Oliver Twist; or, The Parish Boy's Progress, is the second novel by English author Charles Dickens. It was originally published as a serial from 1837 to 1839 and as a three-volume book in 1838.[1] The story follows the titular orphan, who, after being raised in a workhouse, escapes to London, where he meets a gang of juvenile pickpockets led by the elderly criminal Fagin, discovers the secrets of his parentage, and reconnects with his remaining family.
Oliver Twist unromantically portrays the sordid lives of criminals and exposes the cruel treatment of the many orphans in London in the mid-19th century.[2] The alternative title, The Parish Boy's Progress, alludes to Bunyan's The Pilgrim's Progress as well as the 18th-century caricature series by painter William Hogarth, A Rake's Progress and A Harlot's Progress.[3]
In an early example of the social novel, Dickens satirises child labour, domestic violence, the recruitment of children as criminals, and the presence of street children. The novel may have been inspired by the story of Robert Blincoe, an orphan whose account of working as a child labourer in a cotton mill was widely read in the 1830s. It is likely that Dickens's own experiences as a youth contributed as well, considering he spent two years of his life in the workhouse at the age of 12 and subsequently missed out on some of his education.[4]
Cover, first edition of serial, entitled "The Adventures of Oliver Twist", January 1846
The novel was first published in monthly instalments, from February 1837 to April 1839, in the magazine Bentley's Miscellany. It was originally intended to form part of Dickens's serial, The Mudfog Papers.[6][7][8]George Cruikshank provided one steel etching per month to illustrate each instalment.[9] The novel first appeared in book form six months before the initial serialisation was completed, in three volumes published by Richard Bentley, the owner of Bentley's Miscellany, under the author's pseudonym, "Boz". It included 24 steel-engraved plates by Cruikshank.
The first edition was titled: Oliver Twist, or, The Parish Boy's Progress.
Oliver Twist is born into a life of poverty and misfortune, raised in a workhouse in the fictional town of Mudfog. The children working there receive very little food; after six months, they draw lots, with the loser asking for another portion of gruel. Oliver is designated, and so he approaches workhouse manager Mr Bumble and humbly requests another serving. A great uproar ensues at this perceived act of rebellion.
Oliver is removed from the workhouse and sent into the service of the undertaker Mr Sowerberry. One day, his jealous co-apprentice, Noah Claypole, insults Oliver's mother and an enraged Oliver attacks him. When he is punished by Mr Sowerberry, Oliver runs away to London to seek a better life.
Oliver meets a young man named Jack Dawkins who calls himself "the Artful Dodger", offers him food and lodging and takes him to meet an infamous criminal known as Fagin, who trains orphan boys as pickpockets. Oliver innocently begins Fagin's training, but when he goes out with the Dodger and another boy and sees them stealing a handkerchief from an old gentleman named Mr Brownlow, he realizes the truth. While the Dodger and the other boy escape, Oliver is pursued, apprehended, formally arrested and tried before Magistrate Fang. Interceding for Oliver, Brownlow takes him home and cares for him. As Oliver recovers, Brownlow and his housekeeper notice that Oliver resembles a woman depicted in a portrait hanging in Brownlow's home.
Worried that Oliver might incriminate him and his gang, Fagin sends a young woman named Nancy and her abusive lover, the robber Bill Sikes, to abduct Oliver and bring him back to Fagin's lair. Fagin forces him to participate in a burglary planned by Sikes. The robbery goes wrong; while Sikes escapes, Oliver, after having been wounded, ends up in the care of the people he was supposed to rob: Miss Rose and her guardian Mrs Maylie.
A mysterious man, known only as "Monks," teams up with Fagin, to prevent Oliver from learning of his past. Monks bribes Mr Bumble and his new wife, the former Widow Corney, for information on Oliver. Together, they dispose of a ring and medallion that had once belonged to Oliver's mother and had been stolen from her after she died. Nancy, racked with guilt for her role in Oliver's kidnapping, secretly spies on them and passes the information on to Rose Maylie, who tells Mr Brownlow. Meanwhile, the Artful Dodger is arrested for pickpocketing, tried and sentenced to transportation to Australia.
