The Mysteries of Udolpho is a Gothic romance novel by Ann Radcliffe, which appeared in four volumes on 8 May 1794 from G. G. and J. Robinson of London. Her fourth and most popular novel, The Mysteries of Udolpho tells of Emily St. Aubert, who suffers misadventures that include the death of her mother and father, supernatural terrors in a gloomy castle, and machinations of Italian brigand Signor Montoni. It is often cited as an archetypal example of the Gothic novel.
The popularity of The Mysteries of Udolpho helped cement the Gothic novel as a distinct genre, and has inspired many imitators since publication. It was a notable point of reference in Jane Austen's Northanger Abbey, which both satirizes and pays homage to Gothic literature.[2][3]
Summary
The Mysteries of Udolpho is a quintessential Gothic romance, replete with incidents of physical and psychological terror: remote crumbling castles, seemingly supernatural events, a brooding, scheming villain and a persecuted heroine.
Modern editors note that only about a third of the novel is set in the eponymous Italian Gothic castle,[4] while tone and style vary markedly between sections of the work, to which Radcliffe added extended descriptions of exotic landscapes in the Pyrenees and Apennines, and of Venice, none of which she had visited.[4] For details she relied on travel books, which led her to make several anachronisms. The novel, set in 1584 in Southern France and Northern Italy, explores the plight of Emily St. Aubert, a young French woman orphaned by the death of her father. She is imprisoned in Castle Udolpho by Signor Montoni, an Italian brigand who has married her aunt and guardian Madame Cheron. He and others frustrate Emily's romance with the dashing Valancourt. Emily also investigates a relationship between her father and the Marchioness de Villeroi, and its connection to Castle Udolpho.
Emily St. Aubert is the only child of a landed rural family whose fortunes are in decline. Emily and her father share a notably close bond over their shared appreciation for nature. They grow still closer after her mother's death from illness. Emily accompanies her father on a journey from their native Gascony, through the Pyrenees to the Mediterranean coast of Roussillon, over many mountainous landscapes. During the journey, they encounter Valancourt, a handsome man who also feels an almost mystical kinship with the natural world. Emily and Valancourt fall in love.
Emily's father succumbs to a long illness. Emily, now orphaned, is forced by his wishes to live with her aunt, Madame Cheron, who shares none of Emily's interests and shows little affection for her. Her aunt marries Montoni, a dubious nobleman from Italy. He wants his friend Count Morano to become Emily's husband and tries to force him upon her. After discovering that Morano is nearly ruined, Montoni brings Emily and her aunt to his remote castle of Udolpho.
Emily fears she has lost Valancourt forever. Morano searches for Emily and tries to carry her off secretly from Udolpho, but Emily's heart still belongs to Valancourt, and she refuses. Morano's attempted escape is discovered by Montoni, who wounds the Count and chases him away. In subsequent months, Montoni threatens his wife with violence, trying to force her to sign over her properties in Toulouse that will otherwise go to Emily on his wife's death. Without resigning her estate, Madame Cheron dies of a severe illness caused by her husband's harshness.
Many frightening but coincidental events happen in the castle, but Emily manages to flee with the help of a secret admirer, Du Pont, also a prisoner there, and of the servants Annette and Ludovico. Returning to her aunt's estate, Emily learns that Valancourt has gone to Paris and lost his wealth. Nonetheless, she takes control of the property and is reunited with Valancourt in the end.
Characters
Emily St. Aubert: Much of the action takes place from Emily's point of view. She has a deep appreciation of the sublimity of nature, shared with her father. She is unusually beautiful and gentle with a slight, graceful figure, fond of books, nature, poetry and music. She is described as virtuous, obedient, resourceful, brave, sensitive, and self-reliant. Her childhood home is La Vallée. Her sensitivity leads her to dwell (often in tears) on past misfortunes and imagine with dread troubles that may befall her. She is given to writing verse, selections of which punctuate the novel.
Monsieur St. Aubert: Emily's father, he dies early in the novel while he, Emily and Valancourt are travelling. He warns Emily on his death bed not to become a victim of her feelings, but to acquire command over her emotions. His unaccountable relationship with the Marchioness de Villeroi is one of the novel's mysteries.
Valancourt, younger brother of the Count Duvarney, Valancourt forms an attachment to Emily while travelling with her and her father through the Pyrenees. He is a dashing, enthusiastic young man with a noble character, on furlough from the army when he meets her. St. Aubert sees Valancourt as a desirable match for Emily, although he lacks wealth.
