Breakfast of Champions, or Goodbye Blue Monday is a 1973 novel by the American author Kurt Vonnegut. His seventh novel, it is set predominantly in the fictional town of Midland City, Ohio, and focuses on two characters: Dwayne Hoover, a Midland resident, Pontiac dealer and affluent figure in the city, and Kilgore Trout, a widely published but mostly unknown science fiction author. Breakfast of Champions deals with themes of free will, suicide, and race relations, among others. The novel is full of drawings by the author, substituting descriptive language with depictions requiring no translation.
Breakfast of Champions tells the story of the events that lead up to the meeting of Kilgore Trout and Dwayne Hoover, the meeting itself, and the immediate aftermath. Trout is a struggling science fiction writer who, after their fateful meeting, becomes successful and wins a Nobel Prize; Hoover is a wealthy businessman who is going insane, sent over the brink by his encounter with Trout.
Trout, who believes himself to be completely unknown as a writer, answers an invitation to appear at the Midland City arts festival. First he goes to New York City, where he is abducted and beaten up by a group of anonymous, faceless characters who through the media gain the moniker "The Pluto Gang". Trout hitches a ride first with a truck driver, with whom he discusses everything from politics to sex to the destruction of the planet. Then he hops a ride with the only clearly happy character in the book, the driver of a Ford Galaxie who works for himself as a traveling salesman.
Hoover gradually becomes insane as the book progresses. He terrifies his employee at the Pontiac dealership, Harry LeSabre, by criticizing his clothes. LeSabre is afraid Hoover has discovered that he is a closeted transvestite. A recent prison parolee named Wayne Hoobler attempts to find work with Hoover, but is rebuffed. With nowhere else to go, Hoobler hangs around the car lot. Hoover then gets into a fight with his mistress and secretary, Francine Pefko, because he accuses her of asking him to buy her a Kentucky Fried Chicken franchise.
Trout and Hoover meet in the cocktail lounge of the new Holiday Inn, where Hoover's gay estranged son, Bunny, plays the piano. When the bartender turns on the black lights and Trout's white shirt glows brilliantly, Hoover is entranced by it. He accosts Trout and speed-reads his novel, Now It Can Be Told. The premise of the novel is that there is only one creature with free will in the universe (the reader of the novel) and everyone else is a robot. Hoover interprets its message as addressed to him from the Creator of the Universe and goes on a violent rampage, injuring many people around in the belief they are unfeeling robots, including Bunny, Pefko, and Trout. Hoover is eventually institutionalized and winds up a homeless derelict.
In the epilogue, Trout is released from the hospital after Hoover partly bit off his finger in the rampage, and is wandering back to the arts festival, which unbeknownst to him has been canceled. The narrator, who has become an interactive character in the universe of his own creation, watches Trout and then chases him down. He proves that he is the Creator of the Universe by sending Trout all around the world, through time and back. Then he returns to his own universe, presumably, through the "void", while Trout yells after him, "Make me young!"
Themes
Suicide, free will, mental illness, and social and economic cruelty are dealt with throughout the novel. In the preface, Vonnegut states that he tends "to think of human beings as huge, rubbery test tubes, too, with chemical reactions seething inside." As with Slaughterhouse-Five (1969) and The Sirens of Titan (1959), the nature of free will is called into question, in this case by considering mankind as biological machines, and physical measurements of characters are often given when they are introduced.
He attributes the mental illness of Dwayne Hoover and society at large to an abundance of "bad chemicals" in the brain which, when combined with bad ideas, formed "the Yin and Yang of madness." This idea, that humans are no more than machines, is contained within the novel Kilgore Trout gives to Dwayne Hoover. Both Trout and Vonnegut realize the power of bad ideas, with Vonnegut remarking how "natural it was for [people] to behave so abominably, and with such abominable results: They were doing their best to live like people invented in story books. This was the reason Americans shot each other so often: it was a convenient literary device for ending short stories and books." The view of humans as biological machines, initially accepted by Vonnegut, is counteracted by Rabo Karabekian, the abstract artist who suggests "Our awareness is all that is alive and maybe sacred in any of us. Everything else about us is dead machinery."
