Address | 1101 Sixth Street Southwest, Washington, D.C. United States |
---|---|
Coordinates | 38°52′38″N77°01′13″W / 38.8772°N 77.0203°W |
Public transit | Waterfront station (Washington Metro) Metrobus (Washington, D.C.) |
Operator | Molly Smith, Edgar Dobie |
Genre(s) | American Plays & Playwrights |
Capacity | 1,392 |
Construction | |
Opened | 1950 |
Renovated | 2008–2010 |
Years active | 1950–present |
Website | |
arenastage |
Arena Stage is a not-for-profit regional theater based in Southwest, Washington, D.C. Established in 1950, it was the first racially integrated theater in Washington, D.C., [1] and its founders helped start the U.S. regional theater movement. [2] [3] It has three stages. The Artistic Director is Hana S. Sharif. It is the largest company in the country dedicated to American plays and playwrights. [4] Arena Stage commissions and develops new plays. Its productions have received numerous local and national awards, including the Tony Award for best regional theater and over 600 Helen Hayes Awards. [5]
The current Artistic Director is Hana S. Sharif. [6] It is the largest company in the country dedicated to American plays and playwrights. [4] Arena Stage commissions and develops new plays through its Power Plays initiative. [7] The company serves an annual audience of more than 300,000. [8] [5] Its productions have received numerous local and national awards, including the Tony Award for best regional theater [9] and over 600 Helen Hayes Awards. [10] [5] [11]
The company was founded in Washington, D.C., in 1950 by Zelda and Thomas Fichandler and Edward Mangum. [12] [13] Its first home was the Hippodrome Theatre, [4] [1] a former movie house. [14] In 1956, the company moved into the gymnasium of the old Heurich Brewery in Foggy Bottom; the theater was nicknamed "The Old Vat." [15]
In 1960, the company moved into its current complex on Sixth Street, which was designed for them by Chicago architect Harry Weese. [4] He also designed the Arena's Kreeger Theater, which opened in 1970. [1] In 1966, Robert Alexander joined the company and created the Living Stage as a social outreach improvisational theater. [14] From 2008 to 2010, the complex was renovated and a third theatre was added, together with a variety of support spaces. The new complex, with the theatres under a glass skin, was named as the Mead Center for American Theater. Its outdoor terrace overlooks the Southwest Waterfront.
Arena was the first theatre in D.C. to be racially integrated. [16] [17] [18] Its production The Great White Hope , which opened at Arena Stage in 1967, was transferred to Broadway with its original cast, including James Earl Jones and Jane Alexander in the lead roles. [1] [19] Arena was the first regional theater to transfer a production to Broadway. [1] [19] When Arena Stage reprised the play in 2000 as part of its 50th-anniversary celebration, Mahershala Ali was cast as the male lead. [20] It was his first professional role. [20]
In 1968, the company received a $250,000 grant from the Ford Foundation. [21] Part of it was to be used for the training of black actors. [21] In 1987, Arena hosted a symposium on nontraditional casting. [22] In 1989, the company received a $1 million grant from the National Endowment for the Arts to train minority actors, directors, designers and administrators, and to produce plays from non-white cultures. [22] [2]
In the latter half of the 20th century, the company traveled abroad. In 1973, they performed Thornton Wilder's Our Town and Jerome Lawrence and Robert E. Lee's Inherit the Wind in the Soviet Union after being encouraged by the U.S. State Department to do so. [14] [2] This made them the first regional theater to present U.S. plays in the USSR. [1]
In 1980 Arena Stage was the first American theater company to be invited to the Hong Kong Arts Festival. It attended the Israel Festival in Jerusalem in 1987. [14] In the U.S., to promote cultural diversity, Zelda Fichandler included plays from the Soviet Union, Romania, Poland, Hungary, Austria, East and West Germany, France, Switzerland, England, Canada, and Australia in the theater's repertoire. [2] In 1991, Arena raised $4 million for a cultural diversity grant. [2] This became the Allen Lee Hughes Fellowship Program. [2]
In 1981, Arena developed Audio Description for visually impaired audience members. [2] This made the company the first theater to create audio-described performances. [2]
In 1976, Arena Stage became the first theater outside New York to receive a special Tony Award for theatrical excellence. [14] [9]
In 2016, artistic director Molly Smith announced the Power Plays initiative to commission 25 original plays and musicals over the next 10 years to showcase American history from 1776 to modern day. [23] [24] These have included works by Jacqueline Lawton, Eve Ensler, Rajiv Joseph, Mary Kathryn Nagle, Sarah Ruhl, Lawrence Wright, Eduardo Machado, Aaron Posner, John Strand, Craig Lucas, Kenneth Lin, and Nathan Alan Davis. [25] [23]
During the coronavirus pandemic, Arena Stage launched the Artists Marketplace as a way for people to commission or purchase work from the artists who have worked with the company. [26] [27]