Noah Claypole, who had fled to London with the Sowerberrys' maid Charlotte after robbing Mr Sowerberry, joins Fagin's gang. Following Fagin's orders, he follows Nancy and discovers that she regularly meets with the Brownlows and Maylies for the sake of Oliver's welfare. Fearing that Nancy has betrayed him and Sikes (which, unknown to him, she has refused to do), Fagin passes the information on to Sikes, who beats Nancy to death in a fit of rage and goes into hiding. He is recognised by an angry mob and attempts to flee. Going to Toby Crackit's hideout, he learns that Fagin has been arrested. When the mob catches up to him, he tries to escape over the rooftops by swinging on a rope, but while he is about to loop the rope about himself a vision of the dead Nancy's staring eyes terrorises him into losing his balance; in the fall, the looped rope catches him around the neck and hangs him.
Mr Brownlow has Monks arrested and forces him to divulge his secrets: he is actually Oliver's half-brother and had hoped to steal Oliver's half of their rightful inheritance. Brownlow begs Oliver to give half his inheritance to Monks and grant him a second chance, to which Oliver happily agrees. Monks emigrates to America, but squanders his money, relapses into crime and dies in prison. Fagin is arrested and sentenced to the gallows. The day before his execution, Oliver and Mr Brownlow visit him in Newgate Prison and learn the location of the documents proving Oliver's identity. Bumble and his wife lose their jobs and are forced to become inmates of the workhouse. Rose Maylie, who turns out to be Oliver's maternal aunt, marries and enjoys a long life. Oliver lives happily as Mr Brownlow's adopted son.
Characters
Oliver Twist – an orphan child whose mother died at his birth
Mr Bumble – a beadle in the parish workhouse where Oliver was born
Mrs Mann – the self-centred and greedy superintendent where the infant Oliver is placed until age 9
In Oliver Twist, Dickens mixes grim realism with merciless satire to describe the effects of industrialism on 19th-century England and to criticise the harsh new Poor Laws. Oliver, an innocent child, is trapped in a world where his only options seem to be the workhouse, a life of crime symbolised by Fagin's gang, a prison, or an early grave. From this unpromising industrial/institutional setting, however, a fairy tale also emerges. In the midst of corruption and degradation, the essentially passive Oliver remains pure-hearted; he steers away from evil when those around him give in to it, and in proper fairy-tale fashion, he eventually receives his reward – leaving for a peaceful life in the country, surrounded by kind friends. On the way to this happy ending, Dickens explores the kind of life an outcast, orphan boy could expect to lead in 1830s London.[11]
Poverty and social class
Poverty is a prominent concern in Oliver Twist. Throughout the novel, Dickens enlarged on this theme, describing slums so decrepit that whole rows of houses are on the point of ruin. In an early chapter, Oliver attends a pauper's funeral with Mr Sowerberry and sees a whole family crowded together in one miserable room. This prevalent misery makes Oliver's encounters with charity and love more poignant. Oliver owes his life several times over to kindness both large and small.[12]
Dickens makes considerable use of symbolism. The "merry old gentleman" Fagin, for example, has satanic characteristics: he is a veteran corrupter of young boys who presides over his own corner of the criminal world; he makes his first appearance standing over a fire holding a toasting fork, and he refuses to pray on the night before his execution.[13]
Characters
The Last Chance, by Cruikshank.
In the tradition of Restoration Comedy and Henry Fielding, Dickens fits his characters with appropriate names. Oliver himself, though "badged and ticketed" as a lowly orphan and named according to an alphabetical system, is, in fact, "all of a twist."[14] However, Oliver and his name may have been based on a young workhouse boy named Peter Tolliver whom Dickens knew while growing up.[15]
Bill Sikes's dog, Bull's-eye, has "faults of temper in common with his owner" and is an emblem of his owner's character. The dog's viciousness represents Sikes's animal-like brutality while Sikes's self-destructiveness is evident in the dog's many scars. The dog, with its willingness to harm anyone on Sikes's whim, shows the mindless brutality of the master. This is also illustrated when Bull's-eye dies immediately after his master.[16]
Nancy, by contrast, redeems herself at the cost of her own life and dies in a prayerful pose. She is one of the few characters in Oliver Twist to display much ambivalence. Her storyline in the novel strongly reflects themes of domestic violence and psychological abuse at the hands of Bill. Although Nancy is a full-fledged criminal, indoctrinated and trained by Fagin since childhood, she retains enough empathy to repent her role in Oliver's kidnapping, and to take steps to try to atone. As one of Fagin's victims, corrupted but not yet morally dead, she gives eloquent voice to the horrors of the old man's little criminal empire. She wants to save Oliver from a similar fate; at the same time, she recoils from the idea of turning traitor, especially to Bill Sikes, whom she loves. When Dickens was later criticised for giving to a "thieving, whoring slut of the streets" such an unaccountable reversal of character, he ascribed her change of heart to "the last fair drop of water at the bottom of a dried-up, weed-choked well".[17]