The novel is critical of American society and its treatment of its citizens, many of whom Vonnegut writes "were so ignored and cheated and insulted that they thought they might be in the wrong country." He focuses largely on race, the poor, and the destruction of the environment, criticizing the hypocrisy of a land that claims to be based on the principles of freedom having been founded by people who "used human beings for machinery, and, even after slavery was eliminated, because it was so embarrassing, they and their descendants continued to think of ordinary human beings as machines." The incidents in the life of Wayne Hoobler, a black resident of Midland City, are frequently contrasted with those of the similarly named Dwayne Hoover, emphasizing the aforementioned impact of race.
Style
The novel is simple in syntax and sentence structure, part of Vonnegut's signature style. Likewise, irony, sentimentality, black humor, and didacticism are prevalent throughout the work.[1] Like much of his oeuvre, Breakfast of Champions is broken into very small pieces, in this case separated by three dots. Vonnegut himself has claimed that his books "are essentially mosaics made up of a whole bunch of tiny little chips ... and each chip is a joke."[2] Characteristically, he makes heavy use of repetition, in this case starting many sections with "Listen" and ending many with "And so on."[3]
The novel is full of drawings by the author, intending to illustrate various aspects of life on Earth, are sometimes pertinent to the story line and sometimes tangential. They include renderings of an anus, flags, the date 1492, a beaver, a vulva, a flamingo, little girls' underpants, a torch, headstones, the yin-yang symbol, guns, trucks, cows and the hamburgers that are made from them, chickens and the Kentucky Fried Chicken that is made from them, an electric chair, the letters ETC, Christmas cards, a right hand that has a severed ring finger, the chemical structure of a plastic molecule, an apple, pi, zero, infinity, and the sunglasses the author himself wears as he enters the storyline.
Breakfast of Champions makes heavy use of metafiction, with Vonnegut appearing as the narrator/creator of the work, explaining why and how he makes this world as it is, changing things when and as he sees fit, and even being surprised by events.
The novel also makes use of intertextuality with Vonnegut's other works. In addition to Kilgore Trout, characters from other Vonnegut books which appear here include Eliot Rosewater and Rabo Karabekian. Rosewater was the main character in God Bless You, Mr. Rosewater (1965) and a minor character in Slaughterhouse-Five (1969), while Karabekian later became the main character in Bluebeard (1987). Hoover's secretary, Francine Pefko, previously appeared in Cat's Cradle (1963), where she performed secretarial duties at General Forge and Foundry, in Ilium, New York. (Pefko also appears in "Fubar", a story released posthumously in Look at the Birdie.) Vonnegut uses the name "Khashdrahr Miasma" for a minor character, in reference to a character in Player Piano. The vicious guard dog, Kazak, was Winston Niles Rumfoord's pet in The Sirens of Titan (1959) and Selena MacIntosh's guide dog in Galápagos (1985). Many of Midland City's inhabitants reappear in Deadeye Dick (1982), which locates the city in Ohio.
Background
Title
The title, taken from the well-known slogan for Wheaties breakfast cereal, crops up in a key scene late in the novel when a waitress, apparently ironically, says "Breakfast of Champions" each time she serves a customer a martini. Vonnegut, in his typical ironic manner, mocks the legal and copyright systems as he notes meticulously that Breakfast of Champions is a registered trademark of General Mills, Inc. for its breakfast cereal products, and that his use of the term is not "intended to disparage their fine products."
Vonnegut refers to himself as "Philboyd Studge" in the preface, a name which he claims his friend Knox Burger associated with cumbersome writing. The name appears to have been borrowed from a short story by Edwardian satirist Saki. ("Filboid Studge, the Story of the Mouse that Helped", describes the success of the eponymous breakfast food through bizarrely counter-intuitive advertising.)
