David Pirie is a British screenwriter, film producer, film critic, and novelist. As a screenwriter, he is known for his noirish original thrillers, classic adaptations and period gothic pieces. [1] In 1998, he was nominated for a BAFTA for Best Drama Serial for his adaptation of Wilkie Collins's 1859 novel The Woman in White into "The Woman in White" (BBC, 1997). [2] His first book, A Heritage of Horror: The English Gothic Cinema 1946–1972 (1973), was the first book-length survey of the British horror film. [3] He has written several novels, including the Dark Beginnings of Sherlock Holmes trilogy which includes The Patient's Eyes (2002), The Night Calls (2003), and The Dark Water (2006).
Pirie's work for TV and film includes the New York TV Festival award-winning Rainy Day Women (1984), described by Mark Lawson in The Guardian as "one of the neglected masterpieces of British TV." [4] His three-part Never Come Back (BBC, 1990) – an adaptation of an obscure wartime thriller of the same name by author John Mair – has been described as "the film noir atmosphere of 1940s cinema brought across to remarkable effect." [1]
Pirie's Ashenden (1991), which was adapted from the stories by Somerset Maugham, was not well received in the UK but praised by US critics. His three-part drama Natural Lies first aired on the BBC in 1992. [5] He courted controversy in 1995 with Black Easter , [6] a near-future thriller for BBC2 examining an increasingly dystopian European Union fighting waves of immigration from a war on its borders: despite its popularity, it has never been repeated. [7] He wrote Element of Doubt (1996) and worked (uncredited) on the screenplay for Lars von Trier's Oscar-nominated Breaking the Waves (1996). [8]
In 1998, Pirie was nominated for a BAFTA for Best Drama Serial for his adaptation of Wilkie Collins's 1859 novel The Woman in White into "The Woman in White" (BBC, 1997). [2] The two part film was described by The Observer as "simply the best TV drama has to offer." [9] In 2018 he co-executive produced the BBC's five-part The Woman in White TV series of the same novel, starring Jessie Buckley. [10]
Pirie took a new approach to Sherlock Holmes both in TV and later in novels with the 'Murder Rooms' cycle, of which Publishers Weekly wrote "This brilliant debut mystery from British screenwriter Pirie offers a novel twist on the Sherlock Holmes pastiche". It first saw life as a two episode pilot Murder Rooms (2000) which was partly based on Arthur Conan Doyle's early life. Variety wrote, "Writer David Pirie has crafted a clever blend of historical evidence and fiction in the grand manner of a traditional Holmes mystery." [11] The show was the second highest rated of all dramas on BBC2 in its year, [12] spawning the series of books and TV shows, most notably Murder Rooms: The Patient's Eyes (2001). Pirie was credited as associate producer.
Pirie's two-part The Wyvern Mystery (BBC, 2000) – an adaptation of Sheridan Le Fanu's gothic horror-piece of the same name – has been described as "a splendid small-screen tribute to the moody-gloomy Gainsborough melodramas of the 1940s." [1] In 2003, his screenplay adaptation of Agatha Christie's Sad Cypress , aired on ITV as an episode of the Poirot series, starring David Suchet. [13]
In 2009 his ITV series Murderland starring Robbie Coltrane achieved ratings that Digital Spy called "impressive" [14] and The Guardian noted drew a 26% share and 6.3 million people for its opening episode, [15] averaging 5.8 million throughout its run.
As of 2014, Pirie was working on a modern remake of Henry James's The Turn of the Screw , a feature version of his earliest TV production Rainy Day Women and a thriller set in the 60s Six Zero for Carnival Films the makers of Downton Abbey .
Before he became a screenwriter, Pirie worked as a film critic for such publications as Sight and Sound and Monthly Film Bulletin while for some years he was the Film Editor of the London listings magazine Time Out . He has also written for several newspapers including The Times , The Guardian and The Daily Telegraph .
His first book, A Heritage of Horror: The English Gothic Cinema 1946–1972 (1973), the first book-length survey of the British horror film, has according to Kim Newman in Sight and Sound "long been regarded as a trail-blazing classic" and is described by SFX as among the small category of essential books on horror cinema. [16] In it he analyses the films of Hammer and Amicus, and other British horror phenomena, including the works of Michael Reeves and what Pirie referred to as Anglo-Amalgamated's "Sadean Trilogy", beginning with Horrors of the Black Museum in 1959. An updated version of Pirie's book, entitled A New Heritage of Horror: The English Gothic Cinema was published in 2008. Film-maker Martin Scorsese described it as "the best study of British horror movies and an important contribution to the study of British cinema as a whole". [17] Pirie's other film related works include The Vampire Cinema (1975) and Anatomy of the Movies (1981, as editor).
He has written several novels, including Mystery Story (1980), and the Dark Beginnings of Sherlock Holmes trilogy which includes The Patient's Eyes (2002), The Night Calls (2003), and The Dark Water (2006). The New York Times wrote of the first: "It is the combination of style and scholarship ... that gives this atmospheric yarn the heightened thrill of intellectual challenge." [18] Publishers Weekly described it as "a brilliant debut mystery ... and several passages are truly spine-chilling." [19]
The Hound of the Baskervilles is the third of the four crime novels by British writer Arthur Conan Doyle featuring the detective Sherlock Holmes. Originally serialised in The Strand Magazine from August 1901 to April 1902, it is set largely in Dartmoor, Devon, in England's West Country and follows Holmes and Watson investigating the legend of a fearsome, diabolical hound of supernatural origin. This was the first appearance of Holmes since his apparent death in "The Final Problem", and the success of The Hound of the Baskervilles led to the character's eventual revival.