Dickens has been accused of portraying antisemitic stereotypes because of his portrayal of the Jewish character Fagin in Oliver Twist. Paul Vallely writes that Fagin is widely seen as one of the most grotesque Jews in English literature, and one of the most vivid of Dickens's 989 characters.[18] Nadia Valman, in Antisemitism: A Historical Encyclopedia of Prejudice and Persecution, argues that Fagin's representation was drawn from the image of the Jew as inherently evil, that the imagery associated him with the Devil, and with beasts.[19]
The novel refers to Fagin 274 times[20] in the first 38 chapters as "the Jew", while the ethnicity or religion of the other characters is rarely mentioned.[18] In 1854, The Jewish Chronicle asked why "Jews alone should be excluded from the 'sympathizing heart' of this great author and powerful friend of the oppressed." Dickens (who had extensive knowledge of London street life and child exploitation) explained that he had made Fagin Jewish because "it unfortunately was true, of the time to which the story refers, that that class of criminal almost invariably was a Jew."[21] It is widely believed that Fagin was based on a specific Jewish criminal of the era, Ikey Solomon.[22] Dickens commented that by calling Fagin a Jew he had meant no imputation against the Jewish people, saying in a letter, "I have no feeling towards the Jews but a friendly one. I always speak well of them, whether in public or private, and bear my testimony (as I ought to do) to their perfect good faith in such transactions as I have ever had with them."[23] Eliza Davis, whose husband had purchased Dickens's home in 1860 when he had put it up for sale, wrote to Dickens in protest at his portrayal of Fagin, arguing that he had "encouraged a vile prejudice against the despised Hebrew", and that he had done a great wrong to the Jewish people. While Dickens first reacted defensively upon receiving Davis's letter, he then halted the printing of Oliver Twist, and changed the text for the parts of the book that had not been set, which explains why after the first 38 chapters Fagin is barely called "the Jew" at all in the next 179 references to him. A shift in his perspective is seen in his later novel Our Mutual Friend, as he redeems the image of Jews.[18]
Reception
Contemporary reviewers including John Forster and the Literary Gazette praised the book for its realistic depiction of social conditions. However others such as Richard Ford considered it an exaggeration of poverty.[24]
Audio recordings
Dickens's novel has been recorded many times as an audiobook. Notable recordings include:
An audio dramatization titled The Adventures of Oliver Twist And Fagin starring Basil Rathbone as both The Narrator and Fagin was released by Columbia Masterworks Records (MM-700) in a 3-disc 75rpm set in 1947.[25] This was later re-released by Columbia Records in 33rpm format in 1955 (CL 674) and again in 1977 (P13902).[26]
Anthony Quayle narrated Chapters One, Two, Eight and Nine of the novel on a Caedmon Records recording (TC 1484) released in 1976.[28]
Paul Scofield narrated an abridged version in 1987 for Dove Audio.[29]
An abridged version narrated by Martin Jarvis was released on audio cassette in 1994, later on CD, as part of the Talking Classics series (TC NCC 004) by Orbis.[30] Mr. Jarvis later narrated an unabridged version in 2006 for Audible Studios.[31]
Oliver & Company (1988), a Disney full-length animated feature which resets the tale to modern-day New York City, with Oliver (voiced by Joey Lawrence) portrayed as an orphaned kitten, the Dodger as a street-wise terrier mongrel (voiced by Billy Joel), and Fagin (voiced by Dom DeLuise) as a homeless tramp who lives on the docks with his pack of stray dogs that he trains to steal so he can survive and repay his debt to loan shark Sykes (voiced by Robert Loggia).[37]
Twist (2021), a modern-day version directed by Martin Owen, and starring Michael Caine as Fagin, with Lena Headey and Rita Ora cast as female renditions of Bill Sikes and the Dodger respectively.[38][39]
1980: The Further Adventures of Oliver Twist, a British television series set as a sequel, with Daniel Murray as Oliver, John Fowler as The Artful Dodger and David Swift as Fagin.[41]
1996–97: Saban's Adventures of Oliver Twist, a 52-episode animated American-French co-production where the story is downplayed for younger viewers, in which Oliver loses his mother in a crowd rather than being dead and the characters are represented by anthropomorphic animals. Oliver in this version is a young dog.