The company also produced three films: May 22, 2020, a docudrama that follows D.C.-Maryland-Virginia residents and captures a day in their lives during the pandemic; [28] Inside Voices, which features the stories of kids during the pandemic; [29] and The 51st State, about D.C. statehood issues. [30]
In 2021, the company released a three-part commissioned music series called Arena Riffs as part of its reopening. [27] [31]
Date | Event | Source |
---|---|---|
1950 | Arena Stage is founded as the first racially integrated theatre in Washington, D.C. | [13] |
1959 | Arena Stage becomes a not-for-profit | [14] [2] |
1961 | The company's new complex, designed by Harry Weese, opens | [14] [4] |
1967 | The Great White Hope featuring James Earl Jones and Jane Alexander debuts | [19] |
1971 | The company's Kreeger Theater opens | [14] |
1973 | Arena is the first regional theater to tour behind the Iron Curtain | [1] |
1976 | The company is awarded the Special Tony Award for Outstanding Regional Theater | [9] |
1980 | Arena Stage is the first American theater company invited to the international Hong Kong Arts Festival | [2] |
1981 | The company develops Audio Description for visually impaired audiences | [2] |
1982 | Premier of Patrick Meyers' K2 | [14] |
1985 | The creation of a resident acting company | [14] |
1987 | The company attends the Israel Festival in Jerusalem and presents The Crucible | [14] |
1994 | The Price breaks existing box office records | [14] |
2009 | Launch of the American Voices New Play Institute | [7] |
2010 | The Price breaks existing box office records | [13] [32] |
2015 | Dear Evan Hansen premieres at Arena Stage | [33] |
2016 | Commissioning of 25 original works announced under the Power Plays initiative | [13] [12] |
2017 | Dear Evan Hansen wins 6 Tony Awards, including Best Musical | [34] |
A major renovation of the facility was undertaken from 2008 through 2010. [32] The architect for the project was Bing Thom Architects of Vancouver, British Columbia, Canada, who contracted Fast + Epp consulting engineers to design the main columns for the building. [35] During the renovation, Arena Stage temporarily moved to the Crystal Forum and the Lincoln Theatre. [13]
The Arena's existing theaters, the Fichandler Stage and the Kreeger Theater, were enclosed under a glass "skin" together with a new theater, the Arlene and Robert Kogod Cradle. [13] The entire $135 million complex was renamed "Arena Stage at the Mead Center for American Theater" in honor of supporters Gilbert and Jaylee Mead. [36] [37] The new building also includes a central lobby, restaurant, and the Catwalk Cafe, and such support spaces as rehearsal rooms, classrooms, production shops, and offices. [38] [39] [40] [41] The restaurant, Richard's Place, is closed for the 2021–2022 season. [42]
For the first time in the company's history, all staff and operations were joined under one unifying roof. [39] [37] The three-stage theater complex is now the second-largest performing arts center in Washington, DC, after the Kennedy Center for the Performing Arts. It is the largest regional theater in D.C. [5] [39] Arena Stage re-opened in October 2010 with Oklahoma!. [13] [2]
The capacity of its three theaters follows:
One of the founders, Zelda Fichandler, was the company's artistic director [13] from its founding through the 1990/91 season. [4] Douglas C. Wager [13] succeeded her for the 1991/92 through 1997/98 seasons. [14] Molly Smith, assumed those duties beginning with the 1998/99 season. [13] [44] In June 2022, she announced she would retire and leave Arena Stage in July 2023. [13] [44] The current Artistic Director is Hana S. Sharif.
The Washingtonian magazine, as part of its 50th anniversary commemoration, identified the Arena Stage's 1967 production of The Great White Hope as one of "50 Moments That Shaped Washington, DC". [19] The play received a lot of attention, some of it negative, because it featured an interracial relationship between James Earl Jones, then a new actor, and Jane Alexander. [19] It was one of the first regional-theater productions to move to Broadway. There the production won several Tony Awards, and a Pulitzer Prize. It was also adapted as a film. [19] Zelda Fichandler worked with the writer of the play for a year to make it production-ready. [1] The Arena did not earn a share of the play's Broadway and film profits. [1]
A collection of the Arena Stage Records and materials is housed at the George Mason University Special Collections Research Center. [45] The Research Center also houses materials related to individuals involved with the theater, including personal records of Zelda Fichandler's, Thomas Fichandler's papers, the Ken Kitch papers, and materials relating to the Living Stage. [45]
Awake and Sing! is a drama play written by American playwright Clifford Odets. The play was initially produced by The Group Theatre in 1935.
Michael Kahn CBE is an American theater director and drama educator. He was the artistic director of the Shakespeare Theatre Company in Washington, D.C. from 1986 until his retirement in 2019. He held the position of Richard Rodgers Director of the Drama Division of the Juilliard School from 1992 to 2006.
