Author | Robert Burton |
---|---|
Language | Early Modern English |
Genre | Medicine, philosophy |
Publication date | 1621, 1624, 1628, 1632, 1638, and 1651 |
Publication place | England |
Media type | |
616.89 | |
LC Class | PR2223 .A1 |
The Anatomy of Melancholy (full title: The Anatomy of Melancholy, What it is: With all the Kinds, Causes, Symptomes, Prognostickes, and Several Cures of it. In Three Maine Partitions with their several Sections, Members, and Subsections. Philosophically, Medicinally, Historically, Opened and Cut Up) is a book by Robert Burton, first published in 1621, [1] but republished five more times over the next seventeen years with massive alterations and expansions.
On its surface, the book is presented as a medical textbook in which Burton applies his vast and varied learning, in the scholastic manner, to the subject of melancholia (or clinical depression). Although presented as a medical text, The Anatomy of Melancholy is as much a sui generis (unique) work of literature as it is a scientific or philosophical text, as Burton covers far more than the titular subject. Anatomy uses melancholy as a lens through which all human emotion and thought may be scrutinized, and virtually the entire contents of a 17th-century library are marshalled into service of this goal. [2] It is encyclopedic in its range and reference.
In his satirical preface to the reader, Burton's persona and pseudonym "Democritus Junior" explains, "I write of melancholy by being busy to avoid melancholy." This is characteristic of the author's style, which often supersedes the book's strengths as a medical text or historical document as its main source of appeal to admirers. Both satirical and serious in tone, the Anatomy is "vitalized by [Burton's] pervading humour", [3] and Burton's digressive and inclusive style, often verging on a stream of consciousness, consistently informs and animates the text.[ citation needed ] In addition to the author's techniques, the Anatomy's vast breadth – addressing topics such as digestion, goblins, the geography of America, and others [2] – make it a valuable contribution to multiple disciplines.
Burton was an obsessive editor of his own work, publishing five revised and expanded editions of The Anatomy of Melancholy during his lifetime. It has often been out of print, particularly between 1676 and 1800. [4] Because no original manuscript of the Anatomy has survived, later reprints have drawn more or less faithfully from the editions published during Burton's life. [5] Early editions have entered the public domain, with several available from online sources such as Project Gutenberg. In recent decades, increased interest in the book, combined with its public domain status, has resulted in new print editions, most recently a 2001 reprinting of the 1932 edition by The New York Review of Books under its NYRB Classics imprint ( ISBN 0-940322-66-8), [2] and a new edition in 2023 under the Penguin Classics imprint, edited by Angus Gowland ( ISBN 978-0-141192-28-4).
Burton defined his subject as:
Melancholy, the subject of our present discourse, is either in disposition or in habit. In disposition, is that transitory Melancholy which goes and comes upon every small occasion of sorrow, need, sickness, trouble, fear, grief, passion, or perturbation of the mind, any manner of care, discontent, or thought, which causes anguish, dulness, heaviness and vexation of spirit, any ways opposite to pleasure, mirth, joy, delight, causing forwardness in us, or a dislike. In which equivocal and improper sense, we call him melancholy, that is dull, sad, sour, lumpish, ill-disposed, solitary, any way moved, or displeased. And from these melancholy dispositions no man living is free, no Stoic, none so wise, none so happy, none so patient, so generous, so godly, so divine, that can vindicate himself; so well-composed, but more or less, some time or other, he feels the smart of it. Melancholy in this sense is the character of Mortality... This Melancholy of which we are to treat, is a habit, a serious ailment, a settled humour, as Aurelianus and others call it, not errant, but fixed: and as it was long increasing, so, now being (pleasant or painful) grown to a habit, it will hardly be removed.
In expounding on his subject, Burton drew from nearly every science of his day, including psychology and physiology, but also astronomy, meteorology, theology, and even astrology and demonology.