2001: Escape of the Artful Dodger, an Australian TV series set as a sequel, where Dodger and Oliver are sent to the colony of Australia.
1928, BBC Liverpool, with Olive Worthington (Oliver Twist), J.P. Lambe (Fagin), Walter Shore (The Artful Dodger), Mrs Fred Wilkinson (Nancy) and Philip H. Harper (Bill Sikes)[44]
1941–42, BBC Home Service in 8 parts, adapted by Audrey Lucas, with David Baxter (Oliver Twist), Malcolm Keen (Fagin), Leonard Thorne (The Artful Dodger), Belle Chrystall (Nancy) and Allan Jeaves (Bill Sikes)[46]
1952, BBC Home Service in 12 parts, adapted by Giles Cooper, with Wilfrid Downing (Oliver Twist), John Gabriel (Fagin), Brian Smith (The Artful Dodger), Helen Shingler (Nancy) and Ralph Truman (Bill Sikes)[48]
1970, BBC Radio 4 in 12 parts, adapted Giles Cooper, with Stephen Bone (Oliver Twist), Peter Woodthorpe (Fagin), Dennis Conoley (The Artful Dodger), Patricia Leventon (Nancy) and John Hollis (Bill Sikes)[49]
Oliver Twist is a 2017 stage adaptation of the novel written by Anya Reiss which premiered at the Regent's Park Theatre. The show was directed by Caroline Byrne.[56]
Oliver! is a stage musical, with book, music and lyrics by Lionel Bart. The musical is based upon the 1838 novel Oliver Twist by Charles Dickens.
Jack Dawkins, better known as the Artful Dodger, is a character in Charles Dickens's 1838 novel Oliver Twist. The Dodger is a pickpocket and his nickname refers to his skill and cunning in that occupation. In the novel, he is the leader of the gang of child criminals on the streets of London trained and overseen by the elderly Fagin. The term has become an idiom describing a person who engages in skillful deception.
Oliver Twist is a 1948 British film and the second of David Lean's two film adaptations of Charles Dickens novels. Following his 1946 version of Great Expectations, Lean re-assembled much of the same team for his adaptation of Dickens' 1838 novel, including producers Ronald Neame and Anthony Havelock-Allan, cinematographer Guy Green, designer John Bryan and editor Jack Harris. Lean's then-wife, Kay Walsh, who had collaborated on the screenplay for Great Expectations, played the role of Nancy. John Howard Davies was cast as Oliver, while Alec Guinness portrayed Fagin and Robert Newton played Bill Sykes.
Oliver Twist is a 1999 drama serial produced by ITV based on the 1838 novel Oliver Twist by Charles Dickens.
Oliver Twist is a 1997 American made-for-television film based on Charles Dickens's 1838 novel of the same title. The film was directed by Tony Bill, written by Monte Merrick and Stephen Sommers, and produced by Walt Disney Television. It stars Richard Dreyfuss, Elijah Wood, David O'Hara, and Alex Trench as the titular character.
Oliver Twist is a 2005 drama film directed by Roman Polanski. The screenplay by Ronald Harwood adapts Charles Dickens's 1838 novel of the same name. It is an international co-production of the United Kingdom, the Czech Republic and France.
Oliver! is a 1968 British period musical drama film based on Lionel Bart's 1960 stage musical, itself an adaptation of Charles Dickens's 1838 novel Oliver Twist.
Oliver Twist is a 1922 American silent drama film adaptation of Charles Dickens' 1838 novel Oliver Twist, featuring Lon Chaney as Fagin and Jackie Coogan as Oliver Twist. The film was directed by Frank Lloyd. It was selected as one of the best pictures of 1922 by New York Times, Chicago Tribune and the Los Angeles Times. Walter J. Israel handled the costuming. Studio interiors were filmed at the Robert Brunton Studios in Hollywood. The film's tagline was "8 Great Reels that make you ask for more. Will Hays says Jackie Coogan Films are the sort the World needs." A still exists showing Fagin training his wards to be pickpockets.
Charley Bates is a supporting character in the Charles Dickens's 1838 novel Oliver Twist. He is a young boy and a member of Fagin's gang of pickpockets. Bates serves as a sidekick to the Artful Dodger, whose skills he admires unreservedly. Bill Sikes's murder of Nancy shocks him so much that at the end of the novel he leaves London to become an agricultural labourer.