Madame Cheron (later Madame Montoni) is St. Aubert's sister and Emily's aunt. She is a selfish, worldly, vain, wealthy widow living on her estate near Toulouse, when Emily becomes her ward after St. Aubert's death. She is contemptuous and cold, even cruel to Emily at first, thinking solely of herself, but near her death, she softens slightly to Emily, who patiently aids and comforts her.
Montoni is a prototypical Gothic villain. Brooding, haughty and scheming, he masquerades as an Italian nobleman to gain Madame Cheron's hand in marriage, then imprisons Emily and Madame Cheron in Udolpho in an attempt to take control of Madame Cheron's wealth and estates. He is cold and often cruel to Emily, who believes him to be a captain of banditti.
Count Morano is introduced to Emily by Montoni, who commands that she marry him. Emily refuses, but Morano still pursues her in Venice and later Udolpho. When Montoni finds that Count Morano is not as rich as he hoped, he abruptly withdraws his support from the suit. Morano tries twice to abduct Emily, but both attempts fail.
Annette, a maid who has accompanied Madame Cheron from France, is talkative and inclined to exaggeration and superstition, but faithful, affectionate and honest. She is in love with Ludovico and often gets locked in closets.
Ludovico, one of Montoni's servants, falls in love with Annette and provides assistance to Emily. He is more sensible than Annette, and is brave and quick-thinking. He is the one who locks the closets.
Cavigni, Verezzi, and Bertolini are cavaliers and friends of Montoni. Cavigini is sly, careful, and flatteringly assiduous. Verezzi is a "man of some talent, of fiery imagination, and the slave of alternate passions. He was gay, voluptuous, and daring; yet had neither perseverance or true courage, and was meanly selfish in all his aims." Bertolini is brave, unsuspecting, merry, dissipated and markedly extravagant. His flightiness to Emily distresses her.
Orsino, an assassin described as the "chief favourite" of Montoni, is cruel, suspicious, merciless and relentlessly vengeful.
Marchioness de Villeroi is a mysterious figure whose miniature Emily finds in a secret panel in her father's closet. She was married to Marquis de Villeroi, but becomes estranged from him and dies through the intervention of Laurentini di Udolpho. She was a sister to M. St. Aubert, and thereby Emily's aunt.
Signora Laurentini di Udolpho (also called Sister Agnes) is a nun in the French monastery of St. Claire. She dies in the final volume of the novel, whereupon she is revealed to be Signora Laurentini, heiress of the house of Udolpho. She has estranged the Marquis de Villeroi, her first love, from his wife, after which she retires to the monastery to live in guilt. She divides her fortune between Emily and the wife of M. Bonnac.
The Marquis de Villeroi was the lover of Laurentini before he married the Marchioness. He leaves the Chateau-le-Blanc after her death.
Francis Beauveau, Count De Villefort is heir to the mansion at Chateau-le-Blanc in Languedoc. He inherits it from his friend the Marquis de Villeroi. He has two children by a previous marriage, Blanche and Henri, and is married to the Countess De Villefort.
Lady Blanche, a sweet young woman with a deep appreciation of the sublime, who writes poetry, resides at Chateau-le-Blanc and befriends Emily, with whom she shares many interests.
Dorothée, a servant at the Chateau-le-Blanc, is superstitious like Annette, but less inclined to be found in a closet.
Monsieur Du Pont is one of Emily's suitors. He steals a portrait miniature of Emily belonging to her mother, which he later returns. He helps Emily and her companions escape from Udolpho. He is a friend of De Villefort, who supports his suit. When Emily steadfastly rejects him, he turns his attentions to Blanche, but is thwarted again when she marries St. Foix.
Monsieur Quesnel, Emily's uncle, is cold and unfeeling towards Emily until she becomes an heiress.
Madame Clairval, Valancourt's aunt and an acquaintance of Madame Cheron, initially approves of the match between Valancourt and Emily, but finally decides there are better prospects for both of them.
Monsieur Bonnac, an officer in the French service about 50 years old, Emily meets at the convent. His wife inherits Castle Udolpho.
Monsieur St. Foix, suitor of Blanche, marries her at the end of the novel.
In August 1794, The Critical Review published a review of The Mysteries of Udolpho praising it as "the most interesting novel in the English language," but also criticizing the novel's excessive descriptions and anticlimactic ending.[7] Some scholars attribute the review to Samuel Taylor Coleridge, though others dispute this claim.[8]
In Walter Scott's novel Waverley (1814), Scott humorously references Udolpho in the introductory chapter while meditating appropriate subtitles for Waverley.
