The Book of Margery Kempe is a medieval text attributed to Margery Kempe, an English Christian mystic and pilgrim who lived at the turn of the fifteenth century. It details Kempe's life, her travels, her accounts of divine revelation including her visions of interacting with the Trinity, particularly Jesus, as well as other biblical figures. These interactions take place through a strong mental connection forged between Kempe and said biblical figures. The book is also notable for her claim to be present at key biblical events such as the Nativity, shown in chapter six of Book I, [1] and the Crucifixion. [2]
Kempe's book is written in the third person, employing the phrase "this creature" when referring to Kempe in order to display humility before God, via the distancing from her self by abandoning the first-person narrative form. It is structured into two "books" totaling 6,047 lines. The first book contains 5,246 lines and the second book has 801 lines. [3] [4] [5] Kempe claimed to be illiterate and her book was dictated to two scribes who set it down. Modern editions of Kempe's book are based on a manuscript copied by a scribe named Salthows sometime in the fifteenth century. The original manuscript has been lost. Recent research by Anthony Bale suggests that Salthows was Richard Salthouse, a monk at Norwich’s cathedral priory. [6]
The manuscript, then owned by Colonel W. Butler-Bowdon, was found in a country-house in Derbyshire in the early 1930s, and was identified as Margery Kempe’s book by Hope Emily Allen in 1934, who was instrumental in the publication of the second modern, and first scholarly, edition of the text. [7] In June 1980, the manuscript was purchased by the British Library from Captain Maurice E. Butler Bowdon (1910-1984), at an auction held by Sotheby's in London. [8]
Prior to the discovery of the full text, all that was known of Kempe's book were pamphlets published by Wynkyn de Worde in 1501 and Henry Pepwell in 1521 which contained excerpts from The Book of Margery Kempe. Kempe's book is widely cited as the first autobiography in English. However, scholars disagree on whether it can accurately be called an autobiography, or whether it would be more accurately classified as a confession of faith or autohagiography. [9] [10] There has been some discussion about conceptualizing Margery Kempe as a character or persona instead of treating the book as purely autobiographical, similarly to how Geoffrey Chaucer as an author differs from Chaucer the character in The Canterbury Tales. [11]
The Book of Margery Kempe is in the possession of the British Library. The manuscript has been digitized and can can be viewed online. [12] Written in Gothic Cursive hand, it consists of 124 folio pages, measuring 205 x 140mm. Four distinct hands have been identified writing annotations and making illustrations within the marginalia of the manuscript, the most recognizable script being one made in red ink. [5] It could be concluded through the effort of making of these annotations that Kempe's book was frequently used and valued as a text, perhaps its contents viewed with admiration for its religious fervor. The underlining and highlighting by various hands demonstrates the aspects of her text that are valued, perhaps even to draw away from Kempe's more radical and disruptive facets. [11]
The Canterbury Tales is a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. It is widely regarded as Chaucer's magnum opus. The tales are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.
Geoffrey Chaucer was an English poet, author, and civil servant best known for The Canterbury Tales. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son, Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.
Julian of Norwich, also known as Juliana of Norwich, the Lady Julian, Dame Julian or Mother Julian, was an English anchoress of the Middle Ages. Her writings, now known as Revelations of Divine Love, are the earliest surviving English-language works attributed to a woman. They are also the only surviving English-language works by an anchoress.
Margery Kempe was an English Christian mystic, known for writing through dictation The Book of Margery Kempe, a work considered by some to be the first autobiography in the English language. Her book chronicles her domestic tribulations, her extensive pilgrimages to holy sites in Europe and the Holy Land, as well as her mystical conversations with God. She is honoured in the Anglican Communion, but has not been canonised as a Catholic saint.
The Textus Roffensis, fully titled the Textus de Ecclesia Roffensi per Ernulphum episcopum and sometimes also known as the Annals of Rochester, is a mediaeval manuscript that consists of two separate works written between 1122 and 1124. It is catalogued as "Rochester Cathedral Library, MS A.3.5" and as of 2023 is currently on display in a new exhibition at Rochester Cathedral in Rochester, Kent. It is thought that the main text of both manuscripts was written by a single scribe, although the English glosses to the two Latin entries were made by a second hand. The annotations might indicate that the manuscript was consulted in some post-Conquest trials. However, the glosses are very sparse and just clarify a few uncertain terms. For example, the entry on f. 67r merely explains that the triplex iudiciu(m) is called in English, ofraceth ordel.
The Ellesmere Chaucer, or Ellesmere Manuscript of the Canterbury Tales, is an early 15th-century illuminated manuscript of Geoffrey Chaucer's Canterbury Tales, owned by the Huntington Library, in San Marino, California. It is considered one of the most significant copies of the Tales.