A Study in Scarlet is an 1887 detective novel by British writer Arthur Conan Doyle. The story marks the first appearance of Sherlock Holmes and Dr. Watson, who would become the most famous detective duo in English literature. The book's title derives from a speech given by Holmes, a consulting detective, to his friend and chronicler Watson on the nature of his work, in which he describes the story's murder investigation as his "study in scarlet": "There's the scarlet thread of murder running through the colourless skein of life, and our duty is to unravel it, and isolate it, and expose every inch of it."
James William Fox is an English actor. He won a BAFTA Award for Most Promising Newcomer to Leading Film Roles for The Servant (1963). Other credits include The Miniver Story (1950), The Loneliness of the Long Distance Runner (1962), Those Magnificent Men in Their Flying Machines (1965), King Rat (1965), The Chase (1966), Thoroughly Modern Millie (1967), Isadora (1968), and Performance (1970). He quit acting for several years to be an evangelical Christian.
Amicus Productions was a British film production company, based at Shepperton Studios, England, active between 1962 and 1977. It was founded by American producers and screenwriters Milton Subotsky and Max Rosenberg.
Thomas Nigel Kneale was a Manx screenwriter who wrote professionally for more than 50 years, was a winner of the Somerset Maugham Award, and was twice nominated for the BAFTA Award for Best British Screenplay.
John Richard Hopkins was an English film, stage, and television writer.
Ian William Richardson was a British actor from Edinburgh, Scotland. He was best known for his portrayal of machiavellian Tory politician Francis Urquhart in the BBC's House of Cards (1990–1995) television trilogy, as well as the pivotal spy Bill Haydon in Tinker Tailor Soldier Spy (1979). Other notable screen work included a portrayal of Sherlock Holmes in two films, as well as significant roles in Brazil, M. Butterfly, and Dark City.
Terence Fisher was a British film director best known for his work for Hammer Films.
Christopher Robert Fowler was an English thriller writer. While working in the British film industry he authored fifty novels and short story collections, including the Bryant & May mysteries, which record the adventures of two Golden Age detectives in modern-day London. His awards include the 2015 CWA Dagger in the Library, The Last Laugh Award (twice) and the British Fantasy Award, the Edge Hill Prize and the inaugural Green Carnation Award. He was inducted into the prestigious Detection Club in 2021. His other works include screenplays, video games, graphic novels, audio and stage plays. He also wrote a psychological thriller, Little Boy Found, under the pseudonym L.K. Fox.
Stephen Gallagher is an English screenwriter and novelist. Gallagher was born in Salford, Greater Manchester.
John Barry Foster was an English actor who had an extensive career in film, radio, stage and television over almost 50 years. He was best known for portraying the title character in the British crime series Van der Valk (1972–1992) and Bob Rusk in Alfred Hitchcock's Frenzy (1972).
Murder Rooms: Mysteries of the Real Sherlock Holmes is a television crime drama series created by David Pirie, and co-produced by the BBC and WGBH Boston, a PBS station. Six episodes were made and were first broadcast on BBC Two, the first two on 4 and 5 January 2000, and the other four from 4 September to 2 October 2001.
Sherlock Holmes is the overall title given to the series of Sherlock Holmes adaptations produced by the British television company Granada Television between 24 April 1984 and 11 April 1994.
Kurti & Doyle are a British scriptwriting team comprising Richard Kurti and Bev Doyle. They're best known for their work on fantasy television series such as BBC One's Robin Hood (2006), ITV1's Primeval (2007) and Sky 1's Sinbad (2012).
Peter Sasdy is a British film and television director.
The character of Count Dracula from the 1897 novel Dracula by Bram Stoker, has remained popular over the years, and many forms of media have adopted the character in various forms. In their book Dracula in Visual Media, authors John Edgar Browning and Caroline Joan S. Picart declared that no other horror character or vampire has been emulated more times than Count Dracula. Most variations of Dracula across film, comics, television and documentaries predominantly explore the character of Dracula as he was first portrayed in film, with only a few adapting Stoker's original narrative more closely. These including borrowing the look of Count Dracula in both the Universal's series of Dracula and Hammer's series of Dracula, including the character's clothing, mannerisms, physical features, hair style and his motivations such as wanting to be in a home away from Europe.
Sherlock is a British mystery crime drama television series based on Sir Arthur Conan Doyle's Sherlock Holmes detective stories. Created by Steven Moffat and Mark Gatiss, the show stars Benedict Cumberbatch as Sherlock Holmes and Martin Freeman as Doctor John Watson. Thirteen episodes have been produced, with four three-part series airing from 2010 to 2017 and a special episode that aired on 1 January 2016. The series is set in the present day in which it aired. The one-off special features a Victorian-period fantasy resembling the original Holmes stories.
Paul Coryn Valentine Marcus was a BAFTA winning British television director and producer. His most notable success was as producer of the television series Prime Suspect, but he also worked in cinema, theatre and many other TV series.
Allan Cubitt is a British television, film, and theatre writer, director, and producer and former teacher, best known for his work on Prime Suspect II and The Fall.
British horror cinema is a sub-category of horror films made by British studios. Horror films began in Britain with silent films in the early 20th century. Some of the most successful British horror films were made by Hammer Film Productions around the 1960s. A distinguishing feature of British horror cinema from its foundations in the 1910s until the end of Hammer's prolific output in the genre in the 1970s was storylines based on, or referring to, the gothic literature of the 19th century.