The Veiled Picture; or, The Mysteries of Gorgono (1802) is a chapbook abridgement of it, preserving most characters and plot elements but dispensing with details and descriptions.
The Castle of Udolpho is mentioned in a letter from Rebecca Sharp to Miss Sedley in William Thackeray's 1848 novel Vanity Fair.[12]
In 2007, The Mysteries of Udolpho appeared as a graphic novel in the Gothic Classics: Graphic Classics series.[16]
A dramatisation by Carole Diffey was published in July 2015.[citation needed]
In series 1 episode 12 ("Homefront") of Young Justice, the Mysteries of Udolpho was the book used to open a secret passage in the League's library. Several characters in the series are seen reading it.
In Henry James's 1898 novel The Turn of the Screw, the second sentence in Chapter 4 reads: "Was there a 'secret' at Bly – a mystery of Udolpho or an insane, an unmentionable relative kept in unsuspected confinement?"
In Anthony Trollope's Framley Parsonage (1860), a room for interviewing debtors at the London office of solicitors Gumption & Gazebee is likened to the torture chamber at Castle Udolpho.[17]
In Edgar Allan Poe's short story "The Oval Portrait" (1842), "Mrs. Radcliffe" is mentioned in an allusion to The Mysteries of Udolpho.
In Emily of New Moon by Lucy Maud Montgomery, Emily mentions having read The Mysteries of Udolpho when exploring her aunt's strange, "gothic" house.
In Herman Melville's novella Billy Budd, Sailor (1924) the narrator says that an incident "is in its very realism as much charged with that prime element of Radcliffian romance, the mysterious, as any that the ingenuity of the author of the Mysteries of Udolpho could devise."[18]
↑ DeLucia, JoEllen (2015). "Radcliffe, George Robinson and Eighteenth-Century Print Culture: Beyond the Circulating Library". Women's Writing. 22 (3): 287–299. doi:10.1080/09699082.2015.1037981.
↑ The Journals and Letters of Fanny Burney (Madame d'Arblay) Vol. III, 1793–1797, ed. Joyce Hemlow etc. (Oxford: OUP, 1973), p. 63, n. 8; the contract for Udolpho is housed at the University of Virginia Library.
Gothic fiction, sometimes called Gothic horror, is a loose literary aesthetic of fear and haunting. The name refers to Gothic architecture of the European Middle Ages, which was characteristic of the settings of early Gothic novels.
Northanger Abbey is a coming-of-age novel and a satire of Gothic novels written by the English author Jane Austen. Although the title page is dated 1818 and was published posthumously in 1817 with Persuasion, Northanger Abbey was completed in 1803, making it the first of Austen's novels to be completed in full. From a fondness of Gothic novels and an active imagination distorting her worldview, the story follows Catherine Morland, the naïve young protagonist, as she develops to better understand herself and the world around her.
The Count of Monte Cristo is an adventure novel written by French author Alexandre Dumas (père) completed in 1844. It is one of the author's most popular works, along with The Three Musketeers. Like many of his novels, it was expanded from plot outlines suggested by his collaborating ghostwriter Auguste Maquet.
Ann Radcliffe was an English novelist and a pioneer of Gothic fiction. Her technique of explaining apparently supernatural elements in her novels has been credited with gaining respectability for Gothic fiction in the 1790s. Radcliffe was the most popular writer of her day and almost universally admired; contemporary critics called her the mighty enchantress and the Shakespeare of romance-writers, and her popularity continued through the 19th century. Interest in Radcliffe and her work has revived in the early 21st century, with the publication of three biographies.
Matthew Gregory Lewis was an English novelist and dramatist, whose writings are often classified as "Gothic horror". He was frequently referred to as "Monk" Lewis, because of the success of his 1796 Gothic novel The Monk. He also worked as a diplomat, politician and an estate owner in Jamaica.
The Italian, or the Confessional of the Black Penitents (1796) is a Gothic novel written by the English author Ann Radcliffe. It is the last book Radcliffe published during her lifetime. The Italian has a dark, mysterious, and somber tone which fixates on the themes of love, devotion, and persecution during the time period of Holy Inquisition. The novel deals with issues prevalent at the time of the French Revolution, such as religion, aristocracy, and nationality. Radcliffe's renowned use of veiled imagery is considered to have reached its height of sophistication and complexity in The Italian; concealment and disguise are central motifs of the novel. The novel is noted for its extremely effective antagonist, Father Schedoni, who influenced the Byronic characters of Victorian literature.