Much of the book quotes [6] ancient and medieval medical authorities, beginning with Hippocrates, Aristotle, and Galen. Hence the Anatomy is filled with more or less pertinent references to the works of others. A competent Latinist, Burton included a great deal of Latin poetry in the Anatomy, much of it from ancient sources left untranslated. Although his "citations" sound convincing, many are incorrect, taken out of context, or simply fabricated. [7] [8]
The Anatomy of Melancholy is especially lengthy, the first edition being a single quarto volume nearly 900 pages long; subsequent editions were even longer. [9] The text has three major sections plus an introduction, written in Burton's sprawling style. Characteristically, the introduction includes not only an author's note (titled "Democritus Junior to the Reader"), but also a Latin poem ("Democritus Junior to His Book"), a warning to "The Reader Who Employs His Leisure Ill", an abstract of the following text, and another poem explaining the frontispiece. The following three sections proceed in a similarly exhaustive fashion: the first section focuses on the causes and symptoms of "common" melancholies, the second section deals with cures for melancholy, and the third section explores more complex and esoteric melancholies, including the melancholy of lovers and all manner of religious melancholies. The Anatomy concludes with an extensive index (which The New York Times Book Review called "a readerly pleasure in itself" [10] ). Most modern editions add explanatory notes and translate most of the Latin. [2]
Admirers of The Anatomy of Melancholy range from Samuel Johnson, [11] Holbrook Jackson (whose Anatomy of Bibliomania [1930] was based on the style and presentation), George Armstrong Custer, Charles Lamb and John Keats (who said it was his favourite book) to Northrop Frye, Stanley Fish, Anthony Powell, Philip Pullman, [12] Cy Twombly, Jorge Luis Borges (who used a quote as an epigraph to his story "The Library of Babel"), O. Henry (William Sidney Porter), William Gass (who wrote the Introduction to the NYRB Classics 2001 reprint), Nick Cave, Samuel Beckett [13] and Jacques Barzun (who sees it anticipating 20th-century psychiatry). [14] According to The Guardian literary critic Nick Lezard, the Anatomy "survives among the cognoscenti". [15] Washington Irving quotes from it on the title page of The Sketch Book .
Burton's solemn tone and his endeavour to prove indisputable facts by weighty quotations were ridiculed by Laurence Sterne in Tristram Shandy . [16] [17] Sterne also mocked Burton's divisions in the titles of his chapters, and parodied his grave and sober account of Cicero's grief for the death of his daughter Tullia. [16]
Burton sometimes quotes with great accuracy, but this is not usual
Democritus was an Ancient Greek pre-Socratic philosopher from Abdera, primarily remembered today for his formulation of an atomic theory of the universe. Democritus wrote extensively on a wide variety of topics.
Laurence Sterne was an Anglo-Irish novelist and Anglican cleric who wrote the novels The Life and Opinions of Tristram Shandy, Gentleman and A Sentimental Journey Through France and Italy, published sermons and memoirs, and indulged in local politics. He grew up in a military family, travelling mainly in Ireland but briefly in England. An uncle paid for Sterne to attend Hipperholme Grammar School in the West Riding of Yorkshire, as Sterne's father was ordered to Jamaica, where he died of malaria some years later. He attended Jesus College, Cambridge on a sizarship, gaining bachelor's and master's degrees. While Vicar of Sutton-on-the-Forest, Yorkshire, he married Elizabeth Lumley in 1741. His ecclesiastical satire A Political Romance infuriated the church and was burnt.
Melancholia or melancholy is a concept found throughout ancient, medieval, and premodern medicine in Europe that describes a condition characterized by markedly depressed mood, bodily complaints, and sometimes hallucinations and delusions.
Robert Burton was an English author and fellow of Oxford University, known for his encyclopedic The Anatomy of Melancholy.
Paul Jordan-Smith was an American Universalist minister who also worked as a writer, lecturer and editor. Academically, he is regarded as one of the foremost authorities on the 17th-century British author and scholar Robert Burton. However, he is most well known for originating the hoax art movement Disumbrationism.