Fagin is a fictional character and the secondary antagonist in Charles Dickens's 1838 novel Oliver Twist. In the preface to the novel, he is described as a "receiver of stolen goods". He is the leader of a group of children whom he teaches to make their livings by pickpocketing and other criminal activities, in exchange for shelter. A distinguishing trait is his constant and insincere use of the phrase "my dear" when addressing others. At the time of the novel, he is said by another character, Monks, to have already made criminals out of "scores" of children. Nancy, who is the lover of Bill Sikes, is confirmed to be Fagin's former pupil.
Oliver Twist is a 2007 British television adaptation of Charles Dickens' 1838 novel Oliver Twist, written by Sarah Phelps and directed by Coky Giedroyc. It consists of five episodes, broadcast on BBC One from 18 to 22 December 2007. It aired on PBS' Masterpiece Classic in the United States on 15 and 22 February 2009, in two ninety-minute installments. In Australia, ABC1 also opted to air this series as a two-part special each Sunday at 8:30 pm from 20 December 2009.
Oliver Twist is the title character and protagonist of the 1838 novel Oliver Twist by Charles Dickens. He was the first child protagonist in an English novel.
Oliver Twist is a 1982 American-British made-for-television film adaptation of the 1838 Charles Dickens classic of the same name, premiering on the CBS television network as part of the Hallmark Hall of Fame. Stars include George C. Scott, Tim Curry, Cherie Lunghi, and Richard Charles as Oliver, in his first major film role.
Edward "Monks" Leeford is a fictional character and one of the main antagonists in the 1838 novel Oliver Twist by Charles Dickens. He is actually the criminally-inclined half-brother of Oliver Twist, but he hides his identity. Monks' parents separated when he was a child, and his father had a relationship with a young woman, Agnes Fleming. This resulted in Agnes' pregnancy. She died in childbirth after giving birth to the baby that would be named Oliver Twist.
Oliver Twist is a 1982 Australian 72-minute made-for-television animated film from Burbank Films Australia, a part of the studio's series of adaptations of Charles Dickens' works made from 1982 through 1985.
Oliver Twist is a 1933 American pre-Code drama film directed by William J. Cowen. The earliest sound adaptation of Charles Dickens's 1838 novel of the same title, it stars Dickie Moore as Oliver, Irving Pichel as Fagin, Doris Lloyd as Nancy, and William "Stage" Boyd as Bill Sikes.
Oliver Twist is a 1985 BBC TV serial. It was produced by Terrance Dicks, directed by Gareth Davies, and adapted by Alexander Baron from the 1838 novel by Charles Dickens. This version follows the book more closely than any of the other film adaptions.
Oliver Twist is a 1912 British silent drama film directed by Thomas Bentley and starring Ivy Millais, Alma Taylor and Harry Royston. It is an adaptation of the 1838 novel Oliver Twist by Charles Dickens. It was the directorial debut of Bentley who went on to become a leading British director. It was the first in a series of Dickens adaptations by Bentley.
Oliver Twist is a 1912 silent feature film drama based on Charles Dickens' classic 1838 novel Oliver Twist. This film is the first feature version of the story followed by a later British film released in October 1912. Nat C. Goodwin, a distinguished comedian from the Broadway stage, stars. The General Film Company, usually a distributor, produced this film and it was released on State Rights basis.
Oliver Twist is a 1962 BBC TV adaptation of Charles Dickens' 1838 novel Oliver Twist, serialised in 13 episodes. Due in part to its transmission at Sunday teatimes, the production proved to be controversial, with questions asked in Parliament and many viewer complaints over the brutal murder of Nancy by Bill Sikes in its eleventh episode. The serial has survived intact, and was released to DVD in 2017 by Simply Media.
↑ Miller, J. Hillis. "The Dark World of Oliver Twist" in Charles Dickens (Harold Bloom, editor), New York: Chelsea House Publishers, 1987, p. 35
↑ Walder, Dennis, "Oliver Twist and Charity" in Oliver Twist: a Norton Critical Edition (Fred Kaplan, Editor). New York: W.W. Norton, 1993, pp. 515–525
↑ Donald Hawes, Who's Who in Dickens, Routledge, London, 2002, p.75.
↑ Johnson, Edgar (1 January 1952). "4 – Intimations of Mortality". Charles Dickens His Tragedy And Triumph. Simon & Schuster Inc. Archived from the original on 2 October 2011. Retrieved 8 February 2009.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