The Hengwrt Chaucer manuscript is an early-15th-century manuscript of the Canterbury Tales, held in the National Library of Wales, in Aberystwyth. It is an important source for Chaucer's text, and was possibly written by someone with access to an original authorial holograph, now lost.
Thomas Chestre was the author of a 14th-century Middle English romance Sir Launfal, a verse romance of 1045 lines based ultimately on Marie de France's Breton lay Lanval. He was possibly also the author of the 2200-line Libeaus Desconus, a story of Sir Gawain's son Gingalain based upon similar traditions to those that inspired Renaut de Beaujeu's late-12th-century or early-13th-century Old French romance Le Bel Inconnu, and also possibly of a Middle English retelling of the mid-13th-century Old French romance Octavian. Geoffrey Chaucer parodied Libeaus Desconus, among other Middle English romances, in his Canterbury Tale of Sir Thopas.
Elaine of Astolat, also known as Elayne of Ascolat and other variants of the name, is a figure in Arthurian legend. She is a lady from the castle of Astolat who dies of her unrequited love for Sir Lancelot. Well-known versions of her story appear in Sir Thomas Malory's 1485 book Le Morte d'Arthur, Alfred, Lord Tennyson's mid-19th-century Idylls of the King, and Tennyson's poem "The Lady of Shalott". She should not be confused with Elaine of Corbenic, the mother of Galahad by Lancelot.
Jessie Marion King was a Scottish illustrator known for her illustrated children's books. She also designed bookplates, jewellery and fabric, and painted pottery. King was one of the artists known as the Glasgow Girls. She was described in 1927 in the Aberdeen Press and Journal as "the pioneer of batik in Great Britain".
Hope Emily Allen (1883–1960), was an American medievalist who is best known for her research on the 14th-century English mystic Richard Rolle and for her discovery of a manuscript of the Book of Margery Kempe.
The Tournament of Tottenham is a short humorous poem of 231 lines written in Middle English and is dated between 1400 and 1440. There are three known manuscripts for the poem: Harley 5396 (H), 1456 in the British Library, Ff. V. 48 (C), 1431 in the Cambridge University Library, and English 590 (E) in Harvard University's Houghton Library. The dialect has been identified as Northern English. The line is alliterative, either emulating or parodying older Germanic metrical styles. The author is unknown.
The King of Tars is a medieval English chivalric romance, an amplified version of the oldest variant found in the Reimchronik, which is found in three manuscripts including the Auchinleck manuscript. It dates from c. 1330, or perhaps earlier. It contains many specific religious phrases, and is consistently religious in intent. In addition, The King of Tars exhibits attributes of other genres typical of the medieval period, including hagiography, political drama, and miracle tale.
Harley MS 7334, sometimes known as the Harley Manuscript, is a mediaeval manuscript of Chaucer's Canterbury Tales held in the Harleian Collection of the British Library.
The Harley Lyrics is the usual name for a collection of lyrics in Middle English, Anglo Norman, and Latin found in Harley MS 2253, a manuscript dated ca. 1340 in the British Library's Harleian Collection. The lyrics contain "both religious and secular material, in prose and verse and in a wide variety of genres." The manuscript is written in three recognisable hands: scribe A, scribe B or the Ludlow scribe, and scribe C.
Carolyn Dinshaw is an American academic and author, who has specialised in issues of gender and sexuality in the medieval context.
Sebastian Sobecki is a medievalist specialising in English literature, history, and manuscript studies.
The Forresters Manuscript is a quarto book of 21 English Robin Hood ballads, believed to have been written sometime in the 1670s. It's named the Forresters Manuscript after the first and last ballads in the book, which are both titled in the book, Robin Hood and the Forresters.This manuscript remained undiscovered and unknown for over 300 years after it was written until it turned up at an auction house in 1993, where it was found by the Bristol bookseller A. R. Heath, sold to the London book-dealer Bernard Quaritch Ltd., and then came to rest in the British Library. It was then published for the first time in 1998 as Robin Hood: The Forresters Manuscript, edited by Stephen Knight.
Eleanor Prescott Hammond (1866–1933) was an American scholar of English literature, particularly Chaucer studies. She was born in Worcester, Massachusetts, which she left to study at the University of Leipzig. She then studied at Oxford under Arthur Sampson Napier, earning her B.A. in 1894. She obtained a Ph.D. at the University of Chicago in 1898, then taught there in the English department before leaving to become a schoolteacher and independent scholar. She also taught at Wellesley College. She never married, and died in Boston in 1933.