The Farnese Hours is an illuminated manuscript book of hours created by Giulio Clovio for Cardinal Alessandro Farnese in 1546. Considered the masterpiece of Clovio, it is now in the Morgan Library & Museum in New York City. [1]
It is often regarded as the last major manuscript book of hours. It contains the usual texts and prayers, and illustrations with architectural borders and classical nudes. [2]
A manuscript was, traditionally, any document written by hand or typewritten, as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include any written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same.
The Metamorphoses is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his magnum opus. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines.
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds.
Palazzo Farnese or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
Giorgio Giulio Clovio or Juraj Julije Klović was an illuminator, miniaturist, and painter born in the Kingdom of Croatia, who was mostly active in Renaissance Italy. He is considered the greatest illuminator of the Italian High Renaissance, and arguably the last very notable artist in the long tradition of the illuminated manuscript, before some modern revivals.
Books of hours are Christian prayer books which were used to pray the canonical hours. The use of a book of hours was especially popular in the Middle Ages and as a result, they are the most common type of surviving medieval illuminated manuscript. Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and psalms, often with appropriate decorations, for Christian devotion. Illumination or decoration is minimal in many examples, often restricted to decorated capital letters at the start of psalms and other prayers, but books made for wealthy patrons may be extremely lavish, with full-page miniatures. These illustrations would combine picturesque scenes of country life with sacred images.
The Villa Farnese, also known as Villa Caprarola, is a pentagonal mansion in the town of Caprarola in the province of Viterbo, Northern Lazio, Italy, approximately 50 kilometres (31 mi) north-west of Rome. This villa should not be confused with the Palazzo Farnese and the Villa Farnesina, both in Rome. A property of the Republic of Italy, Villa Farnese is run by the Polo Museale del Lazio.
Valentano is a town and comune of the province of Viterbo, in the Lazio region of central Italy. It is 33 kilometres (21 mi) from the provincial capital, Viterbo.
Alessandro Farnese, an Italian cardinal and diplomat and a great collector and patron of the arts, was the grandson of Pope Paul III, and the son of Pier Luigi Farnese, Duke of Parma, who was murdered in 1547. He should not be confused with his nephew, Alessandro Farnese, Governor of the Spanish Netherlands, grandson of Emperor Charles V and great-grandson of Pope Paul III.
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957.
Events from the year 1578 in art.
Gerard Horenbout was a Flemish miniaturist, a late example of the miniature tradition in Early Netherlandish painting. He is "likely and widely accepted" to be the Master of James IV of Scotland.
The British Library is the national library of the United Kingdom and is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport.
The William L. Clements Library is a rare book and manuscript repository located on the University of Michigan's central campus in Ann Arbor, Michigan. Specializing in Americana and particularly North American history prior to the twentieth century, the holdings of the Clements Library are grouped into four categories: Books, Manuscripts, Graphics and Maps. The library's collection of primary source materials is expansive and particularly rich in the areas of social history, the American Revolution, and the colonization of North America. The Book collection includes 80,000 rare books, pamphlets, broadsides, and periodicals. Within the other divisions, the library holds 600 atlases, approximately 30,000 maps, 99,400 prints and photographs, 134 culinary periodicals, 20,000 pieces of ephemera, 2,600 manuscript collections, 150 pieces of artwork, 100 pieces of realia, and 15,000 pieces of sheet music.
The Hours of Mary of Burgundy is a book of hours, a form of devotional book for lay-people, completed in Flanders around 1477, and now in the National Library of Austria. It was probably commissioned for Mary, the ruler of the Burgundian Netherlands and then the wealthiest woman in Europe. No records survive as to its commission. The book contains 187 folios, each measuring 225 by 150 millimetres. It consists of the Roman Liturgy of the Hours, 24 calendar roundels, 20 full-page miniatures and 16 quarter-page format illustrations. Its production began c. 1470, and includes miniatures by several artists, of which the foremost was the unidentified but influential illuminator known as the Master of Mary of Burgundy, who provides the book with its most meticulously detailed illustrations and borders. Other miniatures, considered of an older tradition, were contributed by Simon Marmion, Willem Vrelant and Lieven van Lathem. The majority of the calligraphy is attributed to Nicolas Spierinc, with whom the Master collaborated on other works and who may also have provided a number of illustrations.
De materia medica is a pharmacopoeia of medicinal plants and the medicines that can be obtained from them. The five-volume work was written between 50 and 70 CE by Pedanius Dioscorides, a Greek physician in the Roman army. It was widely read for more than 1,500 years until supplanted by revised herbals in the Renaissance, making it one of the longest-lasting of all natural history and pharmacology books.
Margaret Mary Manion is an Australian art historian and curator recognised internationally for her scholarship on the art of the illuminated manuscript. She has published on Medieval and Renaissance liturgical and devotional works, in particular, on Books of Hours – the Wharncliffe Hours, the Aspremont-Kievraing Hours, the Très Riches Heures. She was instrumental in cataloguing Medieval and Renaissance illuminated manuscripts in Australian and New Zealand collections. She was Herald Chair Professor of Fine Arts at the University of Melbourne from 1979 to 1995, also serving as Deputy Dean and Acting Dean in the Faculty of Arts, Associate Dean for Research, Pro-Vice-Chancellor from 1985 to 1988, and in 1987, the first woman to chair the University's Academic Board.
Healing of the Man Born Blind is a c.1573 painting by El Greco, showing the healing the man blind from birth. It is now in the Galleria nazionale di Parma. It is signed at the bottom right-hand corner. It shows the artist returning to a theme he had first painted five years earlier, in a work now in Dresden.
El Soplón or Boy Blowing on an Ember is a 1571-1572 oil on canvas painting by El Greco, produced during his stay in Rome and inspired by a passage in Pliny the Elder's Naturalis historia. It and Portrait of Giulio Clovio are among the first of his paintings of figures. He later re-used the figure for The Fable (1580).
Portrait of Giulio Clovio is a Renaissance era painting by El Greco c.1571. It was commissioned by Italian cardinal Alessandro Farnese during the artist's stay in Rome. It formed part of the Farnese collection. Charles of Bourbon inherited it in 1734 and moved it to Naples, where it now hangs in the Museo di Capodimonte.