Author | Editor: Charles Dickens |
---|---|
Original title | All The Year Round, A Weekly Journal conducted by Charles Dickens |
Country | England |
Language | English |
Series | Weekly: 1859 – 1895 |
Genre | Magazine, Social criticism |
Publisher | Chapman & Hall |
Publication date | 1859 |
Media type | Print (Serial) |
Preceded by | Household Words |
Followed by | Household Words, new series |
All the Year Round was a Victorian periodical, being a British weekly literary magazine founded and owned by Charles Dickens, published between 1859 and 1895 throughout the United Kingdom. Edited by Dickens, it was the direct successor to his previous publication Household Words , abandoned due to differences with his former publisher.
It hosted the serialisation of many prominent novels, including Dickens's own A Tale of Two Cities . After Dickens's death in 1870, it was owned and edited by his eldest son Charles Dickens Jr., with a quarter-share being owned by the editor and journalist William Henry Wills. [1] [2]
In 1859, Charles Dickens was the editor of his magazine Household Words , published by Bradbury and Evans; their refusal to publish Dickens' defensive "personal statement" on his divorce in their other publication, Punch, [3] led Dickens to create a new weekly magazine that he would own and control entirely. [4]
In 1859, Dickens founded All the Year Round, taking William Henry Wills with him from Household Words as part-owner and sub-editor. As with his previous magazine, the author searched for a title that could be derived from a Shakespearean quotation. He found it on 28 January 1859 (in Othello , act one, scene three, lines 128–129), to be displayed before the title: [5]
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The new weekly magazine had its debut issue on Saturday 30 April 1859, featuring the first instalment of Dickens's A Tale of Two Cities . [6] [7] The launch was an immediate success.
So well has All the Year Round gone that it was yesterday able to repay me, with five per cent. interest, all the money I advanced for its establishment (paper, print etc. all paid, down to the last number), and yet to leave a good £500 balance at the banker's! [5]
— Charles Dickens
One month after the launch, Dickens won a lawsuit in the Court of Chancery against his former publisher Bradbury and Evans, giving him back the trade name of his previous journal. [4] On Saturday 28 May 1859, five weeks after the launch of All the Year Round, Dickens terminated Household Words, publishing its last issue with a prospectus for his new journal and the announcement that, "After the appearance of the present concluding Number of Household Words, this publication will merge into the new weekly publication, All the Year Round, and the title, Household Words, will form a part of the title-page of All the Year Round." [8] AYR's full title then acquired a fourth item: "All the Year Round. A Weekly Journal. Conducted by Charles Dickens. With Which Is Incorporated Household Words."
All the Year Round contained the same mixture of fiction and non-fiction as Household Words but with a greater emphasis on literary matters and less on journalism. Nearly 11 per cent of the non-fiction articles in All the Year Round dealt with some aspect of international affairs or cultures, discounting the American Civil War, which Dickens instructed his staff to avoid unless they had specifically cleared a topic with him first. Old tales of crime (especially with a French or Italian setting), new developments in science (including the theories of Charles Darwin), lives and struggles of inventors, tales of exploration and adventure in distant parts, and examples of self-help among humble folk, are among the topics which found a ready welcome from Dickens.
After 1863, although Dickens continued to micromanage the editorial department, scrupulously revising copy, his own contributions fell off considerably, largely because he spent more and more time on the road with his public readings.
A few weeks before 28 November 1868, Dickens announced a new series for All the Year Round: "I beg to announce to the readers of this Journal, that on the completion of the Twentieth Volume on the Twenty-eighth of November, in the present year, I shall commence an entirely New Series of All the Year Round. The change is not only due to the convenience of the public (with which a set of such books, extending beyond twenty large volumes, would be quite incompatible), but is also resolved upon for the purpose of effecting some desirable improvements in respect of type, paper, and size of page, which could not otherwise be made." [9]
After hiring him as the subeditor of the magazine a year earlier, [10] Dickens bequeathed All the Year Round to his eldest son Charles Dickens, Jr. ("Charles Dickens the younger" in the testament) one week before his death in June 1870. [11] After Dickens's death, his son would own and edit the magazine from 25 June 1870 until the end of 1895 (or possibly just until 1888). [12] [13]
In 1889, the magazine started a "Third series". It is unclear how much Dickens Jr. was involved with the new series, [13] but a number of stories were contributed by Mary Dickens.
In 1895, All the Year Round ended. It had its last issue on 30 March 1895, after three series. [6] [7] [14]
Each volume was 26 numbers long, half a year (thus Vol. 1 was Nos 1 to 26, Vol. 2 was Nos 27 to 52, Vol. 3 was Nos 53 to 78, but the annuals and seasonal extras counted for additional numbers.)
