Author | Wilkie Collins |
---|---|
Language | English |
Genre | Mystery novel, Sensation novel |
Publisher | All the Year Round |
Publication date | 26 November 1859 – 25 August 1860 |
Publication place | United Kingdom |
OCLC | 41545143 |
Preceded by | The Dead Secret |
Followed by | No Name |
The Woman in White is Wilkie Collins's fifth published novel, written in 1860 and set from 1849 to 1850. It started its publication on 26 November 1859 and its publication was completed on 25 August 1860. It is a mystery novel and falls under the genre of "sensation novels".
The story can be seen as an early example of detective fiction with protagonist Walter Hartright employing many of the sleuthing techniques of later private detectives. The use of multiple narrators (including nearly all the principal characters) draws on Collins's legal training, [1] [2] and as he points out in his preamble: "the story here presented will be told by more than one pen, as the story of an offence against the laws is told in Court by more than one witness". Collins also drew on memories of his father, the artist William Collins, in the creation of drawing master Walter Hartright, and populates his story with a number of Italian characters, likely inspired by two years spent in Italy during childhood.
In 2003, Robert McCrum writing for The Observer listed The Woman in White number 23 in "the top 100 greatest novels of all time", [3] and the novel was listed at number 77 on the BBC's survey The Big Read. [4]
Walter Hartright, a young art teacher, encounters and gives directions to a mysterious and distressed woman dressed entirely in white, lost in London; he is later informed by policemen that she has escaped from an asylum. Soon afterwards, he travels to Limmeridge House in Cumberland, having been hired as a drawing teacher on the recommendation of his friend, Pesca, an Italian language teacher. The Limmeridge household comprises the invalid Frederick Fairlie and Walter's students: Laura Fairlie, Mr. Fairlie's niece, and Marian Halcombe, her devoted half-sister. Walter realises that Laura bears an astonishing resemblance to the woman in white, who is known to the household by the name of Anne Catherick, a mentally disabled child who formerly lived near Limmeridge and was devoted to Laura's mother, who first dressed her in white.
Over the next few months, Walter and Laura fall in love, despite Laura's betrothal to Sir Percival Glyde, Baronet. Upon realising this, Marian advises Walter to leave Limmeridge. Laura receives an anonymous letter warning her against marrying Glyde. Walter deduces that Anne has sent the letter and encounters her again in Cumberland; he becomes convinced that Glyde originally placed Anne in the asylum. Despite the misgivings of the family lawyer over the financial terms of the marriage settlement, which will give the entirety of Laura's fortune to Glyde if she dies without leaving an heir, and Laura's confession that she loves another man, Laura and Glyde marry in December 1849 and travel to Italy for six months. Concurrently, Walter joins an expedition to Honduras.
After six months, Sir Percival and Lady Glyde return to his house, Blackwater Park in Hampshire; accompanied by Glyde's friend, Count Fosco (married to Laura's aunt). Marian, at Laura's request, lives at Blackwater and learns that Glyde is in financial difficulties. Glyde attempts to bully Laura into signing a document that would allow him to use her marriage settlement of £20,000, which Laura refuses to do. Anne, who is now terminally ill, travels to Blackwater Park and contacts Laura, saying that she holds a secret that will ruin Glyde's life. Before she can disclose the secret, Glyde discovers their communication, and believing Laura knows his secret, becomes extremely paranoid and attempts to keep her held at Blackwater. With the problem of Laura's refusal to give away her fortune and Anne's knowledge of his secret, Fosco conspires to use the resemblance between Laura and Anne to exchange their two identities. Sir Percival and Fosco will trick both individuals into travelling with them to London; Laura will be placed in an asylum under the identity of Anne, and Anne will be buried under the identity of Laura upon her imminent death. Marian overhears enough of the plan to understand they are conspiring against someone's life but not any of the details, but becomes soaked by rain in her hiding place and falls ill.