Doubts about publication
According to a January 1971 article in The New York Times Magazine, "Vonnegut says repeatedly he is through writing novels... After Slaughterhouse-Five, Vonnegut began work on a novel called Breakfast of Champions, about a world in which everyone but a single man, the narrator, is a robot. He gave it up, however, and it remains unfinished. I asked him why, and he said, 'Because it was a piece of ----.'"[4] This view persisted, with Harlan Ellison claiming that Vonnegut's submission in the 1972 short-story anthology Again, Dangerous Visions, would be "the last new piece of fiction you will ever read by Kurt Vonnegut, Jr."[5] After the publication of Breakfast of Champions, Vonnegut stopped publishing short stories, and many believed he had given up writing altogether, with The New York Times book review stating
Vonnegut's persona gives up fiction before our very eyes.... When he self-destructs himself as a novelist by first warning us in the middle of his book that 'Once I understood what was making America such a dangerous, unhappy nation of people who had nothing to do with real life, I resolved to shun story-telling.'[6]
In the preface, Vonnegut states that as he reached his fiftieth birthday he felt a need to "clear his head of all the junk in there"—which includes the various subjects of his drawings, and the characters from his past novels and stories. To this end, he sprinkles plot descriptions for Trout's stories throughout the novel, illustrates the book with his own simple felt-tip pen drawings, and includes a number of characters from his other novels and short stories.
Reception
Breakfast of Champions spent a total of 56 weeks on The New York Times Best Seller list, 28 weeks for the hardcover edition and 28 for the paperback edition.[7] The novel was panned by The New York Times but received positive reviews from Time and Publishers Weekly.[6] Vonnegut himself was unhappy with Breakfast of Champions and gave it a C grade on a report card he made of his published work which was included in his 1981 collection Palm Sunday.[8] However, it remains one of his best-known and most influential works.[1]
Kurt Vonnegut was an American writer and humorist known for his satirical and darkly humorous novels. In a career spanning over 50 years, he published fourteen novels, three short-story collections, five plays, and five nonfiction works; further collections have been published after his death.
Slaughterhouse-Five, or, The Children's Crusade: A Duty-Dance with Death is a 1969 semi-autobiographic science fiction-infused anti-war novel by Kurt Vonnegut. It follows the life and experiences of Billy Pilgrim, from his early years, to his time as an American soldier and chaplain's assistant during World War II, to the post-war years, with Billy occasionally traveling through time. The text centers on Billy's capture by the German Army and his survival of the Allied firebombing of Dresden as a prisoner of war, an experience which Vonnegut himself lived through as an American serviceman. The work has been called an example of "unmatched moral clarity" and "one of the most enduring anti-war novels of all time".
Bluebeard, the Autobiography of Rabo Karabekian (1916–1988) is a 1987 novel by American author Kurt Vonnegut. It is told as a first-person narrative and describes the late years of fictional Abstract Expressionist painter Rabo Karabekian, who first appeared as a minor character in Vonnegut's Breakfast of Champions (1973). Circumstances of the novel bear rough resemblance to the fairy tale of Bluebeard popularized by Charles Perrault. Karabekian mentions this relationship once in the novel.
Timequake is a 1997 semi-autobiographical work by Kurt Vonnegut, Jr. Marketed as a novel, the book was described as a "stew" by Vonnegut, in which he summarizes a novel he had been struggling with for a number of years.
God Bless You, Mr. Rosewater, or Pearls Before Swine, Kurt Vonnegut's fifth novel, was published in 1965 by Holt, Rinehart and Winston and as a Dell mass-market paperback in 1970. A piece of postmodern satire, it gave context to Vonnegut's following novel, Slaughterhouse-Five and shared in its success.
Tralfamadore is the name of several fictional planets in the novels of Kurt Vonnegut. Details of the corresponding indigenous alien race, the Tralfamadorians, vary from novel to novel:
God Bless You, Dr. Kevorkian, by Kurt Vonnegut, is a collection of short fictional interviews written by Vonnegut and first broadcast on WNYC. The title parodies that of Vonnegut's 1965 novel God Bless You, Mr. Rosewater. It was published in book form in 1999.
Kilgore Trout is a fictional character created by author Kurt Vonnegut. Trout is a notably unsuccessful author of paperback science fiction novels.
Jailbird is a novel by Kurt Vonnegut, published in 1979. The book is regarded as Kurt Vonnegut's "Watergate novel."
Galápagos (1985) is the eleventh novel published by American author Kurt Vonnegut. Set in the Galápagos Islands after a global financial disaster, the novel questions the merit of the human brain from an evolutionary perspective. The title is both a reference to the islands on which part of the story plays out, and a tribute to Charles Darwin, on whose theory Vonnegut relies to reach his own conclusions. It was published by Delacorte Press.