The Palliser novels are six novels written in series by Anthony Trollope. They were more commonly known as the Parliamentary novels prior to their 1974 television dramatisation by the BBC broadcast as The Pallisers. Marketed as "polite literature" during their initial publication, the novels encompass several literary genres including: family saga, bildungsroman, picaresque, as well as satire and parody of Victorian life, and criticism of the British government's predilection for attracting corrupt and corruptible people to power.
Regina Maria Roche (1764–1845) is considered a minor Gothic novelist, encouraged by the pioneering Ann Radcliffe. However, she was a bestselling author in her own time. The popularity of her third novel, The Children of the Abbey, rivalled that of Ann Radcliffe's The Mysteries of Udolpho.
Francis Lathom was a British gothic novelist and playwright.
The Romance of the Forest is a Gothic novel by Ann Radcliffe that was first published in 1791. It combines an air of mystery and suspense with an examination of the tension between hedonism and morality. The novel was her first major success, going through four editions in its first three years, and establishing her reputation as a leading figure in the Gothic romance genre.
A Sicilian Romance is a gothic novel by Ann Radcliffe. It was her second published work, and was first published anonymously in 1790.
The Castles of Athlin and Dunbayne is a gothic novel by Ann Radcliffe, first published in London by Thomas Hookham in 1789. In her introduction to the 1995 Oxford World Classic's edition of the text, Alison Milbank stated that the novel's plot "unites action of a specifically Scottish medieval nature with the characterization and morality of the eighteenth-century cult of sensibility."
Clermont, Regina Maria Roche's 1798 novel, "...is arguably the definitive text of the Gothic novel craze during the eighteenth and nineteenth centuries". It was first published by Minerva Press.
Eliza Parsons was an English Gothic novelist, best known for The Castle of Wolfenbach (1793) and The Mysterious Warning (1796). These are two of the seven Gothic titles recommended as reading by a character in Jane Austen's novel Northanger Abbey.
The Castle of Wolfenbach (1793) is the most famous novel written by the English Gothic novelist Eliza Parsons. First published in two volumes in 1793, it is among the seven "horrid novels" recommended by the character Isabella Thorpe in Jane Austen's novel Northanger Abbey and an important early work in the genre, predating Ann Radcliffe's The Mysteries of Udolpho and Matthew Lewis's The Monk.
Dear creature! How much I am obliged to you; and when you have finished Udolpho, we will read The Italian together; and I have made out a list of ten or twelve more of the same kind for you.
Have you, indeed! How glad I am! What are they all?
I will read you their names directly; here they are, in my pocketbook. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time.
Yes, pretty well; but are they all horrid, are you sure they are all horrid?
The Midnight Bell is a gothic novel by Francis Lathom. It was first published anonymously in 1798 and has, on occasion, been wrongly attributed to George Walker. It was one of the seven "horrid novels" lampooned by Jane Austen in her novel Northanger Abbey.
Dear creature! How much I am obliged to you; and when you have finished Udolpho, we will read the Italian together; and I have made out a list of ten or twelve more of the same kind for you.
Have you, indeed! How glad I am! What are they all?
I will read you their names directly; here they are, in my pocketbook. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time.
Yes, pretty well; but are they all horrid, are you sure they are all horrid?
—Northanger Abbey, ch. 6
The Orphan of the Rhine is a gothic novel by Eleanor Sleath, listed as one of the seven "horrid novels" by Jane Austen in her novel Northanger Abbey.
Devotion is a 1946 American biographical film directed by Curtis Bernhardt and starring Ida Lupino, Paul Henreid, Olivia de Havilland, and Sydney Greenstreet. Based on a story by Theodore Reeves, the film is a highly fictionalized account of the lives of the Brontë sisters. The movie features Montagu Love's last role; he died almost three years before the film's delayed release.
The Count of Monte Cristo is a 1943 French-Italian historical drama film directed by Robert Vernay with Ferruccio Cerio as the supervising director. Based on the classic 1844 novel Le Comte de Monte Cristo by Alexandre Dumas père, this two-part film stars Pierre Richard-Willm in the title role. It was shot at the Cinecittà Studios in Rome and the Cité Elgé in Paris. The film's sets were designed by the art director René Renoux.
The eighteenth-century Gothic novel is a genre of Gothic fiction published between 1764 and roughly 1820, which had the greatest period of popularity in the 1790s. These works originated the term "Gothic" to refer to stories which evoked the sentimental and supernatural qualities of medieval romance with the new genre of the novel. After 1820, the eighteenth-century Gothic novel receded in popularity, largely overtaken by the related genre of historical fiction as pioneered by Walter Scott. The eighteenth-century Gothic was also followed by new genres of Gothic fiction like the Victorian penny dreadful.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