While Marian is ill, Laura is tricked into travelling to London, and the identity switch is accomplished. Anne Catherick succumbs to her illness and is buried as Laura, while Laura is drugged and conveyed to the asylum as Anne. When Marian visits the asylum, hoping to learn something from Anne, she finds Laura, who has been treated by her attendants as a deluded Anne when she protests her true identity as Laura. Marian bribes the nurse, and Laura escapes. Meanwhile, Walter has returned from Honduras, and the three live incognito in London, making plans to restore Laura's identity. During his research, Walter discovers Glyde's secret: he was illegitimate, and therefore not entitled to inherit his title or property. In the belief that Walter has discovered or will discover his secret, Glyde attempts to incinerate the incriminating documents but perishes in the flames. From Anne's mother (Jane Catherick), Walter discovers that Anne never knew what Glyde's secret was. She had only known that there was a secret around Glyde and had repeated words her mother had said in anger to threaten Glyde. The truth was that Glyde's mother was already married to an Irish man, who had left her, and was not free to remarry. While he had no problem claiming the estate, Glyde needed his parents' marriage certificate to borrow money. He therefore went to a church in the village where his parents had lived together and where the vicar, who had served there, had died long ago, and added a fake marriage to the church register. Mrs. Catherick helped him obtain access to the register and was rewarded with a gold watch and an annual payment.
During the period of Glyde and Mrs. Catherick's relationship, a vestry-clerk from a nearby town made regular visits to the church and made copies of the church's marriage register. These duplicates were kept safely in the vestry-clerk's office in town. Walter, knowing of the suspect entry in the church register, goes to the vestry-clerk's office, obtains the duplicate, and finds that no such entry exists in it, thus confirming the original register contained a fake entry.
With the death of Glyde in a fire while attempting to destroy the original register in the church, with the faked entry, the trio is safe from persecution, but they still have no way of proving Laura's true identity. Walter suspects that Anne died before Laura's trip to London, and proof of this would prove their story, but only Fosco knows the dates. Walter works out from a letter he received from Mrs. Catherick's former employer that Anne was the illegitimate child of Laura's father, making her Laura's half-sister. On a visit to the opera with Pesca, he learns that Fosco has betrayed an Italian nationalist society, of which Pesca is a high-ranking member. When Fosco prepares to flee the country, Walter forces a written confession from him in exchange for safe passage from England. Laura's identity is legally restored, and the inscription on her gravestone replaced by that of Anne Catherick. Fosco escapes, only to be killed by another agent of the society. To ensure the legitimacy of his efforts on her part, Walter and Laura have married earlier; upon the death of Frederick Fairlie, their son inherits Limmeridge.
A theme of the story is the unequal position of married women in law at the time. Laura Glyde's interests have been neglected by her uncle, and her fortune of £20,000 (then an enormous sum of money) by default falls to her husband on her death. Collins dedicated this novel to Bryan Procter, poet and Commissioner for Lunacy, and was inspired by the case of Louisa Nottidge [ citation needed ], who was abducted and imprisoned for the monetary convenience of her family. Women could be imprisoned in "lunatic asylums" if they became embarrassing or inconvenient to their husbands or fathers. In addition, before the passage of the Married Women's Property Act 1882, all of a wife's assets passed automatically to her husband.
The novel was first published in serial form in 1859—60, appearing in Charles Dickens' magazine All the Year Round (UK) and Harper's Weekly (US). It was published in book form in 1860. [5]
The novel was extremely successful commercially, but contemporary critics were generally hostile. [5] Modern critics and readers regard it as Collins's best novel: [5] a view with which Collins concurred, as it is the only one of his novels named in his chosen epitaph: "Author of The Woman in White and other works of fiction". [6]
The novel’s continuing influence in the 21st century led to the publication of a 12-novel series by American author Brenda Clough, following up on the plot, with Marian Halcombe as the protagonist. [7]
William Wilkie Collins was an English novelist and playwright known especially for The Woman in White (1859), a mystery novel and early sensation novel, and for The Moonstone (1868), which established many of the ground rules of the modern detective novel and is also perhaps the earliest clear example of the police procedural genre.
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The sensation novel, also sensation fiction, was a literary genre of fiction that achieved peak popularity in Great Britain in between the early 1860s and mid to late 1890s, centering taboo material shocking to its readers as a means of musing on contemporary social anxieties.
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The Woman in White is a five-part BBC television adaptation of the 1860 sensation novel of the same name by Wilkie Collins. The series began airing on BBC One on 22 April 2018, and stars Jessie Buckley, Ben Hardy, Olivia Vinall, Dougray Scott and Charles Dance.
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The Woman in White is a British mystery television series adapted from the novel of the same title by Wilkie Collins. It first aired on BBC 2 in five parts between 14 April and 12 May 1982.