Egyptian hieroglyphs were the formal writing system used in Ancient Egypt for writing the Egyptian language. Hieroglyphs combined logographic, syllabic and alphabetic elements, with more than 100 distinct characters. Cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts were derived from hieroglyphic writing, as was the Proto-Sinaitic script that later evolved into the Phoenician alphabet. Through the Phoenician alphabet's major child systems, the Egyptian hieroglyphic script is ancestral to the majority of scripts in modern use, most prominently the Latin and Cyrillic scripts and the Arabic script, and possibly the Brahmic family of scripts.
Athanasius Kircher was a German Jesuit scholar and polymath who published around 40 major works of comparative religion, geology, and medicine. Kircher has been compared to fellow Jesuit Roger Joseph Boscovich and to Leonardo da Vinci for his vast range of interests, and has been honoured with the title "Master of a Hundred Arts". He taught for more than 40 years at the Roman College, where he set up a wunderkammer. A resurgence of interest in Kircher has occurred within the scholarly community in recent decades.
Joscelyn Godwin is a composer, musicologist, and translator, known for his work on ancient music, paganism, and music in the occult.
Sir Ernest Alfred Thompson Wallis Budge was an English Egyptologist, Orientalist, and philologist who worked for the British Museum and published numerous works on the ancient Near East. He made numerous trips to Egypt and Anglo-Egyptian Sudan on behalf of the British Museum to buy antiquities, and helped it build its collection of cuneiform tablets, manuscripts, and papyri. He published many books on Egyptology, helping to bring the findings to larger audiences. In 1920, he was knighted for his service to Egyptology and the British Museum.
Horapollo is the supposed author of a treatise, titled Hieroglyphica, on Egyptian hieroglyphs, extant in a Greek translation by one Philippus, dating to about the 5th century.
The decans are 36 groups of stars used in the ancient Egyptian astronomy to conveniently divide the 360 degree ecliptic into 36 parts of 10 degrees each, both for theurgical and heliacal horological purposes. The decans each appeared, geocentrically, to rise consecutively on the horizon throughout each daily Earth rotation. The rising of each decan marked the beginning of a new decanal "hour" of the night for the ancient Egyptians, and they were used as a sidereal star clock beginning by at least the 9th or 10th Dynasty.
Gardiner's sign list is a list of common Egyptian hieroglyphs compiled by Sir Alan Gardiner. It is considered a standard reference in the study of ancient Egyptian hieroglyphs.
The Bembine Tablet, the Bembine Table of Isis or the Mensa Isiaca is an elaborate tablet of bronze with enamel and silver inlay, most probably of Roman origin but imitating the ancient Egyptian style. It was named in the Renaissance after Cardinal Bembo, a celebrated antiquarian who acquired it after the 1527 sack of Rome. Thereafter it was used by antiquarians to penetrate the meaning of Egyptian hieroglyphs, which were not authentically deciphered until the 19th century. Owing to these prior misconceptions, the tablet became of importance to western esoteric traditions.
Christian Kabbalah arose during the Renaissance due to Christian scholars' interest in the mysticism of Jewish Kabbalah, which they interpreted according to Christian theology. It is often transliterated as Cabala to distinguish it from the Jewish form and from Hermetic Qabalah.
In ancient Egyptian art, the Set animal, or sha, is the totemic animal of the god Set. Because Set was identified with the Greek monster Typhon, the animal is also commonly known as the Typhonian animal or Typhonic beast.
China Illustrata is the 1667 published book written by the Jesuit Athanasius Kircher (1602–1680) that compiles the 17th-century European knowledge on the Chinese Empire and its neighboring countries. The original Latin title is Athanasii Kircheri e Soc. Jesu China monumentis, qua sacris qua profanis, nec non variis Naturae et artis spectaculis, aliarumque rerum memorabilium argumentis illustrata, auspiciis Leopoldi primi, Roman. Imper. Semper augusti Munificentissimi Mecaenatis.
Turris Babel was a 1679 work by the Jesuit scholar Athanasius Kircher. It was the last of his books published during his lifetime. Together with his earlier work Arca Noë, it represents Kircher's endeavour to show how modern science supported the Biblical narrative in the Book of Genesis. The work was also a broad synthesis of many of Kircher's ideas on architecture, language and religion. The book was dedicated to the Holy Roman Emperor Leopold I and printed in Amsterdam by the cartographer and bookseller Johannes van Waesbergen.
Phonurgia Nova is a 1673 work by the Jesuit scholar Athanasius Kircher. It is notable for being the first book ever dedicated entirely to the science of acoustics, and for containing the earliest description of an aeolian harp. It was dedicated to the Holy Roman Emperor Leopold I and printed in Kempten by Rudoph Dreherr.
Prodromus Coptus sive Aegyptiacus was a 1636 work by the Jesuit scholar Athanasius Kircher. It was published in Rome by the Sacred Congregation for the Propagation of the Faith and dedicated to the Prefect of the Congregation, Cardinal Francesco Barberini. The book was Kircher's first venture into the field of Egyptology, and it also contained the first ever published grammar of the Coptic language.
Scrutinium Physico-Medicum Contagiosae Luis, Quae Pestis Dicitur is a 1658 work by the Jesuit scholar Athanasius Kircher, containing his observations and theories about the bubonic plague that struck Rome in the summer of 1656. Kircher was the first person to view infected blood through a microscope, and his observations are described in the book. The work was printed on the presses of Vitale Mascardi and dedicated to Pope Alexander VII.
Lingua Aegyptiaca Restituta was a 1643 work about the Coptic language by the Jesuit scholar Athanasius Kircher. It followed his 1636 volume Prodromus Coptus sive Aegyptiacus, the first ever published grammar of Coptic. Lingua Aegyptiaca Restituta was dedicated to the Holy Roman Emperor Ferdinand III and published in Rome by Herman Scheuss.
Obeliscus Pamphilius is a 1650 work by the Jesuit scholar Athanasius Kircher. It was published in Rome by Ludovico Grignani and dedicated to Pope Innocent X in his jubilee year. The subject of the work was Kircher's attempt to translate the hieroglyphs on the sides of an obelisk erected in the Piazza Navona.
Latium is a 1669 work by the Jesuit scholar Athanasius Kircher. It was dedicated to Pope Clement X and a 1671 edition was published in Amsterdam by Johannes van Waesbergen. The work was the first to discuss the topography, archeology and history of the Lazio region. It was based partly on Kircher's extensive walks in the countryside around Rome, although it included sites that he had probably not visited in person. The work included many illustrations of the contemporary countryside, as well as reconstructions of ancient buildings. It also included an account of his discovery of the ruined sanctuary at Mentorella, which he had already recounted in his 1665 work Historia Eustachio Mariana.
Arithmologia, sive De Abditis Numerorum Mysteriis is a 1665 work by the Jesuit scholar Athanasius Kircher. It was published by Varese, the main printing house for the Jesuit order in Rome in the mid-17th century. It was dedicated to Franz III. Nádasdy, a convert to Catholicism to whom Kircher had previously co-dedicated Oedipus Aegyptiacus. Arithmologia is the only one of Kircher's works devoted entirely to different aspects of number symbolism.