Jacques Martin Barzun was a French-born American historian known for his studies of the history of ideas and cultural history. He wrote about a wide range of subjects, including baseball, mystery novels, and classical music, and was also known as a philosopher of education. In the book Teacher in America (1945), Barzun influenced the training of schoolteachers in the United States.
Bibliomania can be a symptom of obsessive–compulsive disorder which involves the collecting or even hoarding of books to the point where social relations or health are damaged.
Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life, and art.
The Life and Opinions of Tristram Shandy, Gentleman, also known as Tristram Shandy, is a novel by Laurence Sterne. It was published in nine volumes, the first two appearing in 1759, and seven others following over the next seven years. It purports to be a biography of the eponymous character. Its style is marked by digression, double entendre, and graphic devices. The first edition was printed by Ann Ward on Coney Street, York.
The genre of Menippean satire is a form of satire, usually in prose, that is characterized by attacking mental attitudes rather than specific individuals or entities. It has been broadly described as a mixture of allegory, picaresque narrative, and satirical commentary. Other features found in Menippean satire are different forms of parody and mythological burlesque, a critique of the myths inherited from traditional culture, a rhapsodic nature, a fragmented narrative, the combination of many different targets, and the rapid moving between styles and points of view.
Georg Christoph Lichtenberg was a German physicist, satirist, and Anglophile. He was the first person in Germany to hold a professorship explicitly dedicated to experimental physics. He is remembered for his posthumously published notebooks, which he himself called Sudelbücher, a description modelled on the English bookkeeping term "waste books" or "scrapbooks", and for his discovery of the tree-like electrical discharge patterns now called Lichtenberg figures.
Crepitus is an alleged Roman god of flatulence created by Christians and used in their literature frequently as a fascinating subject to them. It is unlikely that Crepitus was ever actually worshipped. The only ancient source for the claim that such a god was ever worshipped comes from Christian satire. The name Crepitus standing alone would be an inadequate and unlikely name for such a god in Latin. The god appears, however, in a number of important works of French literature.
Gillian Rosemary Rose was a British philosopher and writer. Rose held the chair of social and political thought at the University of Warwick until 1995. Rose began her teaching career at the University of Sussex. She worked in the fields of philosophy and sociology. Her writings include The Melancholy Science, Hegel Contra Sociology, Dialectic of Nihilism, Mourning Becomes the Law, and Paradiso, among others.
Richard Swineshead was an English mathematician, logician, and natural philosopher. He was perhaps the greatest of the Oxford Calculators of Merton College, where he was a fellow certainly by 1344 and possibly by 1340. His magnum opus was a series of treatises known as the Liber calculationum, written c. 1350, which earned him the nickname of The Calculator.
New York Review Books (NYRB) is the publishing division of The New York Review of Books. Its imprints are New York Review Books Classics, New York Review Books Collections, The New York Review Children's Collection, New York Review Comics, New York Review Books Poets, and NYRB Lit.
The Latin expression Pro captu lectoris habent sua fata libelli, is verse 1286 of De litteris, De syllabis, De Metris by Terentianus Maurus. Libelli is the plural of the Latin word libellus, which is a diminutive of liber ("book"), suggesting the qualification was actually meant but in fact libellus was used to mean tracts, pamphlets etc.
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Boris Dralyuk is a Ukrainian-American writer, editor and translator. He obtained his high school degree from Fairfax High School and his PhD in Slavic Languages and Literatures from UCLA. He teaches in the English Department at the University of Tulsa. He has taught Russian literature at his alma mater and at the University of St Andrews, Scotland. He was executive editor and editor-in-chief of the Los Angeles Review of Books from 2016 to 2022 and the managing editor of Cardinal Points from 2016 to 2022. In 2024 he was named the editor-in-chief of Nimrod International Journal.