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Colley Cibber was an English actor-manager, playwright and Poet Laureate. His colourful memoir An Apology for the Life of Colley Cibber (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière [and] hapless Shakespeare".
This article contains information about the literary events and publications of 1719.
This article contains information about the literary events and publications of 1728.
This article contains information about the literary events and publications of 1730.
This article contains information about the literary events and publications of 1743.
This article contains information about the literary events and publications of 1744.
This article contains information about the literary events and publications of 1745.
This article contains information about the literary events and publications of 1757.
This article contains information about the literary events and publications of 1704.
This article contains information about the literary events and publications of 1706.
This article contains information about the literary events and publications of 1707.
This article contains information about the literary events and publications of 1701.
This article contains information about the literary events and publications of 1699.
This article contains information about the literary events and publications of 1697.
This article contains information about the literary events and publications of 1696.
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Barton Booth was one of the most famous dramatic actors of the first part of the 18th century.
Anne Bracegirdle was an English actress.
Mary, Lady Chudleigh was an English poet who belonged to an intellectual circle that included Mary Astell, Elizabeth Thomas, Judith Drake, Elizabeth Elstob, Lady Mary Wortley Montagu, and John Norris. In her later years she published a volume of poetry and two volumes of essays, all dealing with feminist themes. Two of her books were published in four editions during the last ten years of her life. Her poetry on the subject of human relationships and reactions has appeared in several anthologies. Her feminist essays are still in print.
References
- ↑ . Dictionary of National Biography . London: Smith, Elder & Co. 1885–1900.
- ↑ Anthony Levi (1994). Guide to French literature: beginnings to 1789. St. James Press. p. 355. ISBN 978-1-55862-159-6.
- ↑ Deazley, Ronan (2010). "The Statute of Anne and the Great Abridgement Swindle". Houston Law Review. 47 (4). University of Houston Law Center. ISSN 0018-6694.
- ↑ Philip H. Highfill; Kalman A. Burnim; Edward A. Langhans (1973). A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800. SIU Press. p. 115. ISBN 978-0-8093-1803-2.
- ↑ Ezell, Margaret J. M. "Selected Bibliography: Mary, Lady Chudleigh." c18 Bibliographies On-Line. Ed. Jack Lynch. Rutgers, 1999. 16 December 2006 <http://JackLynch.net/C18/biblio/chudleigh.html>.
- ↑ Clouston, W.A. (2008). "Variants and Analogues of the Tales in Volume XIII". Arabian Nights, in 16 volumes: Volume XIII. Cosimo, Inc. p. 363. ISBN 9781605206035.
- ↑ Flood, John (2011). Poets Laureate in the Holy Roman Empire: A Bio-bibliographical Handbook. Walter de Gruyter. p. 1035. ISBN 9783110912746.
- ↑ Humphreys, Maggie; Evans, Robert (1997). Dictionary of Composers for the Church in Great Britain and Ireland. A&C Black. p. 5. ISBN 9780720123302.