Tralfamadore is the name of a fictional planet appearing in the novels of Kurt Vonnegut in inconsistently described variations. [1] It is variously depicted as being located outside of the Milky Way galaxy or being fictional within the fiction itself. [2]
Tralfamadore's inhabitants are described inconsistently across different works. [1] Robert Tally compared this to Vonnegut's habit of (re-)introducing characters that have the same names as characters in previous works, but where the details do not match. Tally concluded that Vonnegut—unlike e.g. J. R. R. Tolkien—was not interested in creating an internally consistent fictional universe across his oeuvre, but content with a broad-strokes approach. [11]
A recurring characteristic of the inhabitants of Tralfamadore is their low esteem of humanity. [3] [8] [9] Brian Stableford, considering the examples of Sirens of Titan and Slaughterhouse-Five, described the different Tralfamadorian races themselves as "tiny-minded smartasses" rendered impotent by their fatalistic worldview. [3] Vonnegut scholar Julia A. Whitehead saw the overall concept of Tralfamadore throughout the author's work as in "many ways [...] his own Eden", an escapist imagined home of happier beings. In her view the presentation of the Tralfamadorians with their deeper insights into "the science of nature [...] was Vonnegut's way of telling readers that humans don't know enough about each other and other life forms." [10]
Kurt Vonnegut was an American author known for his satirical and darkly humorous novels. His published work includes fourteen novels, three short-story collections, five plays, and five nonfiction works over fifty-plus years; further works have been published since his death.
Slaughterhouse-Five, or, The Children's Crusade: A Duty-Dance with Death is a 1969 semi-autobiographic science fiction-infused anti-war novel by Kurt Vonnegut. It follows the life experiences of Billy Pilgrim, from his early years, to his time as an American soldier and chaplain's assistant during World War II, to the post-war years. Throughout the novel, Billy frequently travels back and forth through time. The protagonist deals with a temporal crisis as a result of his post-war psychological trauma. The text centers on Billy's capture by the German Army and his survival of the Allied firebombing of Dresden as a prisoner of war, an experience that Vonnegut endured as an American serviceman. The work has been called an example of "unmatched moral clarity" and "one of the most enduring anti-war novels of all time".
Breakfast of Champions, or Goodbye Blue Monday is a 1973 novel by the American author Kurt Vonnegut. His seventh novel, it is set predominantly in the fictional town of Midland City, Ohio, and focuses on two characters: Dwayne Hoover, a Midland resident, Pontiac dealer and affluent figure in the city, and Kilgore Trout, a widely published but mostly unknown science fiction author. Breakfast of Champions deals with themes of free will, suicide, and race relations, among others. The novel is full of drawings by the author, substituting descriptive language with depictions requiring no translation.
The Sirens of Titan is a comic science fiction novel by Kurt Vonnegut Jr., first published in 1959. His second novel, it involves issues of free will, omniscience, and the overall purpose of human history, with much of the story revolving around a Martian invasion of Earth.
Player Piano is the debut novel by American writer Kurt Vonnegut Jr., published in 1952. The novel depicts a dystopia of automation partly inspired by the author's time working at General Electric, describing the negative impact technology can have on quality of life. The story takes place in a near-future society that is almost totally mechanized, eliminating the need for human laborers. The widespread mechanization creates conflict between the wealthy upper class, the engineers and managers, who keep society running, and the lower class, whose skills and purpose in society have been replaced by machines. The book uses irony and sentimentality, which were to become hallmarks developed further in Vonnegut's later works.
God Bless You, Mr. Rosewater, or Pearls Before Swine, Kurt Vonnegut's fifth novel, was published in 1965 by Holt, Rinehart and Winston and as a Dell mass-market paperback in 1970. A piece of postmodern satire, it gave context to Vonnegut's following novel, Slaughterhouse-Five, and shared in its success.
Kilgore Trout is a fictional character created by author Kurt Vonnegut (1922–2007). Trout is a notably unsuccessful author of paperback science fiction novels.
Ilium is a fictional town in eastern New York state, used as a setting for many of Kurt Vonnegut's novels and stories, including Player Piano, Cat's Cradle, Slaughterhouse-Five, and the stories "Deer in the Works", "Poor Little Rich Town", and "Ed Luby's Key Club". The town is dominated by its major industry leader, the Ilium Works, which produces scientific marvels to assist, or possibly harm, human life. The Ilium Works is Vonnegut's symbol for the "impersonal corporate giant" with the power to alter humankind's destiny. The town has been compared to Zenith, the fictional setting in Sinclair Lewis's 1922 novel Babbitt.