Dickens collaborated with other staff writers on a number of Christmas stories and plays for seasonal issues of the magazine, including:
A number of prominent authors and novels were serialised in All the Year Round, including:
Other contributors included:
Staff writers included:
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Most articles were printed without naming their author; only the editor, "Conducted by Charles Dickens", was mentioned on the first page and the head of every other page. While a complete key to who wrote what and for how much in Household Words was compiled in 1973 by Anne Lohrli (using an analysis of the office account book maintained by Dickens's subeditor, W. H. Wills), unfortunately the account book for All the Year Round has not survived. Ella Ann Oppenlander has attempted to provide something comparable in a 1984 book not easily procured, but only manages to identify less than a third of the contributors: Dickens' All the Year Round: Descriptive Index and Contributor List. In July 2015 antiquarian bookseller and Dickens scholar Jeremy Parrott announced at a conference in Belgium that he had discovered Dickens's own annotated set of All the Year Round, naming all the contributors. A full guide to the magazine is now in progress and should be published in 2018.
Noted anonymous articles include:
Charles John Huffam Dickens was an English novelist and social critic who created some of the world's best-known fictional characters, and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today.
Punch, or The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Artists at Punch included John Tenniel who, from 1850, was the chief cartoon artist at the magazine for over 50 years.
William Wilkie Collins was an English novelist and playwright known especially for The Woman in White (1859), a mystery novel and early sensation novel, and for The Moonstone (1868), which established many of the ground rules of the modern detective novel and is also perhaps the earliest clear example of the police procedural genre.
Household Words was an English weekly magazine edited by Charles Dickens in the 1850s. It took its name from the line in Shakespeare's Henry V: "Familiar in his mouth as household words."
"Mugby Junction" is a set of short stories written in 1866 by Charles Dickens and collaborators Charles Collins, Amelia B. Edwards, Andrew Halliday, and Hesba Stretton. It was first published in a Christmas edition of the magazine All the Year Round. Dickens penned a majority of the issue, including the frame narrative in which "the Gentleman for Nowhere," who has spent his life cloistered in the firm Barbox Brothers & Co., makes use of his new-found freedom in retirement to explore the rail lines that connect with Mugby Junction. Dickens's collaborators each contributed an individual story to the collection.
The sensation novel, also sensation fiction, was a literary genre of fiction that achieved peak popularity in Great Britain in the 1860s and 1870s, centering taboo material shocking to its readers as a means of musing on contemporary social anxieties.
John Dickens was the father of famous English novelist Charles Dickens and was the model for Mr Micawber in his son's semi-autobiographical novel David Copperfield.
Charles Allston Collins was a British painter, writer, and illustrator associated with the Pre-Raphaelite Brotherhood.
"A Message from the Sea" is a set of short stories by Charles Dickens, Wilkie Collins, Robert Buchanan, Charles Allston Collins, Amelia Edwards and Harriet Parr, written in 1860 for the Christmas issue of All the Year Round.
"A House to Let" is a set of short stories by Charles Dickens, Wilkie Collins, Elizabeth Gaskell and Adelaide Anne Procter. It was originally published in 1858 in the Christmas edition of Dickens's Household Words magazine. Collins wrote the introduction and collaborated with Dickens on the second story and ending, while Gaskell and Proctor wrote the third and fifth chapters respectively.
No Thoroughfare is a stage play and novel by Charles Dickens and Wilkie Collins, both released in December 1867.
The bibliography of Charles Dickens (1812–1870) includes more than a dozen major novels, many short stories, several plays, several non-fiction books, and individual essays and articles. Dickens's novels were serialized initially in weekly or monthly magazines, then reprinted in standard book formats.
Mary Angela Dickens was an English novelist and journalist of the late Victorian and Edwardian eras, and the oldest grandchild of the novelist Charles Dickens. She died on the 136th anniversary of her grandfather's birth.
"The Haunted House" is a set of short stories published in 1859 for the weekly periodical All the Year Round. It was "Conducted by Charles Dickens", with Charles Dickens writing the opening and closing stories, framing stories by Dickens himself and five other authors.
Harriet Parr (1828–1900) was an English author of the Victorian era, who wrote under the pseudonym Holme Lee. She also wrote stories for children.
Every Saturday (1866–1874) was an American literary magazine published in Boston, Massachusetts. It was edited by Thomas Bailey Aldrich and published by Ticknor and Fields (1866–1868); Fields, Osgood, & Co. (mid-1868–1870); James R. Osgood & Co. (1871–1873); and H. O. Houghton & Co. (1874).
John McLenan (1827–1865) was an American illustrator and caricaturist. Active from 1852 to 1865, his works include illustrations of Charles Dickens' A Tale of Two Cities and Great Expectations for Harper's Weekly and illustrations for two Wilkie Collins novels. Author Sinclair Hamilton wrote of McLenan
William Moy Thomas (1828–1910) was an English journalist, literary editor and novelist.
After Dark is a collection of six short stories by Wilkie Collins, first published in 1856. It was the author's first collection of short stories. Five of the stories were previously published in Household Words, a magazine edited by Charles Dickens.
"The Trial for Murder" is a short story written by Charles Dickens in 1865. It was originally published under the title "To Be Taken with a Grain of Salt" as a chapter in Dr. Marigold's Prescriptions in an extra Christmas volume of the weekly literary magazine, All the Year Round. It was later published in 1866 in a collection of ghost stories known as "Three Ghost Stories", along with "The Haunted House" and "The Signal-Man".