the greatest plays of the 20th century. The play was selected as one of the best plays of 1948-1949, with an excerpted version published in "The Burns Mantle Best Plays of 1948-1949."
Laura Elizabeth Metcalf is an American actress and comedian. Often described as a character actor, she is known for her complex and versatile roles across the stage and screen. She has received various accolades throughout her career spanning over four decades, including two Tony Awards and four Primetime Emmy Awards, in addition to nominations for an Academy Award, a BAFTA Award, and three Golden Globe Awards.
American Buffalo is a 1975 play by American playwright David Mamet that had its premiere in a showcase production at the Goodman Theatre, Chicago. After two additional showcase productions, it opened on Broadway in 1977.
The Bernard B. Jacobs Theatre is a Broadway theater at 242 West 45th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1927, the theater was designed by Herbert J. Krapp in a Spanish style and was built for real-estate developer Irwin S. Chanin. It has 1,100 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks.
The August Wilson Theatre is a Broadway theater at 245 West 52nd Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, the theater was designed by C. Howard Crane and Kenneth Franzheim and was built for the Theatre Guild. It is named for Pulitzer Prize-winning playwright August Wilson (1945–2005). The August Wilson has approximately 1,225 seats across two levels and is operated by Jujamcyn Theaters. The facade is a New York City designated landmark.
Awake and Sing! is a drama written by American playwright Clifford Odets. The play was initially produced by The Group Theatre in 1935.
The Circle in the Square Theatre is a Broadway theater at 235 West 50th Street, within the basement of Paramount Plaza, in the Midtown Manhattan neighborhood of New York City. The current Broadway theater, completed in 1972, is the successor of an off-Broadway theater of the same name, co-founded around 1950 by a group that included Theodore Mann and José Quintero. The Broadway venue was designed by Allen Sayles; it originally contained 650 seats and uses a thrust stage that extends into the audience on three sides.
The Walter Kerr Theatre, previously the Ritz Theatre, is a Broadway theater at 219 West 48th Street in the Theater District of Midtown Manhattan in New York City. The theater was designed by Herbert J. Krapp and was constructed for the Shubert brothers in 1921. The venue, renamed in 1990 after theatrical critic Walter Kerr, has 975 seats across three levels and is operated by Jujamcyn Theaters. The facade is plainly designed and is made of patterned brick. The auditorium contains Adam-style detailing, two balconies, and murals.
The Gerald Schoenfeld Theatre, formerly the Plymouth Theatre, is a Broadway theater at 236 West 45th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1917, the theater was designed by Herbert J. Krapp and was built for the Shubert brothers. The Schoenfeld Theatre is named for Gerald Schoenfeld, longtime president of the Shubert Organization, which operates the theater. It has 1,079 seats across two levels. Both the facade and the auditorium interior are New York City landmarks.
The Nederlander Theatre is a Broadway theater at 208 West 41st Street in the Theater District of Midtown Manhattan in New York City. Opened in 1921, it was designed by William Neil Smith for theatrical operator Walter C. Jordan. It has around 1,235 seats across two levels and is operated by the Nederlander Organization. Since 1980, it has been named for American theater impresario David Tobias Nederlander, father of theatrical producer James M. Nederlander. It is the southernmost Broadway theater in the Theater District.
The Booth Theatre is a Broadway theater at 222 West 45th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1913, the theater was designed by Henry Beaumont Herts in the Italian Renaissance style and was built for the Shubert brothers. The venue was originally operated by Winthrop Ames, who named it for 19th-century American actor Edwin Booth. It has 800 seats across two levels and is operated by The Shubert Organization. The facade and parts of the interior are New York City landmarks.
The Ambassador Theatre is a Broadway theater at 219 West 49th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1921, the Ambassador Theatre was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It has 1,125 seats across two levels and is operated by The Shubert Organization. The auditorium interior is a New York City designated landmark.
The Stephen Sondheim Theatre, formerly Henry Miller's Theatre, is a Broadway theater at 124 West 43rd Street in the Theater District of Midtown Manhattan in New York City. Owned by the Durst Organization and managed by the Roundabout Theatre Company, the modern 1,055-seat theater opened in 2009 at the base of the Bank of America Tower. The current theater is mostly underground and was designed by Cookfox, architects of the Bank of America Tower. It retains the landmarked facade of the original Henry Miller's Theatre, which was built in 1918 by Henry Miller, the actor and producer.
Twentieth Century is a 1932 play by Ben Hecht and Charles MacArthur based on the unproduced play Napoleon of Broadway by Charles B. Millholland, inspired by his experience working for the eccentric Broadway impresario David Belasco.
Jack O'Brien is an American director, producer, writer and lyricist. He served as the Artistic Director of the Old Globe Theatre in San Diego, California from 1981 through the end of 2007.
Maryann Plunkett is an American actress and singer. Plunkett has performed on the stage both on Broadway and Off-Broadway. She has appeared in the entire play cycle of Richard Nelson's Apple Family Plays. In 1987, she won the Tony Award for Best Leading Actress in a Musical for her performance as Sally Smith in Me and My Girl.
The Heiress is a 1947 play by American playwrights Ruth and Augustus Goetz adapted from the 1880 Henry James novel Washington Square. Two years later, the play was adapted into the film The Heiress starring Olivia de Havilland.
The Philanthropist is a play by Christopher Hampton, written as a response to Molière's The Misanthrope. After opening at the Royal Court Theatre, London in August 1970, the piece, directed by Robert Kidd, transferred to the May Fair Theatre in the West End and ran there for over three years, subsequently going on a regional tour in 1974. In the meantime, the play, directed once again by Kidd, premiered on Broadway in March 1971, running till May of the same year. Kidd had previously collaborated with Hampton on When Did You Last See Your Mother? (1964), which had also been staged at the Royal Court Theatre.