Eliot Rosewater is a recurring character in the novels of American author Kurt Vonnegut. He appears throughout various novels as an alcoholic, and a philanthropist who claims to be a volunteer fireman. He runs the Rosewater Foundation, an organization created to keep the family's money in the family. He is among the few fans of the novels of Kilgore Trout.
Hocus Pocus, or What's the Hurry, Son? is a 1990 novel by Kurt Vonnegut.
Venus on the Half-Shell is a science fiction novel by American writer Philip José Farmer, writing pseudonymously as "Kilgore Trout", a fictional recurring character in many of the novels of Kurt Vonnegut. This book first appeared as a fictitious "excerpt"—attributed to Trout —in the ninth chapter of Vonnegut's God Bless You, Mr. Rosewater (1965). With Vonnegut's permission, Farmer expanded the fragment into an entire standalone novel. Farmer's story was first published in two parts beginning in the December 1974 issue of The Magazine of Fantasy and Science Fiction. The plot, in which Earth is destroyed by cosmic bureaucrats doing routine maintenance and the sole human survivor goes on a quest to find the "Definitive Answer to the Ultimate Question", was an inspiration for the plot of the later Hitchhiker's Guide to the Galaxy series.
Historiographic metafiction is a term coined by Canadian literary theorist Linda Hutcheon in the late 1980s. It incorporates three domains: fiction, history, and theory.
Slaughterhouse-Five is a 1972 American comedy-drama military science fiction film directed by George Roy Hill and produced by Paul Monash, from a screenplay by Stephen Geller, based on the 1969 novel of the same name by Kurt Vonnegut. The film stars Michael Sacks as Billy Pilgrim, who is "unstuck in time" and has no control over where he is going next. It also stars Ron Leibman as Paul Lazzaro and Valerie Perrine as Montana Wildhack.
Palm Sunday is a 1981 collection of short stories, speeches, essays, letters, and other previously unpublished works by Kurt Vonnegut. The collection provides insight into Vonnegut's thoughts on various subjects, including writing, war, and his own literary career. The book is known for its eclectic mix of genres and personal reflections.
"Yon Yonson" or "Jan Jansen" is an infinitely recursive folk song, most popular in the midwestern United States. The song being set in Wisconsin is a satirical reference to Wisconsin's Scandinavian-American culture and heritage. It is also well known for its use in the novel Slaughterhouse-Five by Kurt Vonnegut.
Fictional depictions of Mercury, the innermost planet of the Solar System, have gone through three distinct phases. Before much was known about the planet, it received scant attention. Later, when it was incorrectly believed that it was tidally locked with the Sun creating a permanent dayside and nightside, stories mainly focused on the conditions of the two sides and the narrow region of permanent twilight between. Since that misconception was dispelled in the 1960s, the planet has again received less attention from fiction writers, and stories have largely concentrated on the harsh environmental conditions that come from the planet's proximity to the Sun.
Saturn has made appearances in fiction since the 1752 novel Micromégas by Voltaire. In the earliest depictions, it was portrayed as having a solid surface rather than its actual gaseous composition. In many of these works, the planet is inhabited by aliens that are usually portrayed as being more advanced than humans. In modern science fiction, the Saturnian atmosphere sometimes hosts floating settlements. The planet is occasionally visited by humans and its rings are sometimes mined for resources.
Planets outside of the Solar System have appeared in fiction since at least the 1850s, long before the first real ones were discovered in the 1990s. Most of these fictional planets do not differ significantly from the Earth, and serve only as settings for the narrative. The majority host native lifeforms, sometimes with humans integrated into the ecosystems. Fictional planets that are not Earth-like vary in many different ways. They may have significantly stronger or weaker gravity on their surfaces, or have a particularly hot or cold climate. Both desert planets and ocean planets appear, as do planets with unusual chemical conditions. Various peculiar planetary shapes have been depicted, including flattened, cubic, and toroidal. Some fictional planets exist in multiple-star systems where the orbital mechanics can lead to exotic day–night or seasonal cycles, while others do not orbit any star at all. More fancifully, planets are occasionally portrayed as having sentience, though this is less common than stars receiving the same treatment or a planet's lifeforms having a collective consciousness.
Live at Tralfamadore is the fifth album, and the first live album by the Norwegian band Madrugada. It was released on EMI records in 2005 and went on to become the highest selling release in Norway for that year with the band's previous release The Deep End as the runner up. The songs were recorded at various locations during 2003 and 2005 as noted in the track listing. The powerful, ' You Better Leave ' is the only 'new' song on the album and the only song unavailable elsewhere as a recorded studio version.