The American Shakespeare Center (ASC) is a regional theatre company located in Staunton, Virginia, that focuses on the plays of William Shakespeare; his contemporaries Ben Jonson, Beaumont and Fletcher, Christopher Marlowe; and works related to Shakespeare, like James Goldman's The Lion in Winter and Bob Carlton's Return to the Forbidden Planet.
Tazewell Thompson is an American theatre director, the former artistic director of the Westport Country Playhouse (2006–07) in Westport, Connecticut and the Syracuse Stage (1992–95) in New York state. Prior to that he was an assistant director at Arena Stage in Washington, D.C. He is the Director of Opera Studies at Manhattan School of Music.
Zelda Fichandler was an American stage producer, director and educator.
Bill Rauch is an American theatre director. He was named the inaugural artistic director of the Ronald O. Perelman Performing Arts Center (PACNYC) at the World Trade Center in 2018. The Perelman was the final piece of the plan to revitalize the World Trade Center site.
Signature Theatre is a Tony Award-winning regional theater company based in Arlington, Virginia.
Molly Smith is an American theatre director and the artistic director of Arena Stage in Washington, D.C. from 1998 to 2023. During this period, she emphasized promoting new American plays, playwrights, and voices, producing 200 works. In addition, she helped originate 150 works by workshops and commissions at the Arena.
Stephen Sachs is an American stage director and playwright. He is the co-artistic director of the Fountain Theatre in Los Angeles, which he co-founded in 1990.
Theater J is a professional theater company located in Washington, DC, founded to present works that "celebrate the distinctive urban voice and social vision that are part of the Jewish cultural legacy".
Wendy C. Goldberg is an American theatre director and the current Artistic Director of the National Playwrights Conference at The Eugene O'Neill Theater Center. Under Goldberg's tenure, The O'Neill was awarded the 2010 Regional Theatre Tony Award, the first play development and education organization to receive this honor. Goldberg is the first woman to run the Playwrights Conference and was named Artistic Director when she was just 31 years old.
The Actor's Workshop was a theatre company founded in San Francisco in 1952. It was the first professional theatre on the west coast to premiere many of the modern American classics such as Arthur Miller's Death of a Salesman and The Crucible, and the world dramas of Samuel Beckett, Bertolt Brecht, Jean Genet and Harold Pinter. For the 1953–1954 season, the Workshop offered six plays: Lysistrata, by Aristophanes; Venus Observed, by Christopher Fry; Death of a Salesman, by Arthur Miller; a revival of Playboy; The Cherry Orchard, by Anton Chekhov; and Tonight at 8.30, by Noël Coward. On April 15, 1955, the Actor's Workshop signed the first Off-Broadway Equity contract to be awarded outside New York City.
Michael Halberstam is an American stage actor and director. He co-founded the Writers Theatre in Glencoe, Illinois, and served as its artistic director until 2021. He resigned after years of reported harassment and abuse from artists working at the theater.
Michael Murray is an American stage director, producer and educator. He is one of the early leaders of the Regional Theatre Movement. Murray was co-founder of the Charles Playhouse in Boston, MA. and served as its Artistic Director for eleven years (1957–1968). Murray was the Artistic Director of the Cincinnati Playhouse in the Park (1975–1985). In addition, he directed productions Off-Broadway in New York and at many regional theaters, including the Hartford Stage Company, Center Stage Baltimore, the Philadelphia Drama Guild, and the Huntington Theatre Company. He held the position of Chair of the Theatre Arts Department of Brandeis University (1986–2003).
Lisa Portes is a director, educator, and advocate. She heads of the MFA Directing program at The Theatre School at DePaul University. She serves on the board of the Theatre Communications Group, the Executive Board of the Society of Stage Directors and Choreographers, and is a founding member of the Latinx Theater Commons.
Joseph Haj is an American artistic director and actor who is the eighth artistic director of the Guthrie Theater. Before joining the Guthrie, he worked at PlayMakers Repertory Company.
Writers Theatre is a non-profit theatre company founded in 1992 and located in Glencoe, Illinois. Michael W. Halberstam, the founder of the company, was an artistic director from its inception in 2021. Kathryn M. Lipuma has been an executive director since 2007.
Allen Lee Hughes is an American lighting designer for theater, dance, and opera. He has a long association with Arena Stage in Washington, D.C., where the fellowship and internship program is named in his honor. Hughes is a four time Tony Award nominee.
Vivienne Benesch is a theatre director and former artistic director of the Chautauqua Theatre who is currently artistic director at North Carolina's PlayMakers Repertory Company, a position she has held since 2016. As part of her work at PlayMakers, Benesch focuses on amplifying the work of women playwrights through their @PLAY program.
{{cite web}}
: |last=
has generic name (help){{cite web}}
: |last=
has generic name (help){{cite web}}
: |last=
has generic name (help){{cite web}}
: |last=
has generic name (help)