Ilium is a fictional town in eastern New York state, used as a setting for many of Kurt Vonnegut's novels and stories, including Player Piano, Cat's Cradle, Slaughterhouse-Five, and the stories "Deer in the Works", "Poor Little Rich Town", and "Ed Luby's Key Club". The town is dominated by its major industry leader, the Ilium Works, which produces scientific marvels to assist, or possibly harm, human life. The Ilium Works is Vonnegut's symbol for the "impersonal corporate giant" with the power to alter humankind's destiny. The town has been compared to Zenith, the fictional setting in Sinclair Lewis's 1922 novel Babbitt.
Eliot Rosewater is a recurring character in the novels of American author Kurt Vonnegut. He appears throughout various novels as an alcoholic, and a philanthropist who claims to be a volunteer fireman. He runs the Rosewater Foundation, an organization created to keep the family's money in the family. He is among the few fans of the novels of Kilgore Trout.
Deadeye Dick is a novel by Kurt Vonnegut originally published in 1982.
Venus on the Half-Shell is a science fiction novel by American writer Philip José Farmer, writing pseudonymously as "Kilgore Trout", a fictional recurring character in many of the novels of Kurt Vonnegut. This book first appeared as a fictitious "excerpt"—attributed to Trout —in the ninth chapter of Vonnegut's God Bless You, Mr. Rosewater (1965). With Vonnegut's permission, Farmer expanded the fragment into an entire standalone novel. Farmer's story was first published in two parts beginning in the December 1974 issue of The Magazine of Fantasy and Science Fiction. The plot, in which Earth is destroyed by cosmic bureaucrats doing routine maintenance and the sole human survivor goes on a quest to find the "Definitive Answer to the Ultimate Question", was an inspiration for the plot of the later Hitchhiker's Guide to the Galaxy series.
Rabo Karabekian is a fictional character and the narrator and protagonist of the 1987 novel Bluebeard by American author Kurt Vonnegut.
The RAMJAC Corporation is a fictional multinational conglomerate, or megacorp, featured in several novels by Kurt Vonnegut. In Vonnegut's 1979 novel, Jailbird, the company at its height owns 19 percent of the United States, twice as large as the next largest conglomerate in the "Free World". Copyrights on Vonnegut's later books are also held by RAMJAC, much like Isaac Asimov's later copyrights are held by Nightfall, Inc.
Palm Sunday is a 1981 collection of short stories, speeches, essays, letters, and other previously unpublished works by Kurt Vonnegut.
Breakfast of Champions is a 1999 American satirical black comedy film adapted and directed by Alan Rudolph, from Kurt Vonnegut, Jr.'s 1973 novel of the same name. Though the producers entered it into the 49th Berlin International Film Festival, the film was negatively received by critics and was a box office bomb that was withdrawn from theatres before going into wide release. It has not yet been given a digital release.
"2 B R 0 2 B" is a science fiction short story by Kurt Vonnegut, originally published in the digest magazine If: Worlds of Science Fiction for January 1962, and collected in Vonnegut's Bagombo Snuff Box (1999). The title is pronounced "2 B R naught 2 B" and references the famous phrase "to be, or not to be" from William Shakespeare's Hamlet.
Kurt Vonnegut's God Bless You, Mr. Rosewater is a 1979 musical that marked the first collaboration of composer Alan Menken and writer Howard Ashman. Based on Kurt Vonnegut's 1965 novel of the same name, the musical tells the story of Eliot Rosewater, a millionaire who develops a social conscience and creates a foundation to improve the lives of the citizens of an impoverished Indiana town.
References
1 2 Westbrook, Perry D. "Kurt Vonnegut Jr.: Overview." Contemporary Novelists. Susan Windisch Brown. 6th ed. New York: St. James Press, 1996.
↑ Grossman, Edward. "Vonnegut & His Audience." Commentary (July 1974): 40–46. Rpt. in Contemporary Literary Criticism. Ed. Carolyn Riley and Phyllis Carmel Mendelson. Vol. 5. Detroit: Gale, 1976.
↑ Reed, Peter J. "The Later Vonnegut." Vonnegut in America: An Introduction to the Life and Work of Kurt Vonnegut. Ed. Jerome Klinkowitz and Donald L. Lawler. Delacorte Press, 1977. 150–184. Rpt. in Contemporary Literary Criticism. Ed. Dedria Bryfonski. Vol. 12. Detroit: Gale, 1980.Literature Resource Center. Web. 13 Nov. 2015.
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